Lara Downes, SFCM Orchestra & Edwin Outwater – Rhapsody in Blue Reimagined (2024) [Official Digital Download 24bit/96kHz]

Lara Downes, SFCM Orchestra & Edwin Outwater – Rhapsody in Blue Reimagined (2024)
FLAC (tracks) 24 bit/96 kHz | Time – 35:37 minutes | 669 MB | Genre: Classical
Studio Masters, Official Digital Download | Front Cover | © PENTATONE

In February 1924, George Gershwin’s Rhapsody in Blue was premiered in New York City, capturing the exuberant essence of what Gershwin called “a musical kaleidoscope of America.” 100 years later, American pianist Lara Downes reimagines Gershwin’s masterpiece to reflect on a century of immigration and transformation. Downes has commissioned a radical new arrangement of Rhapsody In Blue by Puerto Rican composer Edmar Colón that reverberates with the multicultural, kaleidoscopic sounds of America today. Rhapsody In Blue Reimagined, a 30-minute piece featuring Downes at the piano, was recorded with the dynamic young musicians of the San Francisco Conservatory of Music Orchestra.

An iconoclast and trailblazer, Lara Downes’s dynamic work as a sought-after soloist, Billboard chart-topping recording artist, radio show host, producer, curator, arts activist and advocate positions her as a cultural visionary.

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Chicago Symphony Orchestra, Edwin Outwater, Mason Bates – Philharmonia Fantastique: The Making of the Orchestra (2022) [Official Digital Download 24bit/48kHz]

Chicago Symphony Orchestra, Edwin Outwater, Mason Bates - Philharmonia Fantastique: The Making of the Orchestra (2022) [Official Digital Download 24bit/48kHz] Download

Chicago Symphony Orchestra, Edwin Outwater, Mason Bates – Philharmonia Fantastique: The Making of the Orchestra (2022)
FLAC (tracks) 24 bit/48 kHz | Time – 22:58 minutes | 256 MB | Genre: Classical
Studio Masters, Official Digital Download | Digital Booklet, Front Cover | © Sony Classical

Inspired by a desire to offer my own kids a fresh guide to the orchestra, Philharmonia Fantastique was created to showcase both the artistic and technical wonders of the medium. Like its predecessors Peter & the Wolf and Young Person’s Guide to the Orchestra, it colorfully presents the instruments of the orchestra in the medium of a film soundtrack. Philharmonia Fantastique uses both musical genre and electronic sounds for characterization: noir-ish jazz for the woodwinds; bending lyricism in the strings; dark techno for the brass; drum-corps in the percussion; and, for our Sprite protagonist, a simple yet harmonically wandering piano melody.
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