![Nektar - Remember The Future (Deluxe Edition) (1973/2023) [High Fidelity Pure Audio Blu-Ray Disc]](https://imghd.xyz/images/2024/05/01/NjktMTk3MS5qcGVn.jpg)
Grammy Award-winner Peter Cetera has enthralled fans as a singer, songwriter and bassist since his early career as lead singer of the group Chicago. This memorable performance includes classic favorites and he is joined by Grammy-winner Amy Grant for their duet “Next Time I Fall,” plus the classic hit, “Baby Baby” and more.
Tracklist:
Amy Grant:
1. Baby, Baby
2. Simple Things
3. El Shaddai
Peter Cetera:
4. One Good Woman
5. Glory of Love
6. Restless Heart
7. If You Leave Me Now
8. After All (with Kim Keyes)
9. The Next Time (I Fall in Love) (with Amy Grant)
10. Baby What a Big Surprise
11. You’re the Inspiration
12. Have You Ever Been in Love
Bonus:
25 or 6 to 4 (4:02)
Even a Fool Can See (5:32)
Sonny Rollins 24 Bit Vinyl Pack
Genre: Jazz
Styles: Bop, Hard-Bop, Post-Bop, Jazz Instrument, Saxophone Jazz
Source: vinyl
Codec: FLAC
Bitrate: ~ 2,900 kbps
Bit Depth: 24
Sample Rate: 96 kHz
1956 Tenor Madness – Prestige PRLP 7047 (US) (Reissue 2013)
1957 Way Out West – Contemporary Records Fantasy S7530, 1988 (US)
1959 Sonny Rollins and the Contemporary Leaders – RTB 2221136
1962 What’s New? – Pure Pleasure N2PY-2267 180g (US)
1962 The Bridge – RCA Living Stereo LSP 2727-45 180g (US)
1963 Sonny Meets Hawk – RCA Living Stereo LSP 2712 200g (US)
1966 East Broadway Run Down – Impulse AS9121 180g (US)
1973 Horn Culture – Milestone M-9051 (US)
1978 Pure Gold Jazz – RCA ANL1-2809 (US)
Sonny Rollins will go down in history as not only the single most enduring tenor saxophonist of the bebop and hard bop era, but also as one of the greatest contemporary jazz saxophonists of them all. His fluid and harmonically innovative ideas, effortless manner, and easily identifiable and accessible sound have influenced generations of performers, but have also fueled the notion that mainstream jazz music can be widely enjoyed, recognized, and proliferated. Born Theodore Walter Rollins in New York City on September 7, 1930, he had an older brother who played violin. At age nine he took up piano lessons but discontinued them, took up the alto saxophone in high school, and switched to tenor after high school, doing local engagements. In 1948 he recorded with vocalist Babs Gonzales, then Bud Powell and Fats Navarro, and his first composition, “Audubon,” was recorded by J.J. Johnson. Soon thereafter, Rollins made the rounds quickly with groups led by Tadd Dameron, Chicago drummer Ike Day, and Miles Davis in 1951, followed by his own recordings with Kenny Drew, Kenny Dorham, and Thelonious Monk.
