London Symphony Orchestra, Aaron Copland – Copland: Symphony No. 3 (1958/2013) [Official Digital Download 24bit/192kHz]

London Symphony Orchestra, Aaron Copland – Copland: Symphony No. 3 (1958/2013)
FLAC (tracks) 24 bit/192 kHz | Time – 40:19 minutes | 1,44 GB | Genre: Classical
Studio Masters, Official Digital Download | Front Cover | © Everest

Aaron Copland composed his Third Symphony on a commission from the Koussevitzky Music Foundation. He formulated initial plans for it in 1943, but actual work on the symphony was not begun until August, 1944, while he was staying in a little village in Mexico. The symphony was completed on September 29, 1946, barely in time for its premiere by Serge Koussevitzky and the Boston Symphony Orchestra on October 18 of that year. The score bears a dedication “To the memory of my dear friend Natalie Koussevitzky.”

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Aaron Copland – Aaron Copland: Piano Concerto, El Salón México, Appalachian Spring, Old American Songs (2014/2022) [Official Digital Download 24bit/96kHz]

Aaron Copland - Aaron Copland: Piano Concerto, El Salón México, Appalachian Spring, Old American Songs (2014/2022) [Official Digital Download 24bit/96kHz] Download

Aaron Copland – Aaron Copland: Piano Concerto, El Salón México, Appalachian Spring, Old American Songs (2014/2022)
FLAC (tracks) 24 bit/96 kHz | Time – 01:18:04 minutes | 1,42 GB | Genre: Classical
Studio Masters, Official Digital Download | Digital Booklet, Front Cover | © Praga Digitals

‘Appalachian Spring’ and ‘El Salón Mexicó’ are archetypical of what many people consider to be the sound of American music, evoking the vast landscapes, cowboys and pioneer spirit. Yet, in the 20th century perhaps only Stravinsky was as adept in as many styles as Aaron Copland [1900-1990]. His Piano Concerto, first performed by Serge Koussevitsky, is a good example of Copland the modernist but he also wrote chamber music, ballets, operas and film scores, as well as teaching, writing and latterly conducting. The winter of 1950 saw Copland take a break from writing his superlative ‘Twelve Poems of Emily Dickinson’ and, inspired by a Pears and Britten recital in late 1949, he took five of his favourite American songs and arranged them for voice with piano. Pears and Britten liked them so much that they gave the premiere together at the Aldburgh Festival in 1950.
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