Tom Jones with Alison Krauss – Live on Soundstage (2017) Blu-ray 1080i AVC DTS-HD MA 5.1 + BDRip 720p/1080p

Title: Tom Jones with Alison Krauss – Live on Soundstage
Release Date: 2017
Genre: Pop Rock, AM Pop, Blue-Eyed Soul, Country Pop, American Trad Rock
Artist: Tom Jones with Alison Krauss and band

Production/Label: BMG Rights Management LLC
Duration: 01:27:24
Quality: Blu-ray
Container: BDMV
Video codec: AVC
Audio codec: DTS, PCM
Video: MPEG-4 AVC 26979 kbps / 1080i / 29.970 fps / 16:9 / High Profile 4.1
Audio#1: English DTS-HD MA 5.1 / 48 kHz / 4660 kbps / 24-bit (DTS Core: 5.1 / 48 kHz / 1509 kbps / 24-bit)
Audio#2: English LPCM 2.0 / 48 kHz / 2304 kbps / 24-bit
Size: 21.99 GB

This exclusive Soundstage® performance features songs from Jones’ recent critically-acclaimed albums as well as a selection of his iconic hits that take the audience on a musical journey across the eras and musical spectrum. Over his 50-year career, Tom Jones has sold more than 100 million records and is a Grammy and BRIT Award winner. Along with sustaining his popularity as a live performer and recording artist for five decades, Jones has garnered the best reviews of his career for his most recent albums, Long Lost Suitcase, Spirit in the Room and Praise & Blame. Joining Jones on WTTW’s Grainger Studio stage is renowned bluegrass singer-songwriter and 27-time Grammy winner Alison Krauss.

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Robert Plant & Alison Krauss – Raising Sand (2007/2021) [Official Digital Download 24bit/96kHz]

Robert Plant & Alison Krauss – Raising Sand (2007/2021)
FLAC (tracks) 24 bit/96 kHz | Time – 57:26 minutes | 1,20 GB | Genre: Folk
Studio Masters, Official Digital Download | Front Cover | © Craft Recordings

The musical collaboration of the decade, “Raising Sand” is the sound of two iconic figures stepping out of their respective comfort zones and letting their instincts lead them across a brave new sonic landscape. despite hailing from distinctly different backgrounds, Alison Krauss and Robert Plant share a maverick spirit and willingness to extend the boundaries of their respective genres. this spirit, expertly honed by producer T Bone Burnett, has resulted in an album pitched three steps beyond some cosmic collision of early urban blues, spacious west Texas country, and the untapped potential of the folk-rock revolution. supported by the unparalleled musicianship of Marc Ribot, Dennis Crouch, Mike Seeger, Jay Bellerose, Norman Blake, Greg Leisz, Patrick Warren, and Wiley Baugus, Plant and Krauss – as both solo and harmony vocalists – tackle an intriguing selection of songs from such tunesmiths as Tom Waits, Gene Clark, Sam Phillips, Townes van Zandt, the Everly Brothers, and Mel Tillis. “Raising Sand” finds Robert Plant and Alison Krauss exploring popular music’s elemental roots while still sounding effortlessly, breath-takingly contemporary.

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Alison Krauss & Robert Plant – Raise The Roof (Deluxe Edition) (2021) [Official Digital Download 24bit/96kHz]

Alison Krauss & Robert Plant – Raise The Roof (Deluxe Edition) (2021)
FLAC (tracks) 24 bit/96 kHz | Time – 01:01:22 minutes | 1,27 GB | Genre: Rock
Studio Masters, Official Digital Download | Front Cover | © Warner Music UK

Thirteen years after the release of their surprise hit album Raising Sand, Robert Plant and Alison Krauss have finally reunited for a follow-LP, Raise the Roof. It comes out on November 19th, and you can check out leadoff single, a cover of the 1998 Lucinda Williams song “Can’t Let Go,” right here.

Raise the Roof was produced by T-Bone Burnett, who also worked with Plant and Krauss on Raising Sand. It features songs by Merle Haggard, Allen Toussaint, the Everly Brothers, and Bert Jancsh in addition to their original tune “High and Lonesome.”

The two singers were joined in the studio by drummer Jay Bellerose, guitarists Marc Ribot, David Hidalgo, Bill Frisell, and Buddy Miller, bassists Dennis Crouch and Viktor Krauss, and pedal steel guitarist Russ Pahl.