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Format : MPEG-TS at 24.0 Mbps
Length : 37.8 GiB for 3h 45mn 16s 806ms
Video #0 : MPEG Video at 19.6 Mbps
Aspect : 1920 x 1080 (1.778) at 25.000 fps
Audio #0 : MPEG Audio at 192 Kbps
Infos : 2 channels, 48.0 KHz
Language : en
Audio #1 : Dolby E
Infos : 6 channels, 48.0 KHz
Language : en
Audio #2 : Dolby E
Infos : 1 channel, 48.0 KHz
Audio #3 : Dolby E
Infos : 1 channel, 48.0 KHz
Audio #4 : MPEG Audio at 384 Kbps
Infos : 2 channels, 48.0 KHz
Language : en
Audio #5 : MPEG Audio at 384 Kbps
Infos : 2 channels, 48.0 KHz
Language : en
Credits: tudou
Track Listing:
Beyoncé / Jay-Z – Drunk in Love
Lorde – Royals
Hunter Hayes – Invisible
Katy Perry / Juicy J – Dark Horse
Robin Thicke / Chicago – Saturday in the Park / Blurred Lines
Keith Urban / Gary Clark, Jr. – Cop Car
John Legend – All of Me
Taylor Swift – All Too Well
Pink / Nate Ruess – Try / Just Give Me a Reason
Ringo Starr – Photograph
Kendrick Lamar / Imagine Dragons – Radioactive / m.A.A.d city
Kacey Musgraves – Follow Your Arrow
Ringo Starr / Paul McCartney – Queenie Eye
Merle Haggard / Kris Kristofferson / Willie Nelson / Blake Shelton – Okie from Muskogee
Daft Punk / Nile Rodgers / Stevie Wonder / Pharrell Williams – Get Lucky / Le Freak / Harder, Better, Faster, Stronger / Another Star / Lose Yourself to Dance / Around the World
Sara Bareilles / Carole King – Beautiful / Brave
Metallica / Lang Lang – One
Macklemore & Ryan Lewis / Mary Lambert / Madonna / Queen Latifah / Trombone Shorty & Orleans Avenue – Same Love / Open Your Heart
Billie Joe Armstrong / Miranda Lambert – When Will I Be Loved
Nine Inch Nails / Queens of the Stone Age / Dave Grohl / Lindsey Buckingham – Copy of A / My God Is the Sun (more…)
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1. Beyoncé ft. Jay-Z - Drunk In Love 2. Lorde - Royals 3. Katy Perry ft. Juicy J - Dark Horse 4. Robin Thicke ft. Chicago - Does Anybody Really Know What Time It Is?/Saturday in the Park/Blurred Lines 5. Taylor Swift - All Too Well 6. Pink ft. Nate Ruess - Try/Just Give Me a Reason 7. Ringo Starr - Photograph 8. Kendrick Lamar and Imagine Dragons - Radioactive/M.A.A.D City 9. Paul McCartney & Ringo Starr - Queenie Eye 10. Daft Punk ft. Nile Rodgers,Stevie Wonder and Pharrell Williams - Get Lucky/Le Freak 11. Metallica & Lang Lang - One 12. Macklemore & Ryan Lewis,Mary Lambert,Queen Latifah ft. Madonna - Same Love/Open Your Heart 13. Nine Inch Nails, Queens of the Stone Age, Dave Grohl and Lindsey Buckingham - Copy of A/ My God Is the Sun Complete name : 1. Beyoncé ft. Jay-Z - Drunk In Love.ts Format : MPEG-TS File size : 966 MiB Duration : 5mn 30s Overall bit rate mode : Variable Overall bit rate : 24.5 Mbps Video ID : 308 (0x134) Menu ID : 1 (0x1) Format : MPEG Video Format version : Version 2 Format profile : Main@High Format settings, BVOP : Yes Format settings, Matrix : Custom Format settings, GOP : M=3, N=12 Codec ID : 2 Duration : 5mn 30s Bit rate mode : Variable Bit rate : 22.7 Mbps Maximum bit rate : 24.7 Mbps Width : 1 920 pixels Height : 1 080 pixels Display aspect ratio : 16:9 Frame rate : 25.000 fps Color space : YUV Chroma subsampling : 4:2:0 Bit depth : 8 bits Scan type : Interlaced Scan order : Top Field First Compression mode : Lossy Bits/(Pixel*Frame) : 0.438 Time code of first frame : 04:39:25:19 Time code source : Group of pictures header Stream size : 895 MiB (93%) Color primaries : BT.709 Transfer characteristics : BT.709 Matrix coefficients : BT.709 Audio #1 ID : 256 (0x100) Menu ID : 1 (0x1) Format : MPEG Audio Format version : Version 1 Format profile : Layer 2 Mode extension : Intensity Stereo + MS Stereo Codec ID : 3 Duration : 5mn 30s Bit rate mode : Constant Bit rate : 192 Kbps Channel(s) : 2 channels Sampling rate : 48.0 KHz Compression mode : Lossy Delay relative to video : 151ms Stream size : 7.56 MiB (1%) Language : English Audio #2 ID : 258 (0x102) Menu ID : 1 (0x1) Format : MPEG Audio Format version : Version 1 Format profile : Layer 2 Mode extension : Intensity Stereo + MS Stereo Codec ID : 3 Duration : 5mn 30s Bit rate mode : Constant Bit rate : 384 Kbps Channel(s) : 2 channels Sampling rate : 48.0 KHz Compression mode : Lossy Delay relative to video : 80ms Stream size : 15.1 MiB (2%) Language : English
If – If
Label: Capitol Record/ST-539 | Release: 1970 | Genre: Progressive-Jazz
Vinyl | LP Cover (1:1) | FLAC | 24bit/96kHz & 16bit/44kHz
Formed in 1969, If had already seen a change of line up (on the drum stool) by the time they came to record their début album released in 1970. Conveniently pigeon-holed as Britain’s answer to the jazz rock of Chicago and Blood Sweat and Tears, there are in fact noteable differences between If and those bands. The twin saxophones in an otherwise standard rock line up give obvious hints of the band’s leanings, but If were perhaps less concerned with catchy hooks and hit singles than their peers from across the pond. That said, there are echoes of David Clayton-Thomas in the fine vocals of J.W. Hodkinson.
