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Bojan Čičić & Steven Devine – Handel: Complete Violin Sonatas (2024)
FLAC (tracks) 24 bit/96 kHz | Time – 01:06:04 minutes | 1,31 GB | Genre: Classical
Studio Masters, Official Digital Download | Front Cover | © Delphian Records
Though better known as a virtuoso keyboard player, as a young man Handel also trained as a violinist. His works for violin and harpsichord, says essayist Donald Burrows, ‘do not attract attention by flashy virtuosity: rather, they are flowing and agreeable chamber music, in which the violinist is in musical conversation with the keyboard player’.
Who better to guide us in this conversation than two early music stars – Bojan Čičić, fresh from acclaimed solo recordings of Bach and Johann Jakob Walther; and Steven Devine, who has known the magnificent 1756 Kirckman harpsichord since boyhood and for whom, he says, it is a privilege and delight to record these Handel Sonatas on it.
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The Marian Consort, The Illyria Consort & Bojan Čičić – Adriatic Voyage: Seventeenth-Century Music from Venice to Dalmatia (2021)
FLAC (tracks) 24 bit/96 kHz | Time – 58:26 minutes | 1000 MB | Genre: Classical
Studio Masters, Official Digital Download | Front Cover | © Delphian Records LTD
In March 1575, a party led by the Venetian diplomat Giacomo Soranzo set out on a mission to Constantinople. They sailed down the Istrian coast, along the length of present-day Croatia, and on to the Bay of Kotor. Much of the land they passed was the territory of the Serenissima – inhabited by both Italians and Slavs, and of strategic importance since it was exposed to constant Turkish threats from the Balkan hinterland.
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Bojan Čičić – Bach: Partitas & Sonatas BWV 1001 — 1006 (2023)
FLAC (tracks) 24 bit/96 kHz | Time – 02:25:41 minutes | 2,85 GB | Genre: Classical
Studio Masters, Official Digital Download | Front Cover | © Delphian Records
Hearing guitarist Sean Shibes Bach recital, recorded in Delphians fifteenth-century Scottish venue, Baroque violinist Bojan Cicic was inspired during the first lockdown to begin recording Bachs iconic Partitas and Sonatas. Amid the gloom of the pandemic and restrictions on performances, Cicic travelled north when allowed to explore the intense rigours of Bachs fugues and shining virtuosity of the Partitas fast movements. Dedicated to his late violin professor and with a booklet essay written by Mahan Esfahani, for Bojan Cicic the making of this recording in the snowbound Scottish countryside has been his greatest career highlight a journey for him from darkness into light.
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Academy of Ancient Music, Laurence Cummings, Bojan Čičić, Robert Levin – Mozart: Piano Concertos No. 5 & Church Sonata No. 17 (2023)
FLAC (tracks) 24 bit/192 kHz | Time – 01:02:30 minutes | 2,05 GB | Genre: Classical
Studio Masters, Official Digital Download | Front Cover | © AAM Records
Academy of Ancient Music (AAM) continues a celebrated project to record Mozart’s complete works for keyboard and orchestra, with this tenth volume of the series. Together with renowned scholar-pianist Robert Levin, and directed by Laurence Cummings and Bojan cicic, AAM presents the Church Sonata. No. 17 alongside the Piano Concerto No. 5 – Mozart’s first original keyboard concerto – both for orchestra and organ. The three K107 concertos are joined by a concerto movement from the music book of Mozart’s sister, Nannerl, believed to have been drafted by Mozart as a young child, and completed here by Robert Levin. The hardback CD package is accompanied by comprehensive notes commissioned specially for the album.
Read more![Bojan Čičić, The Illyria Consort - La Notte: Concertos & Pastorales for Christmas Night (2022) [Official Digital Download 24bit/96kHz] Download](https://i0.wp.com/imghd.xyz/images/2023/01/05/fs4yihkd9n5ic_600.jpg?resize=500%2C500&ssl=1)
Bojan Čičić, The Illyria Consort – La Notte: Concertos & Pastorales for Christmas Night (2022)
FLAC (tracks) 24 bit/96 kHz | Time – 01:05:50 minutes | 1,26 GB | Genre: Classical
Studio Masters, Official Digital Download | Digital Booklet, Front Cover | © Delphian Records LTD
Bojan Čičić and the Illyria Consort’s latest Delphian recording revels in the great variety of musical styles and traditions that grew up around Christmas and its related feasts in Catholic Europe in the seventeenth century – a time when the introduction of ‘rustic’ effects into instrumental music changed the sound of Christmas forever.
