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Istvan Kertesz, Bamberg Symphony Orchestra & Vienna Symphony Orchestra – Haydn & Mozart Symphonies (Japan 2016)
PS3 Rip | 2x SACD ISO | DSD64 2.0 Stereo > 1-bit/2.8224 MHz | 129:12 min | Front/Rear Covers | 5,23 GB
or DSD64 2.0 Stereo (from SACD-ISO to Tracks.dsf) > 1-bit/2.8224 MHz | Front/Rear Covers | 5,11 GB
or FLAC Stereo (carefully converted & encoded to tracks) 24bit/96 kHz | Front/Rear Covers | 2,72 GB
Denon/Nippon Columbia / Tower Records Japan # TWSA-1033~34
Japanese double-disc compilation of Istvan Kertesz’s 60s recordings for Eurodisk label. Features Joseph Haydn’s and Wolfgang Amadeus Mozart’s Symphonies performed with Bamberg Symphony Orchestra & Mozart’s “Coronation Mass” performed with Vienna Symphony Orchestra. Remastered in 2016 at High Definition 96kHz/24bit from the original analog master of home country.
Read more![Bamberg Symphony Orchestra, Anna Lucia Richter, Jakub Hrůša - Symphony No. 4 in G Major (2021) [Official Digital Download 24bit/96kHz] Download](https://i0.wp.com/imghd.xyz/images/2023/04/07/blmprfka7d2bb_600.jpg?resize=500%2C500&ssl=1)
Bamberg Symphony Orchestra, Anna Lucia Richter, Jakub Hrůša – Symphony No. 4 in G Major (2021)
FLAC (tracks) 24 bit/96 kHz | Time – 56:27 minutes | 947 MB | Genre: Classical
Studio Masters, Official Digital Download | Digital Booklet, Front Cover | © Accentus Music
Some orchestras more than others reveal with natural acuity the sonic and poetic imagination of a composer. For Mahler, the Bamberg Symphony Orchestra seems the ideal instrument. Something very deep in the textures of this orchestra invariably sets it apart: the acoustic space always seems wider than the senses might suggest; the sound takes the time to live, in the moment and in its extension. The orchestra immediately moves Mahler’s world away from a post-romanticism that diminishes him, and likewise it declines to plunge him into excessive modernity. This is not Klemperer, Bernstein or Boulez. This is a very singular world, whose rhetoric is really nourished by the freedom granted to each timbre, and by the combination of what makes them unique. In concert, the experience remains as memorable as it is breathtaking. Parisians for example had the chance, in February 2019, to hear the Third Symphony at the Philharmonie by the same artists, then on tour, at an evening performance recorded by France Musique.
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Frank Peter Zimmermann, Bamberg Symphony Orchestra & Jakub Hrůša – Martinů: Violin Concertos Nos. 1 & 2 – Bartók: Sonata for Solo Violin (2020)
FLAC (tracks) 24 bit/96 kHz | Time – 01:14:22 minutes | 1,23 GB | Genre: Classical
Studio Masters, Official Digital Download | Front Cover | © BIS
Frank Peter Zimmermann, one of today’s most highly regarded violinists, takes our breath away with this recording together with the Bamberger Symphoniker and their chief conductor Jakub Hruša – one of the leading Martinu conductors of today. They start off by exploring the lyrical side of Bohuslav Martinu, offered in the Second Violin Concerto (1943), to dive into the neo-classical idiom championed by Stravinsky that informs the composer’s Violin Concerto No. 1. Béla Bartók’s Sonata for Solo Violin closes the album. Composed in 1944, only a year before Bartók’s death, it is a deeply personal statement which fuses the overall layout of Bach’s solo violin sonatas with Hungarian folk tradition with results that are as fascinating to the listener as they are challenging to the performer.
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