Nadège Rochat, Royal Scottish National Orchestra & Benjamin Levy – Dvořák & Caplet: Cello Concertos (2021) [Official Digital Download 24bit/48kHz]

Nadège Rochat, Royal Scottish National Orchestra & Benjamin Levy – Dvořák & Caplet: Cello Concertos (2021)
FLAC (tracks) 24 bit/48 kHz | Time – 01:01:12 minutes | 599 MB | Genre: Classical
Studio Masters, Official Digital Download | Front Cover | © Ars Produktion

On this new release, Nadège Rochat performs Antonín Dvorák’s Cello Concerto in B minor, Op. 104, and André Caplet’s mystically spiritualized Épiphanie, Op. 22, together with the Royal Scottish National Orchestra under Benjamin Levy. Nadège Rochat is a distinguished expressive voice among young cellists. Besides her wide-ranging musical interests in baroque, classical and romantic repertoire, she likes to explore forgotten composers, world music and contemporary pieces. She started to play the cello at the age of four and first studied in Geneva, then in Cologne with Maria Kliegel. She attended master classes with Heinrich Schiff and Anner Bijlsma among others, and graduated from the Royal Academy of Music under Robert Cohen where she now has a teaching assignment. She won several first prizes in Swiss, German and British competitions and won twice the Swiss SUISA prize for the interpretation of contemporary music.

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Orchestre national de Cannes, Benjamin Levy – Croisette (2022) [Official Digital Download 24bit/96kHz]

Orchestre national de Cannes, Benjamin Levy - Croisette (2022) [Official Digital Download 24bit/96kHz] Download

Orchestre national de Cannes, Benjamin Levy – Croisette (2022)
FLAC (tracks) 24 bit/96 kHz | Time – 01:07:48 minutes | 1,21 GB | Genre: Classical
Studio Masters, Official Digital Download | Front Cover | © Warner Classics

The Années Folles (“Crazy Years”) of the title of this release from the Orchestre National de Cannes were the “Roaring Twenties,” and the Croisette is a seaside road and promenade in Cannes, France. Today, the Croisette boasts lifestyles of the rich and famous, but in the 1920s, its atmosphere flavored the French operetta genre. That genre is now almost forgotten, although it was popular even outside France in its day; some of the songs of composer Maurice Yvain showed up in the Ziegfeld Follies revues and film in the U.S. Yvain, like most of the other composers here, is obscure nowadays, although a few “name” composers like André Messager and Reynaldo Hahn wrote operettas as well and are also represented. The operettas fall into 19th century tradition, and there is hardly a hint of the American musical theater or popular song that were beginning to make their way into other forms of French music; the motor rhythms are those of Offenbach, not jazz. The mood is light and even satirical. The biggest representation here goes to Yvain, whose Pas sur la bouche (“Not on the Mouth”) is excerpted several times and whose humor has survived the intervening century. Nearly everything is vivacious and fun, and conductor Benjamin Levy’s cast of singers is enthusiastic, brings the requisite clarity of diction, and doesn’t overplay the humor. Levy and company have done a real service in unearthing this material, much of which seems to beg for live presentation. – James Manheim
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Orchestre de chambre Pélléas, Benjamin Lévy, Lorenzo Gatto – Beethoven: Violin Concerto & Romances (2014) [Official Digital Download 24bit/44,1kHz]

Orchestre de chambre Pélléas, Benjamin Lévy, Lorenzo Gatto – Beethoven: Violin Concerto & Romances (2014)
FLAC (tracks) 24 bit/44,1 kHz | Time – 01:03:08 minutes | 589 MB | Genre: Classical
Studio Masters, Official Digital Download | Front Cover | © Zig-Zag Territoires

Lorenzo Gatto, a creative artist and an exceptional violinist (winner of several major international competitions), could have concentrated exclusively on his career as a soloist, but he has always been interested in exploring other, more experimental paths, as he does with Trilogy, formed with two violinist friends, a trio that goes beyond the bounds of classical music.

This recording of Beethoven’s Violin Concerto and Romances represents as it were a return to his roots. It also bears witness to his fruitful encounter with the Orchestre de Chambre Pelléas and its conductor, Benjamin Levy, and to their common desire to bring out the essence and the modernity of these masterpieces.

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