Daniel Bjarnason

Iceland Symphony Orchestra, Daníel Bjarnason – A Prayer To The Dynamo / Suites from Sicario & The Theory of Everything (2023)
FLAC (tracks) 24 bit/96 kHz | Time – 01:00:46 minutes | 1,06 GB | Genre: Classical
Studio Masters, Official Digital Download | Front Cover | © Deutsche Grammophon (DG)

Deutsche Grammophon is proud to release the world premiere recording of Jóhann Jóhannsson’s A Prayer to the Dynamo. This major orchestral work was inspired in general by the composer’s fascination with technology, and in particular by field recordings he made at Iceland’s Elliðaár power plant and the writings of Henry Adams.

It is paired on this new album with two suites compiled and arranged by the composer from existing material drawn from his Academy Award-nominated scores for Sicario and The Theory of Everything, also recorded here for the first time.

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Iceland Symphony Orchestra & Daníel Bjarnason – ATMOSPHERIQUES Vol. I (2023)
FLAC (tracks) 24 bit/192 kHz | Time – 58:55 minutes | 1,87 GB | Genre: Classical
Studio Masters, Official Digital Download | Front Cover | © Sono Luminus

At the risk of getting doxxed by my musician colleagues, I’m going to divulge a dark truth about classical music: it’s never as captivating or molecule-altering for anyone as it is for us on stage. Which is why I often find classical records, especially those of the orchestral persuasion, so underwhelming. So not… immediate. Which is why I am approaching zealot status in my admiration for Sono Luminus and the way in which it submerges listeners within reach of the Atlantis that is the on-stage experience. Which is why, save for live performance, the often inimitable new-music originating in, or in proximity to, Iceland (homeland to an unreasonable percentage of the composers living rent-free in my headphones for more than a decade) has found it’s most ardent advocate and most clarion amplifier in Winchester, Virginia. Certainly it’s exceptional national orchestra has. Despite a bewildering insistence by journalists to characterize music written by those with Icelandic surnames as a monolith, the entries on this tracklist are as singular as hand blown glass. The inclusion of American sonic clairvoyant Missy Mazzoli is a helpful geographic foil here, but there is one element fusing all of these inventions: Your person is about to feel minuscule or massive, by contrast to – or motivated by – these sounds. Anna Thorvaldsdottir’s music is often intimidatingly cyclopean, and Catamorphosis at times mimics the cosmic indifference of Lovecraft- ian deities, but it simultaneously introduces an iridescent hope I have not encountered before in her music. Mazzoli’s Sinfonia (for Orbiting Spheres) catapults us from one end of a pulsing solar system to the other while Daníel Bjarnason’s From Space I Saw Earth improbably stretches perspective from earth to the moon and back, seeming somehow both terrestrial and paranormal within a single phrase. Maria Huld Markan Sigfúsdóttir’s Clockworking bridges a similar expanse, coexisting within the measurable realm of time-keeping… and the immeasurable realm of what occurs as the seconds tick by. Is Bára Gísladóttir’s ÓS gasping in air, or desperately exhaling? Whatever your observation, and as with every waypoint on this illusory itinerary, the answer is likely: both.

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Iceland Symphony Orchestra & Daniel Bjarnason – Occurrence (2021)
FLAC (tracks) 24 bit/192 kHz | Time – 01:10:44 minutes | 2,23 GB | Genre: Classical
Studio Masters, Official Digital Download | Front Cover | © Sono Luminus

“Occurrence is the third, and at least for now the last, in a hugely illuminating series devoted to works by contemporary Icelandic composers, as performed by Iceland’s 70-year-old national orchestra. Speaking for myself – and surely for many others, as well – the series has been a milestone project, one that any conscientious collector of symphonic music simply must have on the shelf. Across three CDs now, Sono Luminus has capitalized shrewdly on swelling global interest in the music of Daníel Bjarnason and Anna Thorvaldsdottir, using their works as a means by which to introduce seven more composers with original, substantial voices.

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