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Can – CAN (1979) [2006 Remaster]
PS3 Rip | ISO | SACD DSD64 2.0 > 1-bit/2.8224 MHz | Scans included | 1,61 GB
SACD-ISO PS3 Rip to FLAC 2.0 | 24 bit / 88,2 kHz |39:16 min | Scans included | 868 MB
Tracklist:
01. All Gates Open
02. Safe
03. Sunday Jam
04. Sodom
05. Aspectacle
06. E.F.S. No. 99 : “CAN CAN”
07. Ping Pong
08. Can Be
Can – Saw Delight (1977) [2006 Remaster]
PS3 Rip | ISO | SACD DSD64 2.0 > 1-bit/2.8224 MHz | Scans included | 1,55 GB
SACD-ISO PS3 Rip to FLAC 2.0 | 24 bit / 88,2 kHz | 37:48 min | Scans included | 852 MB
Tracklist:
01. Don`t Say No
02. Sunshine Day And Night
03. Call Me
04. Animal Waves
05. Fly By Night
Can – Flow Motion (1976) [2006 Remaster]
PS3 Rip | ISO | SACD DSD64 2.0 > 1-bit/2.8224 MHz | Scans included | 1,55 GB
SACD-ISO PS3 Rip to FLAC 2.0 | 24 bit / 88,2 kHz | 37:47 min | Scans included | 818 MB
Tracklist:
01. I Want More
02. Cascade Waltz
03. Laugh Till You Cry, Live Till You Die
04. …….. And More
05. Babylonian Pearl
06. Smoke (E.F.S. No. 59)
07. Flow Motion
Can – Unlimited Edition (1976) [2005 Remaster]
PS3 Rip | ISO | SACD DSD64 2.0 > 1-bit/2.8224 MHz | Scans included | 3,13 GB
SACD-ISO PS3 Rip to FLAC 2.0 | 24 bit / 88,2 kHz | 77:32 min | Scans included | 1,53 GB
Tracklist:
01. Gomorrah
02. Doko E
03. LH 702
04. I’m Too Leise
05. Musette
06. Blue Back (Inside Paper)
07. E F S No. 27
08. TV Spot
09. E F S No. 7
10. The Empress And The Ukraine King
11. E F S No. 10
12. Mother Upduff
13. E F S No. 36
14. Cutaway
15. Connection
16. Fall of Another Year
17. E F S No. 8
18. Transcentdental Express
19. Ibis
Can – Landed (1975) [2005 Remaster]
PS3 Rip | ISO | SACD DSD64 2.0 > 1-bit/2.8224 MHz | Scans included | 1,64 GB
SACD-ISO PS3 Rip to FLAC 2.0 | 24 bit / 88,2 kHz | 40:18 min | Scans included | 833 MB
Tracklist:
01. Full Moon On The Highway
02. Half Past One
03. Hunters And Collectors
04. Vernal Equinox
05. Red Hot Indians
06. Unfinished
Can – Soon Over Babaluma (1974) [2005 Remaster]
PS3 Rip | ISO | SACD DSD64 2.0 > 1-bit/2.8224 MHz | Scans included | 1,58 GB
SACD-ISO PS3 Rip to FLAC 2.0 | 24 bit / 88,2 kHz | 38:50 min | Scans included | 812 MB
Tracklist:
01. Dizzy Dizzy
02. Come sta, La Luna
03. Splash
04. Chain Reaction
05. Quantum Physics
Can – Ege Bamyasi (1972) [2004 Remaster]
PS3 Rip | ISO | SACD DSD64 2.0 > 1-bit/2.8224 MHz | Scans included | 1,63 GB
SACD-ISO PS3 Rip to FLAC 2.0 | 24 bit / 88,2 kHz | 40:06 min | Scans included | 826 MB
Tracklist:
01. Pich
02. Sing Swan Song
03. One More Night
04. Vitamin C
05. Soup
06. I’m so green
07. Spoon
Can – Tago Mago (1971) [2004 Remaster]
PS3 Rip | ISO | SACD DSD64 2.0 > 1-bit/2.8224 MHz | Scans included | 2,97 GB
SACD-ISO PS3 Rip to FLAC 2.0 | 24 bit / 88,2 kHz | 73:18 min | Scans included | 1,43 GB
Tracklist:
01. Paperhouse
02. Mushroom
03. Oh Yeah
04. Halleluwah
05. Aumgn
06. Peking O
07. Bring Me Coffee Or Tea
Can – Soundtracks (1970) [2004 Remaster]
PS3 Rip | ISO | SACD DSD64 2.0 > 1-bit/2.8224 MHz | Scans included | 1,44 GB
SACD-ISO PS3 Rip to FLAC 2.0 | 24 bit / 88,2 kHz | 35:09 min | Scans included | 722 MB
Tracklist:
01. Deadlock
02. Tango Whiskyman
03. Deadlock
04. Don’t turn the Light on, leave me alone
05. Soul Desert
06. Mother Sky
07. She brings the Rain
Can – Monster Movie (1969) [2004 Remaster]
PS3 Rip | ISO | SACD DSD64 2.0 > 1-bit/2.8224 MHz | Scans included | 1,55 GB
SACD-ISO PS3 Rip to FLAC 2.0 | 24 bit / 88,2 kHz | 38:00 min | Scans included | 750 MB
Tracklist:
01. Father Cannot Yell
02. Mary, Mary So Contrary
03. Outside My Door
04. Yoo Doo Right
Title: The Who – Live in Hyde Park
Release Date: 2015
Genre: Rock
Director: Chris Rule
Artist: Roger Daltrey – Vocals; Pete Townshend – Guitars, Vocals; Pino Palladino – Bass; Simon Townshend – Guitars, Vocals; John Corey – Keyboards; Loren Gold – Keyboards; Frank Simes – Musical Director, Keyboards; Zak Starkey – Drums
Production/Label: Eagle Rock Entertainment
Duration: 01:49:27
Quality: Blu-ray
Container: BDMV
Video codec: AVC
Audio codec: DTS, PCM
Video: MPEG-4 AVC 29994 kbps / 1920*1080i / 29,970 fps / 16:9 / High Profile 4.1
Audio#1: English DTS-HD MA 5.1 / 48 kHz / 3226 kbps / 16-bit (DTS Core: 5.1 / 48 kHz / 1509 kbps / 16-bit)
Audio#2: English LPCM 2.0 / 48 kHz / 1536 kbps / 16-bit
Subtitles: English, French, German, Spanish
Size: 32.85 GB