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Robert Plant & Alison Krauss – Raising Sand (2007) [Official Digital Download 24bit/96kHz]

Robert Plant & Alison Krauss – Raising Sand (2007)
FLAC (tracks) 24 bit/96 kHz | Time – 57:27 minutes | 1,21 GB | Genre: Folk Rock, Blues Rock
Studio Masters, Official Digital Download | Front Cover | © Craft Recordings

Robert Plant and Alison Krauss won 5 Grammy Awards for their album Raising Sand:
RECORD OF THE YEAR – “Please Read The Letter”
ALBUM OF THE YEAR – Raising Sand
BEST POP COLLABORATION WITH VOCALS –
“Rich Woman”
BEST COUNTRY COLLABORATION WITH VOCALS –
“Killing The Blues”
BEST CONTEMPORARY FOLK/AMERICANA ALBUM – Raising Sand
Produced by 10-time Grammy Award winner T Bone Burnett.

Raising Sand is proof that even with such dynamite raw material sometimes things really do add up to far more than the sum of their parts. Superb, in every way… – BBC

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Alison Krauss and Union Station – Live (2002) MCH SACD ISO + Hi-Res FLAC

Alison Krauss and Union Station – Live (2002)
SACD ISO: 3,36/3,86 GB (Stereo + MCH) | FLAC @ 24bit/88.2kHz: 962/1102 MB | Full Artwork
Label/Cat#: Rounder Records # 1161-0515-6 | Country/Year: US 2002 | 3% Rec. Info
Genre: Folk, Country | Style: Bluegrass

I am giving this SACD 5 stars on the performance because of the musicians. These musicians are exceptional. They are crisp, clear, and well balanced. They know, too, how to make an instrument sing with the song. For those people that play instruments, you know what I’m talking about. There are those who are technical wonders and then there are those who may not be technical masters, but know how to make the music come to life through the instrument. These people have that gift and it is a true pleasure to hear it.

The vocals are pretty good. I read one review that mentioned a thin Alison voice, but I don’t have that same feel. I just believe that it is natural for her. She does have one awesome voice that fits very well with the instruments. The other members of the Union Station band that sing are pretty good as well. Still, the instrumentation steals the show for me.

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Alison Krauss & Union Station – New Favorite (2001) [Reissue 2003] MCH SACD ISO + DSF DSD64 + Hi-Res FLAC

Alison Krauss & Union Station – New Favorite (2001) [Reissue 2003]
SACD Rip | SACD ISO | DST64 2.0 & 5.1 > 1-bit/2.8224 MHz | 44:58 minutes | Scans included | 2,81 GB
or DSD64 2.0 Stereo (from SACD-ISO to Tracks.dsf) > 1-bit/2.8224 MHz | Full Scans included | 1,8 GB
or FLAC Stereo (carefully converted & encoded to tracks) 24bit/96 kHz | Full Scans included | 927 MB
Features Stereo and Multichannel Surround Sound

New Favorite is the ninth album by bluegrass music group Alison Krauss & Union Station. The album peaked in the top 50 of the Billboard 200 and within the top 5 of the Billboard charts for both Country and Bluegrass and was certified gold. This album was released in the same year as the O Brother, Where Art Thou? soundtrack, which Krauss appeared on, that had a large effect on bluegrass in the United States. At the 44th Grammy Awards, New Favorite would go on to win the Grammy Award for Best Bluegrass Album and the single “The Lucky One” won the Grammy Award for Best Country Performance by a Duo or Group with Vocal as well as Best Country Song.

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Alison Krauss – Now That I’ve Found You (1995) [Reissue 2002] SACD ISO + Hi-Res FLAC

Alison Krauss – Now That I’ve Found You (1995) [Reissue 2002]
PS3 Rip | SACD ISO | DSD64 2.0 > 1-bit/2.8224 MHz | 44:49 minutes | Scans included | 1,39 GB
or FLAC(converted with foobar2000 to tracks) 24bit/88,2 kHz | Scans included | 889 MB

Now That I’ve Found You: A Collection is an album by Alison Krauss, released February 7, 1995. It is a retrospective of the early part of Krauss’ recording career. It includes songs that appeared on her solo albums, albums by Alison Krauss & Union Station, and some that appeared on an album by Alison Krauss & the Cox Family. It also contains some new material.

