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Denis Pascal – Schubert, Vol. 3 (2024)
FLAC (tracks) 24 bit/96 kHz | Time – 01:00:50 minutes | 882 MB | Genre: Classical
Studio Masters, Official Digital Download | Front Cover | © La Musica
Great works of art outstrip their creator. Infused with substance unsuspected at their inception, they elicit intellectual and emotional perceptions in successive generations, gradually becoming a touchstone. Operating into the present, they pose real questions. Journeying through time, they abolish time and continue to resonate, fully and validly, in a world inconceivable at the time of their creation.
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Denis Pascal – Satie: Gymnopedies (2022)
FLAC (tracks) 24 bit/96 kHz | Time – 01:11:50 minutes | 1,17 GB | Genre: Classical
Studio Masters, Official Digital Download | Front Cover | © La Musica
Erik Satie occupe une place à part, musicien insaisissable dont on peut mesurer l’importance par l’influence qu’il exerça sur des compositeurs tels que Ravel, Stravinski ou même Debussy, qui était son ami. Son oeuvre pour piano la plus célèbre est sans doute le recueil des Trois Gymnopédies (1888), songe éveillé de la Grèce antique dont la lumineuse transparence va de paire avec une écriture parfaite. Denis Pascal en restitue ici toutes les couleurs, sublimant chaque nuance, chaque phrasé, donnant à la musique de Satie une modernité nouvelle.
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Denis Pascal, Aurélien Pascal, Svetlin Roussev & David Lively – Ravel à Gaveau (2016)
FLAC (tracks) 24 bit/96 kHz | Time – 01:19:03 minutes | 1,22 GB | Genre: Classical
Studio Masters, Official Digital Download | Front Cover | © La Musica
Maurice Ravel has created some of his major pieces in the Salle Gaveau : the Valses nobles et sentimentales, Le Tombeau de Couperin, the Trio avec Piano and Tzigane. It is the task of Svetlin Roussev, Aurélien Pascal, David Lively and Denis Pascal to perform these mythical works in the context of their creation.
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Denis Pascal, Aurélien Pascal, Alexandre Pascal – Schubert: Trios Op. 99 & Op. 100 (2021)
FLAC (tracks) 24 bit/96 kHz | Time – 01:23:32 minutes | 1,31 GB | Genre: Classical
Studio Masters, Official Digital Download | Front Cover | © La Musica
As with many episodes in Franz Schubert’s life, uncertainty surrounds the origins of his two trios for piano, violin and cello. We know that they were played to a Viennese audience, one on 26 December 1827 and the other on 26 March 1828, but not in which order. Although it is more likely that the Trio no. 1 in B flat major op. 99 was performed before the Trio no. 2 in E flat major op. 100, musicologists remain divided on the subject. Documentary sources provide a certain amount of information about the Trio op. 100: the manuscript tells us it was composed in November 1827, while Schubert’s correspondence shows a composer desperate to have his work published, even to the extent of removing a number of development sections and a repeat from the final movement because some publishers found the work too long. The manuscript of the first trio has been lost. By comparing indirect evidence, however, including the different types of manuscript paper Schubert used, we may conjecture that the Trio op. 99 was also composed in the autumn of 1827.
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