Beatrice Rana – Chopin Piano Sonata No. 2 Op. 35 Funeral March- Beethoven Piano Sonata No. 29 Op. 106 Hammerklavier (2024) [24Bit-192kHz] FLAC [PMEDIA] ⭐️
FLAC (tracks) 24 bit/192 kHz | Time – 01:11:19 minutes | 2,05 GB | Genre: Classique
Studio Masters, Official Digital Download | Front Cover
Ketil Bjørnstad – Nightwalker (Fender Rhodes Version) (2023) [Official Digital Download 24bit/48kHz]
Ketil Bjørnstad – Nightwalker (Fender Rhodes Version) (2023)
FLAC (tracks) 24 bit/48 kHz | Time – 01:04:40 minutes | 478 MB | Genre: Chamber Jazz, Classical
Studio Masters, Official Digital Download | Front Cover | © Grappa
Nightwalker is a suite inspired by Ketil Bjornstads own experiences as a ‘nightwalker’ …in nature, in the streets of Oslo or in a musical landscape.
“A night walker can have a whole life in his head as he walks. This suite is built on both dreams and experiences, states of mind that we all have, with their abrupt changes, and often with a dramaturgy we do not understand, until we can only understand in retrospect what happened, and why things turned out the way they did. The entire suite was written during the winter, spring and summer of 2022, the dark year that none of us had foreseen.
Read moreJean-Efflam Bavouzet, Manchester Camerata & Gábor Takács-Nagy – Mozart Piano Concertos 11, 12, & 13 (2024)
FLAC (tracks) 24 bit/96 kHz | Time – 01:18:38 minutes | 1,23 GB | Genre: Classical
Studio Masters, Official Digital Download | Front Cover | © Chandos
The three concertos featured on this album were composed together in 1782 / 83 – shortly after Mozart had left his patron and position in Salzburg to establish himself as a freelance composer and performer in Vienna. The concertos were all performed by the composer in a series of subscription concerts that he gave in the city. All share the same form – opening movement in sonata form, slow movement in ternary form, and a bright rondo finale. Despite these similarities, though, each piece has its own distinct character and identity; such was the extent of Mozart’s genius for invention. Although formally scored for strings with wind, horns, trumpets, and timpani, Mozart also offered them to his publisher to be performed ‘a quatro’ – for strings only. These would be the last concertos he wrote in which this would be possible, and it is certainly likely that it reflected a need to earn greater income as opposed to being a purely artistic decision. As in the rest of this series, Jean-Efflam Bavouzet is joined by the Manchester Camerata and Gábor Takács-Nagy, who open the album with a dazzling performance of the Overture to Die Entführung aus dem Serail, which dates from the same period.
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