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Alison Krauss – Forget About It (1999) [Reissue 2003] SACD ISO + Hi-Res FLAC

Alison Krauss – Forget About It (1999) [Reissue 2003]
PS3 Rip | SACD ISO | DSD64 2.0 > 1-bit/2.8224 MHz | 40:14 minutes | Scans included | 1,19 GB
or FLAC(converted with foobar2000 to tracks) 24bit/88,2 kHz | Scans included | 758 MB

Alison Krauss gets introspective and personal on her seventh album, one of her solo outings that shoves Union Station in the background while conventional country steps up to the spotlight. But Krauss is a little too sharp for Nashville standard, so Forget About It sounds more like an adult pop album with occasional notes of country grace. Unfortunately, the material here isn’t very inspired (despite a dip into the Todd Rundgren songbook and the fine title tune), and Krauss herself has a hard time elevating it. Still, her fragile, angelic voice is capable of working wonders, which it often does with even the weakest of songs. A marginal effort.

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Alison Krauss – Paper Airplane (2011) [Official Digital Download 24bit/96kHz]

Alison Krauss - Paper Airplane (2011) [Official Digital Download 24bit/96kHz] Download

Alison Krauss – Paper Airplane (2011)
FLAC (tracks) 24 bit/96 kHz | Time – 43:23 minutes | 900 MB | Genre: Country
Studio Masters, Official Digital Download | Digital Booklet, Front Cover | © New Rounder Records

A truly breathtaking collection of 11 exquisite songs, Paper Airplane is Alison Krauss’ 14th album and the band’s follow-up to 2004′s triple Grammy winning Lonely Runs Both Ways. It is Krauss’ first release since her 2007 internationally acclaimed, multi-platinum collaboration with Robert Plant, Raising Sand, which won six Grammys including “Record Of The Year” and “Album Of The Year”.

Paper Airplane rises to the impossibly high bar set by its predecessors to form what may well be the finest album Krauss has ever released.
-Douglas Heselgrave, Paste Magazine
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Alison Krauss – Windy City (Deluxe) (2017) [Official Digital Download 24bit/96kHz]

Alison Krauss - Windy City (Deluxe) (2017) [Official Digital Download 24bit/96kHz] Download

Alison Krauss – Windy City (Deluxe) (2017)
FLAC (tracks) 24 bit/96 kHz | Time – 47:45 minutes | 999 MB | Genre: Country
Studio Masters, Official Digital Download | Digital Booklet, Front Cover | © Capitol Records (US1A)

Windy City is the fifth solo studio album by bluegrass-country artist Alison Krauss. This is Krauss’ first solo release of new material in almost eighteen years, and comprises ten covers of classic songs that she handpicked with producer Buddy Cannon. The deluxe edition adds four live versions of tracks.
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Alison Krauss + Union Station – New Favorite (2003) SACD ISO

Alison Krauss + Union Station – New Favorite (2003)
SACD ISO | DSD64 2.0, 5.1 > 1-bit/2.8224 MHz | 44:57 minutes | All Scans included | 2,89 GB

Following the success of the startlingly popular traditional old-timey soundtrack for the film O Brother, Where Art Thou?, contemporary bluegrass pioneers Alison Krauss & Union Station moved in the opposite direction for their 2001 release, New Favorite. While Krauss and Union Station guitarist/vocalist Dan Tyminski got deeply in touch with their dust bowl Americana roots for their work on the film, their follow-up studio album is certainly the slickest, most progressive work they’ve recorded to date. New Favorite seems almost neatly divided into two albums: one following the same path as Krauss’ 1999 contemporary country solo album, Forget About It, and the other helmed by Tyminski, bringing a progressive slant to Union Station’s traditional bluegrass feel. The whole album is well crafted (with the exception of Tyminski’s laborious, drawn-out “The Boy Who Wouldn’t Hoe Corn”) but will certainly not sit right with certain elements of the band’s core audience, who has come to know them as the strongest traditionally based bluegrass act still recording. The whole album feels a little too slick and reverbed out; the brilliant dobro work of Jerry Douglas seems mired in echoes, and at times Krauss’ vocals seem to be coming out of some deep studio well. The musicianship, however, is beyond top-notch. The players (specifically banjo player Ron Block and guitarist Tyminski) are among the best in the genre, and the harmonies between the two vocalists are stunning and chill inducing. Their call and response vocals on “Daylight” serve as the highlight of the album, traced delicately by Douglas’ dobro and chilling to the end. Unfortunately, the collective spirit that was so evident on their 1997 release So Long So Wrong seems to be dissolving, and the award-winning fiddle playing that brought Krauss to the nation’s attention seems to be becoming almost a background instrument (if it shows up at all). While there are intriguing moments in the album, it lacks the spark that So Long So Wrong had in spades, and even their few moments on the O Brother soundtrack seemed to breathe more life into the band than New Favorite does.

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