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Andris Nelsons, Boston Symphony Orchestra – Shostakovich: Symphonies Nos. 1, 14 & 15; Chamber Symphony in C Minor (2021)
FLAC (tracks) 24 bit/96 kHz | Time – 02:37:24 minutes | 2,50 GB | Genre: Classical
Studio Masters, Official Digital Download | Digital Booklet, Front Cover | © Deutsche Grammophon (DG)
In this installment in “an ongoing Shostakovich survey”, Andris Nelsons and the Boston Symphony Orchestra bookend the composer’s brilliant, often turbulent symphonic career. Nearly half a century lies between Shostakovich’s triumphant debut with the First, premiered before his 20th birthday, and the Fifteenth, an inventory of influences written under the shadow of his own mortality. Penned just two years earlier, the Fourteenth is a symphonic song cycle, and the Chamber Symphony is a skillful adaptation of his tragic String Quartet No. 8. © Deutsche Grammophon
Details of original recording : Recorded : Boston,Symphony Hall, 2/2018 (Symphony No.14), 11/2018 (Symphony No.1), 4/2019 (Symphony No.15), 1/2020 (Chamber Symphony)
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![Kirill Gerstein, Boston Symphony Orchestra, Thomas Adès - Adès Conducts Adès (2020) [Official Digital Download 24bit/96kHz] Download](https://i0.wp.com/imghd.xyz/images/2022/08/18/lflfb6r819b7a_600.jpg?resize=500%2C500&ssl=1)
Kirill Gerstein, Boston Symphony Orchestra, Thomas Adès – Adès Conducts Adès (2020)
FLAC (tracks) 24 bit/96 kHz | Time – 55:59 minutes | 1,05 GB | Genre: Classical
Studio Masters, Official Digital Download | Front Cover | © Deutsche Grammophon (DG)
In March this year, Thomas Adès, one of the most acclaimed and most frequently performed contemporary composers of our time, conducted the Boston Symphony Orchestra and Kirill Gerstein performing the world premiere of his Concerto for Piano and Orchestra. Comissioned by the BSO for Kirill Gerstein the work already is becoming part of the concert repertoire worldwide.
This live recording of what turned out to be a ravishing celebration of contemporary music, receiving rapturous response from audience and critics alike, is paired on the album with Adès’s 2013 work Totentanz.
Totentanz brings together baritone (Mark Stone) and mezzo-soprano (Christianne Stotijn) soloists with a (very) large orchestra, unfolding a dialogue between a charismatic and gleefully macabre Grim Reaper and the procession of his many victims, from Pope to Maiden and Child.
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Seiji Ozawa, Boston Symphony Orchestra – Ravel: Orchestral Works (1974) [Reissue 2004]
SACD Rip | SACD ISO | DST64 2.0 & 5.0 > 1-bit/2.8224 MHz | 76:20 minutes | Scans included | 3,05 GB
or FLAC 2.0 Stereo (converted with foobar2000 to tracks) 24bit/88,2 kHz | Scans included | 1,33 GB
Features Stereo and Multichannel Surround Sound | Label: PentaTone PTC 5186204
Every orchestra has a characteristic sound & personality that identifies them through the ages, & in the case of the Boston Symphony Orchestra it is their contoured string & wind elegance, panache & suavity that marks them out as the premier Francophone American orchestra. With Seiji Ozawa at the helm, a conductor much identified with French repertoire, these Quad recordings of Maurice Ravel, accomplished during his long tenure as music director, are afforded the sonic treatment they deserve & are now able to receive given the latest SACD technology employed by Pentatone enabling the release of the full spectrum of sound captured by a previous eras sound engineers.
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Rafael Kubelik, Boston Symphony Orchestra – Smetana: Má vlast (1971) [Japanese SHM-SACD 2011]
Classical | SACD ISO: DSD64 2.0 > 1-bit/2.8224 MHz | 01:15:48 | 3.04 GB
Label: Deutsche Grammophon / Universal Japan – UCGG-9029 | Release Year: 2011
チェコ出身、ドイツを中心に国際的に活躍した20世紀の巨匠、ラファエル・クーベリック（1914-1996）は交響詩《わが祖国》を得意とし、5種類の全曲盤を遺しました。その中でも録音と演奏が理想的なバランスを保っているのがボストン交響楽団を指揮した当盤です。 [独Emil Berliner Studios 制作2011年最新DSDマスター]
http://www.universal-music.co.jp/p/UCGG-9029/?s=69747
Read more![Boston Symphony Orchestra, Andris Nelsons - Brahms: The Symphonies (2017) [Official Digital Download 24bit/192kHz] Download](https://i0.wp.com/imghd.xyz/images/2022/06/20/K8V8lHS.jpg?resize=500%2C500&ssl=1)
Boston Symphony Orchestra, Andris Nelsons – Brahms: The Symphonies (2017)
FLAC (tracks) 24 bit/192 kHz | Time – 02:48:38 minutes | 4,06 GB | Genre: Classical
Studio Masters, Official Digital Download | Digital Booklet, Front Cover | © BSO Classics
The Boston Symphony Orchestra and Andris Nelsons are pleased to release their latest recordings on BSO Classics–a three-disc set of the four Brahms symphonies, recorded live during concert performances at Symphony Hall in November 2016, engineered by the same in-house team that produced the BSO’s Grammy-winning Shostakovich recordings under Maestro Nelsons on Deutsche Grammophon. This new Brahms symphony cycle follows two others recorded previously by the BSO, under Erich Leinsdorf in the mid-1960s and Bernard Haitink in the early 1990s. ”It makes me so proud and happy,” observes Andris Nelsons, ”that the Boston Symphony Orchestra of today, filled with so many great musicians, will now have its own place in recorded history with this amazing music.”
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![Andris Nelsons, Boston Symphony Orchestra - Shostakovich: Symphonies Nos. 6 & 7; Incidental Music to „King Lear” (Live at Symphony Hall, Boston / 2017) (2019) [Official Digital Download 24bit/96kHz] Download](https://i0.wp.com/imghd.xyz/images/2022/06/20/s0c0cno4fjegc_600.jpg?resize=500%2C500&ssl=1)
Andris Nelsons, Boston Symphony Orchestra – Shostakovich: Symphonies Nos. 6 & 7; Incidental Music to „King Lear” (Live at Symphony Hall, Boston / 2017) (2019)
FLAC (tracks) 24 bit/96 kHz | Time – 02:12:09 minutes | 2,16 GB | Genre: Classical
Studio Masters, Official Digital Download | Digital Booklet, Front Cover | © Deutsche Grammophon (DG)
Following upon their previous Grammy-winning releases on Deutsche Grammophon of Shostakovich’s symphonies 5, 8, 9, and 10, this new, two-disc “Under Stalin’s Shadow” set from Andris Nelsons and the Boston Symphony Orchestra pairs live performances of the SYMPHONY NO. 7, “LENINGRAD,” from 1941, representing the resistance of the Russian people to the Nazi siege of that city, and the rarely heard, multi-faceted SYMPHONY NO. 6, from 1939.
Filling out the set are the composer’s celebratory “Festive Overture,” Op. 96, and a suite from his incidental music to a 1940 Leningrad production of Shakespeare’s “King Lear.”
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