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![BBC National Orchestra of Wales, Rumon Gamba - British Tone Poems, Vol. 1 (2017) [Official Digital Download 24bit/96kHz] Download](https://i0.wp.com/imghd.xyz/images/2022/09/12/lczeu3k6vhkac_600.jpg?resize=500%2C500&ssl=1)
BBC National Orchestra of Wales, Rumon Gamba – British Tone Poems, Vol. 1 (2017)
FLAC (tracks) 24 bit/96 kHz | Time – 01:16:41 minutes | 1,20 GB | Genre: Classical
Studio Masters, Official Digital Download | Digital Booklet, Front Cover | © Chandos
Alongside their British Isles Overtures series, the BBC NOW and the conductor Rumon Gamba launch a project to bring often neglected symphonic poems by British composers to wider attention and fame. This first volume presents some of the most individual, yet rarely heard, British tone poems written in the early twentieth century, by composers ranging from the long-established Ralph Vaughan Williams and William Alwyn to Balfour Gardiner and Granville Bantock, giants in their time. Works include Bantock’s atmospheric The Witch of Atlas, based on a poem by Shelley, Frederic Austin’s symphonic rhapsody Spring, Gardiner’s evocation of summer A Berkshire Idyll, recorded here for the first time, and Gurney’s mysterious A Gloucestershire Rhapsody, never performed before 2010.
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![BBC National Orchestra of Wales, Yaniv Segal - Beethoven Reimagined (2020) [Official Digital Download 24bit/96kHz] Download](https://i0.wp.com/imghd.xyz/images/2022/08/24/at2x24lq86qfc_600.jpg?resize=500%2C500&ssl=1)
BBC National Orchestra of Wales, Yaniv Segal – Beethoven Reimagined (2020)
FLAC (tracks) 24 bit/96 kHz | Time – 01:21:54 minutes | 2,65 GB | Genre: Classical
Studio Masters, Official Digital Download | Digital Booklet, Front Cover | © Naxos
2020 is the 250th anniversary of Beethoven’s birth, and this album presents three works that reshape the composer’s awe-inspiring music for the 21st century. The Sonata for Orchestra considers how the Violin Sonata No. 7 would sound had it been written for orchestra, while A Fidelio Symphony transforms vocal lines into symphonic textures to take us through the entire arc of the composer’s sole opera. Based on the famous “Ode to Joy” of Beethoven’s final symphony, BEETHOVEN9 Symphonic Remix uses loops, grooves and musical transformations to create a contemporary tribute to Beethoven’s universal message.
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![BBC National Orchestra of Wales, Kenneth Woods - Christopher Gunning: Symphonies 10, 2 and 12 (2019) [Official Digital Download 24bit/96kHz] Download](https://i0.wp.com/imghd.xyz/images/2022/08/24/hxgh2zagj97ob_600.jpg?resize=500%2C500&ssl=1)
BBC National Orchestra of Wales, Kenneth Woods – Christopher Gunning: Symphonies 10, 2 and 12 (2019)
FLAC (tracks) 24 bit/96 kHz | Time – 01:18:04 minutes | 1,42 GB | Genre: Classical
Studio Masters, Official Digital Download | Digital Booklet, Front Cover | © Signum Classics
Christopher Gunning has composed twelve symphonies, as well as concertos for the piano, violin, cello, flute, oboe, clarinet, saxophone, and guitar; many of these have now been recorded. He has also composed many scores for films and television dramas, including Agatha Christie’s ‘Poirot’, La Vie en Rose, Middlemarch, Cold Lazarus, Rebecca, Under Suspicion, Firelight, The Big Battalions, Wild Africa, When the Whales Came and Porterhouse Blue. With a career spanning 50 years, he has won 4 BAFTA and 3 Ivor Novello Awards, and BASCA’s prestigious Gold Badge Award.
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Artur Pizarro, BBC National Orchestra of Wales, Martyn Brabbins – Romantic Piano Concerto 64 – Oswald & Napoleão dos Santos: Piano Concertos (2014)
FLAC (tracks) 24 bit/96 kHz | Time – 01:07:06 minutes | 1,13 GB | Genre: Classical
Studio Masters, Official Digital Download | Front Cover | © Hyperion Records
Portuguese virtuoso Artur Pizarro makes a welcome return to the Romantic Piano Concerto series with the outpourings of two brilliant pianist-composers. Their names may not be familiar to listeners today. The Brazilian Henrique Oswald and the Portuguese Alfredo Napoleão were born in the same year, less than three months apart, when Schumann, Brahms and Liszt were alive and Chopin recently deceased. Both were of mixed European heritage: Oswald with a Swiss-German father and Italian mother, Napoleão with an Italian father and Portuguese mother. Both were child prodigies who became widely travelled concert pianists, pedagogues and composers. In 1868 Oswald gave his ‘farewell recital’ and left Rio de Janeiro to study in Europe; Napoleão went to Brazil.
Oswald’s Piano Concerto in G minor, Op 10, dates from about 1886, the year he met Liszt. Although influences of Fauré can be detected in the second theme, the overall character of the first movement owes more to the late Romantic German style. The orchestration is rich and full, but the Tchaikovskian athleticism and virtuosity of the piano-writing keep the soloist to the fore.
Napoleão’s Piano Concerto No 2 in E flat minor, Op 31, is undated but was probably composed around the same time as Oswald’s Piano Concerto. Although Napoleão performed the concerto in a solo piano version, the first performance with orchestra had to wait until 12 February 1941. This was given by Evaristo de Campos Coelho (1903–1988)—with whom Artur Pizarro, the pianist on the present recording, studied as a young child. He played the work numerous times, and performed it for Portuguese radio. Dinorah Leitão (who was Ivo Cruz’s daughter in law, and also a student of Campos Coelho) then played it, and Artur Pizarro is only the third pianist to champion this work.
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Richard Hickox, BBC National Orchestra Of Wales – Bliss – A Colour Symphony: Concerto for Violin and Orchestra (2006)
FLAC (tracks) 24 bit/96 kHz | Time – 01:13:40 minutes | 1,29 GB | Genre: Classical
Studio Masters, Official Digital Download | Front Cover | © Chandos
This release follows the recent Stanford Songs of the Sea release (CHSA 5043) from Hickox and the BBC NOW, which was ‘Recording of the Month’ in Gramophone magazine and ‘Classical CD of the Week’ in both The Times and The Daily Telegraph. In this new recording of Bliss’s Violin Concerto, Lydia Mordkovitch, famous for her readings of British music, offers her own personal interpretation of the part made famous by Alfredo Campoli, for whom the work was commissioned. Mordkovitch wonderfully conveys the romance and beauty of this concerto, as well as the fiery nature of the gypsy theme prominent in the finale. This is the only available recording of the Violin Concerto, uniquely coupling with A Colour Symphony. A Colour Symphony illustrates four heraldic colours by means of striking ideas and original orchestral effects. Hickox and the BBC NOW provide a refined and idiomatic reading, confirming this as one of Bliss’s most inventive, striking scores, neglected in recent years.
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