“Live In Hyde Park” filmed on June 26th this year as The Who celebrated their fiftieth anniversary, this stunning show from London’s famous Hyde Park is a triumphant return to their home city. This massive event formed a fitting culmination to The Who’s fiftieth anniversary celebrations and the fantastic set includes classics like ‘My Generation’, ‘Pinball Wizard’, ‘Baba O’Riley’, ‘Pictures Of Lily’, ‘I Can’t Explain’, ‘You Better You Bet’, ‘Who Are You’, ‘Won’t Get Fooled Again’, ‘Join Together’, ‘The Kids Are Alright’, ‘I Can See For Miles’ and many more!
On what was a glorious summer evening the band delivered a brilliant performance of all their greatest hits in front of a 65,000 strong crowd. With a series of stunning backdrops making full use of the huge screens surrounding the stage and an exceptional light show this is a Who concert on a grand scale but as Pete Townshend says at the start of the show “You’re a long way away…but we will reach you!”. He’s absolutely true to his word. (more…)
Seinabo Sey – Pretend (2015)
FLAC (tracks) 24 bit/44,1kHz | Time – 58:26 minutes | 646 MB | Genre: Rock
Official Digital Download – Source: HDTracks | © Virgin
Swedish/Gambian pop star Seinabo Sey follows up two highly-acclaimed EPs with Pretend, her debut full-length album, almost three years in the making. The winner of a Swedish Grammy Award for Newcomer of the Year in 2015, Sey had a a number one hit in Norway with the Kygo remix of Younger, included here along with the original and acoustic versions.
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Jean Sibelius – The Seven Symphonies – Wiener Philharmoniker, Lorin Maazel (2015)
FLAC (tracks) 24-bit/96 kHz | Time – 04:05:37 minutes | 4.68 GB | Genre: Classical
Studio Master, Official Digital Download – Source: Q0buz | @ Decca
Sibelius’ reputation rests chiefly on his magnificent symphonies, seven spectacular creations, all with their particular points of grandeur and originality.
Originally released between 1963 and 1968 Maazel’s Sibelius cycle met with critical acclaim. Particularly praised is Maazel’s interpretation of the Fourth Symphony in the Vienna Philharmonic’s only recording of the work.
Decca has gone back to the original tapes to make a definitive transfer and present a set which includes the remastered recordings in 96 kHz, 24-bit – an unprecedented opportunity to hear these legendary recordings in the best possible audio quality.
Szymanowski & Dvorak – Violin Concertos – Arabella Steinbacher, Rundfunk-Sinfonieorchester Berlin, Marek Janowski (2009)
FLAC (tracks) 24 bit/96kHz | Time – 01:11:43 minutes | 1,24 GB | Genre: Classical
Official Digital Download – Source: pentatonemusic.com | © PentaTone Classics
Recorded: Haus des Rundfunks, Berlin, 5/2009
Would you please write me a violin concerto? A truly original one, full of melodies and written for good violinists? Please, drop me a line!”
These words in a letter from the publisher Simrock to , dated January 27, 1879, resulted in the composition of his Violin Concerto in A minor. Although Dvorák concluded the work towards the end of the summer of 1879, after completing his exceedingly successful Slavonic Dances, a further four years would pass before the violin concerto finally appeared in print and actually received its première. With his reference to “good violinists”, Simrock (ever on the lookout for a good business deal) prob- ably had one person in particular in mind: Joseph Joachim. Two years previously, this violinist – who nowadays would enjoy the status of a megastar – had “launched” the violin concerto written by Johannes Brahms, following a period of intensive collaboration with the composer. So it seemed only logical that Dvorák – who was now also gaining an international reputation – would write the next concerto specifically for the famous virtuoso. During the summer, Dvorák and Joachim spent some “pleasant and delightful moments” together in Berlin. It seemed as if nothing would stand in the way of a rewarding and steady collaboration. Thus in the autumn of 1879, Joachim received the manuscript of the concerto. However, apart from his thanks for the dedication, his reaction was mainly to send back a list of requests for massive changes in both the formal structure of the work and the solo violin part. After meeting personally with him in April 1880, Dvorák decided to fundamentally revise the work, which he concluded the following May.