The opening “I’m reaching out on all sides” (a track I first came across many years ago on the superb “Bumpers” sampler) actually features the lead guitar of Terry Smith more, the saxes being used to provide colours rather than as a lead instrument. The song makes for a superb introduction to the band. John Mealing, who would later go on to join the Strawbs, lays down a solid Hammond organ base for the instrumental “What Did I Say About the Box, Jack”, the longest track on the album. The track offers Dick Morrissey (subsequently Average White band) the chance to display his skills on flute as part of what is a largely jazz workout.
“What Can a Friend Say” reminds me a bit of the Ides of March song “Vehicle”. The rock side of the band returns, driven on by some fine gravel vocals, the centre piece of the song being a lengthy sax workout.
The second side of the original LP has four tracks to the first side’s three. As might be implied, this means that the songs on this side are generally slightly tighter, although very much in the same vein. “Woman Can You See (What This Big Thing Is All About)” is an upbeat affair, with frantic vocals driven on by a pounding rhythm section and punchy saxes. There are suggestions here of songs such as Chicago’s superb “25 or 6 to 4”.
The three minute “Raise The Level of Your Conscious Mind” is by far the most accessible song on the album, and might have made a successful single. The track boasts a Guess Who type sing-a-long chorus and a wall of sound backing. “Dockland” slows things down somewhat, the track offering a Traffic like folk/fusion take on painting a picture of a “Dockland scene”. The track offers Hodkinson the opportunity to really emphasise his vocal prowess.
The album closes with “The promised land”, a track which does lean heavily on Blood Sweat and Tears for its inspiration. Mealing gets a final opportunity to add to fine keyboards to another pulsating jazz rock number.
In all, a fine début from a band who made some excellent music. In some ways, If were unlucky to be around when so many other great bands were trying to make their mark. It is perhaps time now for a reassessment of their excellent music, it deserves far more recognition that it gets.
progarchives.com
Christy Moore – Christy Moore
Label: Atlantic/7 81835-1 | Release: 1988 | Genre: Pop-Folk
Vinyl | LP Cover (1:1) | FLAC | 24bit/96kHz & 16bit/44kHz
This self-titled album, Christy Moore’s first on Atlantic Records, seemed intended to introduce him to a wider audience, possibly including American listeners. The album cover includes quotes from Irish music celebrities like Elvis Costello, Shane McGowan and Bono, describing Moore as the “greatest living Irishman” and the Irish equivalent to Woody Guthrie. These endorsements are true enough, but the album they promote proceeds to water down Moore’s greatness almost beyond recognition. On several tracks the predominant instrument is the synthesizer rather than the acoustic guitar. And where the guitar is used, it is often in a paper-thin remedial picking pattern that does nothing to demonstrate the artist’s virtuosic abilities on the instrument. The album also does little to demonstrate Moore’s songwriting talents, featuring only one original Christy Moore song, “Delirium Tremens.” It is a clever and tuneful song about a man’s hallucinations while trying to give up alcohol, but the twinkly keyboard arrangement it receives here (by producers Moore and Donal Lunny with assistance from new age icon Enya, who also provides background vocals) is inappropriately soft and lilting. But two of the brightest points on Christy Moore are not political at all: “City of Chicago,” written by Christy’s brother Barry (better known as Luka Bloom), and Jimmy McCarthy’s “Lisdoonvarna,” a witty song about a summer music festival in County Clare, Ireland. Christy Moore is not a bad album, but it makes a poor introduction to his music. Moore may well be “the most powerful Irish folk singer today,” as Jackson Browne claims on the record jacket, but this album is not so much folk music as easy-listening ’80s pop.
allmusic.com (more…)
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Format : MPEG-TS at 13.1 Mbps
Length : 7.99 GiB for 1h 27mn 8s 66ms
Video #0 : MPEG Video at 11.9 Mbps
Aspect : 1920 x 1080 (1.778) at 29.970 fps
Audio #0 : AC-3 at 384 Kbps
Infos : 6 channels, 48.0 KHz
The CW will broadcast the iHeartRadio Jingle Ball 2013 concert for the first time as a two-hour special on Wednesday, December 18, 8:00-10:00 pm ET.
