Baxter Dury

Baxter Dury – I Thought I Was Better Than You (2023)
FLAC (tracks) 24 bit/44,1 kHz | Time – 27:31 minutes | 298 MB | Genre: Indie Pop
Studio Masters, Official Digital Download | Front Cover | © Heavenly Recordings

Musician, writer and Renaissance man Baxter Dury returns with a brand new album, I Thought I Was Better Than You, his seventh studio album and is produced by Paul White, celebrated for his work in Golden Rules and with the likes of Charlie XCX and Danny Brown. Hotly-tipped new singer-songwriters Eska and JGrrey feature in addition to Baxter’s regular vocalist Madeline Hart.

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Baxter Dury – The Night Chancers (2020)
FLAC (tracks) 24 bit/48 kHz | Time – 30:28 minutes | 438 MB | Genre: Alternative, Indie
Studio Masters, Official Digital Download | Front Cover | © Heavenly Recordings

Failed Fashionistas, Instagram voyeurs, jilted Romeos reeking of insecurity, the willingly self deluded and the comically uanware, these creatures and constructs are the inspirations for the Baxter Dury’s new album, The Night Chancers. It’s a ten-song gaze into the black hours and the characters and behaviors that swirl around within them. The album was produced by Dury and long time collaborator Craig Silvey (Arcade Fire, John Grant, Artic Monkeys). While bringing vivid color and sharp lines to this chronicle of the midnight hours, Dury has created his richest and most expansive musical palette yet.
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Baxter Dury – It’s A Pleasure (2014)
FLAC (tracks) 24 bit/96 kHz | Time – 33:35 minutes | 715 MB | Genre: Indie, Singer-Songwriter
Studio Masters, Official Digital Download | Front Cover | © [PIAS] Le Label

Baxter Dury will be releasing his new album ‘It’s a Pleasure’ through [PIAS] Le Label. The album was produced by Baxter, Dan Carey (Franz Ferdinand, Tame Impala & Bat For Lashes) and mixed by Craig Silver (Arctic Monkeys, Arcade Fire & The Horrors).
 The fourth album from Baxter, his first for [PIAS] Le Label, features Babyshambles’ Drew McConnell on bass and Patrick Walden on guitar.
 This album was hard work to make but now I like it lots. Male inadequacy is a hard subject to repackage in the form of skeletal Berliner music but here I’ve proved that’s possible. Making this album I worked in New York, Brussels, Paris but you can’t hear a trace of any of them, only the faint cries of Chiswick. It could be the soundtrack to a film about a doomed submarine.
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