The vivid theatricality of Baroque evocations of the shepherds and their milieu and the unusual combinations of instruments in much of this music, here given in performances brimming with energy and the joy of rediscovery, make this a Christmas album to reach for every year.
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Bojan Čičić, The Illyria Consort – Johann Jakob Walther: Scherzi da violino solo (2022)
FLAC (tracks) 24 bit/96 kHz | Time – 01:40:44 minutes | 1,92 GB | Genre: Classical
Studio Masters, Official Digital Download | Front Cover | © 2022 Delphian Records Ltd.
Johann Jakob Walther was one of the most significant violinists in Germany in the generation before Johann Sebastian Bach, and Bojan Čičić believes his music should be essential listening for anyone seeking a fuller understanding of Bach’s polyphonic writing for the instrument. Having built their reputation with a series of Delphian recordings focussing on “missing link” composers, Čičić and his Illyria Consort are passionate about bringing Walther’s collection of Scherzi da violino to the wider audience it deserves. This first complete recording displays the sheer ambition of Walther’s opus, with highlights including his demonstration of the violin’s polyphonic potential in the D major Sonata (No. III); the joyful playfulness of the end of No. IV; the inventiveness of the Imitatione del cuccu; and – Bojan Čičić’s personal favourite – the dramatic melancholy of the final Aria in E minor.
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Bojan Čičić – Pyrotechnia: Fire & Fury from 18th Century Italy (2021)
FLAC (tracks) 24 bit/96 kHz | Time – 01:12:49 minutes | 1,40 GB | Genre: Classical
Studio Masters, Official Digital Download | Digital Booklet, Front Cover | © Delphian Records Ltd.
Contemporary accounts of the violin playing of Antonio Vivaldi, the “Red Priest”, show the extent to which he raised the instrument to hitherto unknown extremes of soloistic virtuosity – able, in its spontaneity and sonorous brilliance, to hold its own against an orchestra in fiery and unforgettably dramatic confrontations.
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Bojan Čičić – Bojan Cicic : Carbonelli: Sonate da camera, Nos. 1-6 (2017)
FLAC (tracks) 24 bit/48 kHz | Time – 01:03:44 minutes | 742 MB | Genre: Classical
Studio Masters, Official Digital Download | Digital Booklet, Front Cover | © Delphian Records
In certain respects, Giovanni Stefano Carbonelli does not quite fit the eighteenth-century mould. For a neo-Corellian, he is unusually fond of complexity, both technical and compositional, and also unusually open to other contemporary influences, such as those of Handel and Vivaldi. But the quality of his music speaks for itself virtuosic and joyously melodic, these six chamber sonatas had a huge impact on Delphian producer Paul Baxter.Carbonelli’s difficulty has ensured that his work is seldom played, but early-music rising star Bojan Cicic makes sure we have no sense of that as he and his Illyria Consort colleagues champion these groundbreaking compositions with exuberant confidence. Bojan Cicic is leader of Floreligium and frequently guest directs the Academy of Ancient Music and European Union Baroque Orchestra. He founded The Illyria Consort to explore rare repertoire of the seventeenth and eighteenth centuries. This is their first recording.
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Bojan Čičić – Vivaldi & Carbonelli: Works for Violin (2019)
FLAC (tracks) 24 bit/44,1 kHz | Time – 01:18:52 minutes | 858 MB | Genre: Classical
Studio Masters, Official Digital Download | Digital Booklet, Front Cover | © Delphian
With their debut recording on Delphian, Bojan Čičić and his Illyria Consort propelled the name of Carbonelli from obscurity into the classical charts, recapturing the excitement which the violinist-composer stirred up in eighteenth-century London.
Now they bring to Carbonelli’s other six surviving sonatas the same intelligence, sensitivity and sheer, exhilarating virtuosic brilliance with which they proved him to be so much more than just a ‘follower of Corelli’ or ‘contemporary of Vivaldi’. For good measure they add in a fine concerto by the latter that bears Carbonelli’s name, and which amply demonstrates the respect in which he was held in his native Italy before setting off to find his fame and fortune in England.
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