Nicolò Balducci, Dolci Affetti, Dan Laurin, Anna Paradiso – Castrapolis: Neapolitan Cantatas and Arias (2022) [Official Digital Download 24bit/96kHz]

Nicolò Balducci, Dolci Affetti, Dan Laurin, Anna Paradiso - Castrapolis: Neapolitan Cantatas and Arias (2022) [Official Digital Download 24bit/96kHz] Download

Nicolò Balducci, Dolci Affetti, Dan Laurin, Anna Paradiso – Castrapolis: Neapolitan Cantatas and Arias (2022)
FLAC (tracks) 24 bit/96 kHz | Time – 01:21:14 minutes | 1,51 GB | Genre: Classical
Studio Masters, Official Digital Download | Digital Booklet, Front Cover | © BIS

During the 17th and 18th centuries, Naples’ fame as a musical centre attracted travellers, composers, instrumentalists and virtuoso singers alike. Among the aspiring musicians, the most highly-trained and sought-after were the castrati, promising boys aged between 8 and 12 who were subjected to an operation intended to preserve the exceptionally pure timbre of their treble voice. Forever virginal beings whose superhuman voices mesmerized their listeners they were nicknamed angiolilli, ‘little angels’, and sang in the most important churches and theatres of ‘Castrapolis’, a term coined to describe the southern capital and its high concentration of castrato sopranos.
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Höör Barock, Dan Laurin – Johann Helmich Roman: Golovinmusiken, BeRI 1 (2019) [Official Digital Download 24bit/96kHz]

Höör Barock, Dan Laurin – Johann Helmich Roman: Golovinmusiken, BeRI 1 (2019)
FLAC (tracks) 24 bit/96 kHz | Time – 01:21:53 minutes | 1,48 GB | Genre: Classical
Studio Masters, Official Digital Download | Front Cover | © BIS

In 1728, the recently appointed court Kapellmeister Johan Helmich Roman was approached by Count Golovin, the Russian ambassador in Stockholm. Golovin was organizing a celebration of the recent coronation in Moscow of Tsar Peter II, and naturally wanted music to add to the festivities. His six years in London – where he made the acquaintance of Handel among others – and subsequent experience as assistant court Kapellmeister, made Roman the obvious choice for the count. The result was Golovinmusiken (The Golovin Music), an autograph score consisting of 45 movements of varying lengths. These are the facts as we know them, and everything else is conjecture: Roman’s manuscript lacks vital instructions regarding instrumentation, dynamics or tempi, and although the first three movements are in four parts, the rest are in three parts or (in a few cases) two. When a performing edition was being prepared in the 1980s, the editors came to the conclusion that the material was in fact incomplete, and a second violin part was added. It was also deemed that the order of the movements was probably not the one in which they would have been performed. The edition in question formed the basis for a partial recording of the work, comprising 22 movements. 290 years after Count Golovin’s feast, as Dan Laurin and his colleagues in Höör Barock recorded the complete work, their approach was a different one. Making use of a total of 18 different instruments – from sopranino recorder and oboe da caccia to bassoon, strings and baroque guitar – and featuring highly imaginative continuo playing from Anna Paradiso at the harpsichord, their performance sounds as full and varied as one might wish for, without any added parts. Laurin’s performing version also follows the order of Roman’s score, creating a number of smaller suites out of this greater whole that a wider audience now can enjoy for the very first time.

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Dan Laurin – Telemann: Recorder Sonatas (2022) [Official Digital Download 24bit/96kHz]

Dan Laurin – Telemann: Recorder Sonatas (2022)
FLAC (tracks) 24 bit/96 kHz | Time – 01:09:59 minutes | 1,43 GB | Genre: Classical
Studio Masters, Official Digital Download | Front Cover | © BIS

Over the past decades, Dan Laurin has established himself as one of the most interesting recorder players of our time. His more than 30 critically acclaimed releases on BIS range from a seminal set of van Eyck’s Der Fluyten Lust-hof to contemporary concertos. The first recordings Laurin made for the label were of duets by Georg Philipp Telemann, and since then he has returned to the composer several times, recording chamber music and concertos. It is only now that he has set the complete sonatas, however – works that he describes in his liner notes as forming part of most recorder players’ “musical DNA”.

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