The star-studded concert, hosted by Clear Channel’s Z100, New York’s Hit Music Station, on December 13 at Madison Square Garden in New York City, will feature Miley Cyrus, Robin Thicke, Pitbull, Enrique Iglesias, Fall Out Boy, Macklemore & Ryan Lewis, Selena Gomez, Fifth Harmony, Ariana Grande, Jason Derulo and Austin Mahone, with more still to be announced.
Each year, Clear Channel stations across America host Jingle Ball concerts in local cities featuring performances by top recording artists and emerging new talent. This season, 103.5 KISS FM in Chicago will welcome its first ever Jingle Ball concert, while Z100’s Jingle Ball in New York will celebrate its 18th annual concert. The full iHeartRadio Jingle Ball 2013 Tour will stop in Dallas; Philadelphia; Los Angeles; Seattle; Chicago; Minneapolis; Atlanta; New York; Boston; Washington D.C.; Tampa; and Miami.
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Stephen Stills – Stephen Stills Live
Vinyl | LP Cover (1:1) | FLAC | 24bit/96kHz & 16bit/44kHz
Label: Atlantic / SD 18156 | Release: 1975 | Genre: Country-Rock
Recorded Live March 8 & 9, 1974 At The Auditorium Theatre In Chicago.
This live record features Stephen Stills with a great voice that may be a bit weary but is, perhaps, even more emotional and personal. Separated into an acoustic side and an electric side, Stills triumphs during both sets. The electric side is highlighted by the tight “Wooden Ships,” while the acoustic side shines with “Change Partners” and a frenetic version of “Crossroads.”
allmusic.com
Electric Side
Wooden Ships 6:28
Four Days Gone 3:50
Jet Set (Sigh) / Rocky Mtn Way 5:26
Special Care 3:27
Acoustic Side
Change Partners 2:50
Crossroads / You Can’t Catch Me 4:30
Everybody’s Talking At Me 2:15
4 + 20 2:11
Word Game 3:58
Stephen Stills – vocals, acoustic & electric guitar, piano
Donnie Dacus – guitar, backing vocals
Jerry Aiello – keyboards
Kenny Passarelli – bass, backing vocals
Russ Kunkel – drums
Joe Lala – percussion
Download:
http://usenet.fun/49c290b5951c/StephenStillsStephenStillsLiveLPCD.rar (16-44)
http://usenet.fun/4aab655ab1bb/StephenStillsStephenStillsLiveLPDVD.part1.rar (24-96)
http://usenet.fun/4aab655ab1ba/StephenStillsStephenStillsLiveLPDVD.part2.rar
or
http://usenet.fun/gx4l5l7lsjya/StephenStillsStephenStillsLiveLPCD.rar.html
http://usenet.fun/yunr4q2fh1rk/StephenStillsStephenStillsLiveLPDVD.part1.rar.html
http://usenet.fun/sxvxuh9o3mmu/StephenStillsStephenStillsLiveLPDVD.part2.rar.html
MKV | AC3 CBR | 3.89GB
CMT Artist of the Year honoree the last three years running. The third single off his platinum-selling fifth studio album Night Train, the fun dose of nostalgia, “1994,” is currently storming up the Top 15. It follows seven consecutive No. 1s including Night Train’s previous two singles “Take a Little Ride” and “The Only Way I Know,” the latter featuring Luke Bryan and Eric Church. Aldean’s biggest tour yet, the 2013 Night Train Tour, has sold out every show so far including his Madison Square Garden debut and the first ever show at the University of Georgia’s Sanford Stadium where he played to 66,000 fans. More stadium dates on the books this year include two nights at Boston’s Fenway Park (July 12 and 13) and Chicago’s Wrigley Field (July 20).
