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Asya Fateyeva – To the Muse (2024)
FLAC (tracks) 24 bit/48 kHz | Time – 01:14:04 minutes | 742 MB | Genre: Classical
Studio Masters, Official Digital Download | Front Cover | © Berlin Classics
For the first time in the nearly 40-year history of the Schleswig-Holstein Music Festival, the saxophone takes center stage this year. This has been made possible by Asya Fateyeva, who over the past decade has brought the instrument from its jazz and pop niche into the classical world, even making it respectable there. She showcases the impressive versatility of her instrument as a portrait artist at the SHMF in 17 concerts in July and August. Her new album “To the Muse” will also be released on May 17, 2024, on Berlin Classics.
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Rastrelli Cello Quartet, Michael Thompson, Asya Fateyeva – Rastrelli Effect (2022)
FLAC (tracks) 24 bit/44,1 kHz | Time – 55:45 minutes | 593 MB | Genre: Classical
Studio Masters, Official Digital Download | Front Cover | © Solo Musica
And all pieces in this album are exclusive original compositions. We composed them during the last few years, and each of us has tried to find his very own voice. And yet every piece on this album is the result of our collegiality, our mutual support, reflecting our constant exchange on our individual tastes and preferences, as well as our critiques and the sense of humour of each Rastrelli member.
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Lautten Compagney & Asya Fateyeva – Time Travel (2021)
FLAC (tracks) 24 bit/96 kHz | Time – 01:11:17 minutes | 1,36 GB | Genre: Classical
Studio Masters, Official Digital Download | Front Cover | © deutsche harmonia mundi
The present programme finds lautten compagney undertaking an exciting journey through time, a journey that covers three centuries of musical history. Even in the seventeenth century, England’s most famous Baroque composer, Henry Purcell, was already being hailed as “Orpheus Britannicus”. His style is unique in English music, combining, as it does, memorable melodies with groovy rhythms. This was the pop music of London in the years around 1690. The Beatles’ first single was released in 1962. The group soon became known for its new sound – a combination of rock and roll and Liverpool beat music – and left a decisive mark on the popular culture of the twentieth century. By 1970 it had already been disbanded but by then it had acquired an iconic status throughout the entire world and provided a surface on to which a whole generation of young people in the West could project their messages of protest.
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Asya Fateyeva – Jonny (2020)
FLAC (tracks) 24 bit/96 kHz | Time – 01:12:27 minutes | 1,23 GB | Genre: Classical
Studio Masters, Official Digital Download | Front Cover | © Berlin Classics
On her first chamber music album for Berlin Classics, saxophonist Asya Fateyeva looks back to the glory days of her instrument: in the Twenties of the last century, the sax was the voice of modern salon music and an equal partner to the other instruments of the classical chamber ensemble. Even as it enjoyed its heyday, dark clouds were gathering on the horizon. This is an album that occupies the territory between danceable urban rhythms, cultural ostracism and groundbreaking developments in music.
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Asya Fateyeva – Carneval (2019)
FLAC (tracks) 24 bit/48 kHz | Time – 01:17:27 minutes | 746 MB | Genre: Classical
Studio Masters, Official Digital Download | Front Cover | © Berlin Classics
On her new album, too, the soloist takes unusual paths. This time she explores the world of carnival, its dramas, characters and surprising human entanglements. The saxophone is an excellent choice for this, says Fateyeva: “The title ‘Carneval’ describes the spirit of the saxophone. It likes to dress up, try out, sound out different styles and slip into the roles of other instruments”.
The Berliner Zeitung wrote about Asya Fateyeva’s second publication “Bachiana” on which she arranged Bach compositions for the saxophone – which did not even exist during Bach’s lifetime – that even purists would become weak.
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