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Galliard – New Dawn (1970)
Vinyl rip @ 24/96 | FLAC | Artwork | 924mb
Jazz, Folk, Rock, Psychedelia | 2012 EU reissue | Sweet Dandelion SWDDL 726
Galliard were in on the ground floor of the British progressive rock movement, releasing their debut album, Strange Pleasure, in 1969 and mixing jazz, rock, folk, and psychedelic influences. The following year, New Dawn pretty much picked up where its predecessor left off, with one key exception. The band had initially featured two wind players, Dave Caswell and John Smith; though Smith was absent from New Dawn, a whole brace of additional horn players had been brought in to augment the sound. This was during the period when the likes of Chicago and Blood, Sweat & Tears (and their British equivalents) were starting out, and brass-rock was all the rage. That’s not to suggest that Galliard were trying to ride the brass-rock gravy train — their work is too skilled and varied for that — but simply that they were right in time for the Zeitgeist. Some cuts, like “New Dawn Breaking” and “Open Up Your Mind,” make full use of the horn section, coming off like a cross between early Chicago and jazzy U.K. prog rockers Colosseum, but that’s far from the dominant sound on this eclectic outing.
Lead guitarist Richard Pannell’s sitar work on “Ask for Nothing” contributes to a swirling Eastern atmosphere that seems soaked in a kind of psychedelic afterglow from the late ‘60s. “Winter — Spring — Summer” is an ambitious suite full of shifting dynamics and settings, while the gentle, acoustic-based “And Smile Again” echoes Jethro Tull or the more folk-oriented moments of Traffic. “Premonition” is a straight-up jazz-rock instrumental pushed along by Tommy Thomas’ congas, where Pannell and the horns get to stretch out a bit. Closing track “In Your Minds Eye” opens with a couple of minutes of atmospheric, otherworldly tones before bringing things home with a blast of bold-faced, brass-filled prog rock. The striking thing is just how good Galliard were at all of the varied styles they attempt on New Dawn, but sadly, it was to be their last album. James Allen, Allmusic.
National Lampoon’s Vacation – Soundtrack (1983) (US Pressing) (24-Bit/96 Khz + 16-Bit/44.1Khz) (Vinyl Rip)
vinyl rip in 24/96 & 16/44.1 | 635 MB & 172 MB | FLAC | no cue or log (vinyl)
DR Analysis | Full LP Artwork | US Pressing
Genre: Soundtrack | Warner Bros. Records ~ 1-23909
National Lampoon’s Vacation, is a 1983 comedy film directed by Harold Ramis and starring Chevy Chase, Beverly D’Angelo, Randy Quaid, Dana Barron and Anthony Michael Hall. The film features numerous others, such as comedians John Candy and Imogene Coca, model Christie Brinkley, and Jane Krakowski, in smaller roles. The screenplay was written by John Hughes, based on his short story in National Lampoon Magazine, Vacation ’58 (the screenplay changes the year to 1983). The original story is a (reportedly) fictionalized account of his own family’s ill-fated trip to Disneyland (changed to Walley World for the film) when Hughes was a boy. The success of the film helped advance his screenwriting career.
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Junior Wells – Come On In This House (1996) [Reissue 2002] {2.0 & 5.1}
PS3 Rip | ISO | SACD DST64 2.0 & 5.1 > 1-bit/2.8224 MHz | 69:22 minutes | Scans included | 3,97 GB
or FLAC 2.0 Stereo (converted with foobar2000 to tracks) 24bit/88,2 kHz | 69:09 mins | Scans | 1,22 GB
Features 2.0 Stereo and 5.1 multichannel surround sound
Junior Wells’ penchant for clowning around sometimes conflicts with his craftsmanship, but he’s all business on Come on in This House, his most unadulterated blues record since his highly acclaimed Hoodoo Man Blues of more than 30 years vintage. This is what has come to be known as an “unplugged” session — that is, predominately, although not exclusively, acoustic instrumentation. Producer John Snyder’s concept was threefold: to team Wells with some of the era’s top younger traditional blues guitarists — Corey Harris, Alvin Youngblood Hart, Sonny Landreth, Bob Margolin, and John Mooney; to have those musicians, in various combinations, accompany Wells on a variety of slide guitars; and to concentrate on vintage Chicago and Delta blues from the repertoires of Rice Miller, Little Walter, Tampa Red, Arthur Crudup, and Wells himself. The result is a virtual slide-guitar mini-fest and a demonstration of the timeless appeal of classic blues done well. Wells’ vocals are deep and manly; his harp playing is high-pitched, like a child’s pleading. A surprising highlight is the only contemporary tune on the disc, Tracy Chapman’s “Give Me One Reason.” New Orleans drummer Herman Ernest III, who appears on 11 of the 14 cuts, does a masterful job laying down understated rhythmic grooves.
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