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Grateful Dead – Workingman is dead
Artist: Grateful Dead | Album: Workingman is dead | Style: Folk Rock, Country Rock | Year: 2001 | Quality: DVD-Audio (MLP 5.1 96kHz/24Bit, MLP 2.0 96kHz/24Bit, Dolby AC3 5.1 48kHz/16Bit) | Bitrate: lossless | Tracks: 8 | Size: ~3.54 Gb | Recovery: 3% | Covers: in archive | Release: Rhino Records / Warner Bros. Records (8122-78356-9),2001 | Note: Not Watermarked
Surround Sound Mixing: Mickey Hart
Mastering: Steve Hall
Executive Producer: David McLees
Workingman’s Dead and its successor from later in 1970, American Beauty, are the Dead albums even non-Deadheads embrace. With these two new-decade statements, the group reigned in its demonstrative instrumental side in favor of a pithier presentation of prize tunes. The opener, “Uncle John’s Band,” signaled that this was a relatively streamlined Dead. “Dire Wolf,” “Cumberland Blues,” and “Casey Jones” hammer the point home: The Grateful Dead could set aside the jams for a while and make a great album. –Steven Stolder (more…)
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Emerson Lake & Palmer – Brain Salad Surgery
Artist: Emerson Lake & Palmer | Album: Brain Salad Surgery | Style: Progressive Rock | Year: 2014 [1973 original]| Quality: DVD-Audio (MLP 5.1 96kHz/24Bit, MLP 2.0 96kHz/24Bit, DTS 5.1 96kHz/24Bit, Dolby AC3 48kHz/24Bit, LPCM 2.0 48kHz/24Bit) | Bitrate: lossless | Tracks: 8 | Size: ~7.4 Gb | Recovery: 3% | Covers: in archive | Release: Sony Music / Legacy / Manticore Records (88883772862), 2014 | Note: Not Watermarked
New stereo and 5.1 mixes by Jakko M Jakszyk
Mixed at Silesia Sound, Hertfordshire
Original album remastered by Andy Pearce
DVD-Audio and DVD authoring by Neil Wilkes at Opus Productions
Karn Evil 9 1st Impression, Part 2, kicks off the second side of Brain Salad Surgery, the fourth album by progressive rock band, Emerson, Lake, & Palmer. The song begins with one of the most recognizable lyrics in the world, welcome back my friends to the show that never ends… With instantly recognizable cover art by H.R. Giger, Brain Salad Surgery was arguably the band s most successful and well-realized album, reaching #11 on the Billboard Top 200.
Now Celebrating its 40th Anniversary, this classic album has been fully restored and reissued as a Limited Three Disc Edition. The first disc contains a remastered version of the original album, Disc 2 the Alternate Album Mix, and Disc 3, a DVD-A of Super Stereo Mixes with the remastered original and new 2014 stereo mix, both in MLB Lossless 24/96 & LPCMm 24/96. Flac files are also included (more…)
Emerson, Lake & Palmer – Tarkus
Artist: Emerson, Lake & Palmer | Album: Trakus | Style: Progressive Rock | Year: 2012 [1971 original] | Quality: DVD-Audio (MLP 5.1 48kHz/24Bit, MLP 2.0 48kHz/24Bit, DTS 5.1 48kHz/24Bit, Dolby AC3 48kHz/16Bit, LPCM 2.0 48kHz/24Bit) | Bitrate: lossless | Tracks: 18 | Size: ~3.49 Gb | Recovery: 3% | Covers: in archive | Release: Columbia / Sony Music (88691937962), 2012 | Note: Not Watermarked
Original album produced by Greg Lake
Arranged & Directed by Emerson, Lake & Palmer
2012 Remixes by Steven Wilson
Behold Tarkus, the mighty mythical beast! Rarely has such a powerful image come to define both a band and a genre of rock music with such forthright aggression. But Tarkus, the second album released by Emerson, Lake & Palmer, not only consolidated the group’s success but established progressive rock’ an important facet of Seventies’ music. (more…)
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Emerson, Lake & Palmer – Emerson, Lake & Palmer
Artist: Emerson, Lake & Palmer | Album: Emerson, Lake & Palmer | Style: Progressive Rock | Year: 2012 [1970 original] | Quality: DVD-Audio (MLP 5.1 48kHz/24Bit, MLP 2.0 48kHz/24Bit, DTS 5.1 48kHz/24Bit, Dolby AC3 48kHz/16Bit, LPCM 2.0 48kHz/24Bit) | Bitrate: lossless | Tracks: 18 | Size: ~3.26 Gb | Recovery: 3% | Covers: in archive | Release: Columbia / Sony Music (88691937972), 2012 | Note: Not Watermarked
Original album produced by Greg Lake
Arranged & Directed by Emerson, Lake & Palmer
2012 Remixes by Steven Wilson
Bonnie ‘Prince’ Billy – The Letting Go
Artist: Bonnie ‘Prince’ Billy | Album: The Letting Go | Style: Folk Rock, Acoustic, Indie Rock | Year: 2006 | Quality: DVD-Audio (MLP 5.1 96kHz/24Bit, Dolby AC3 5.1 48kHz/16Bit) | Bitrate: lossless | Tracks: 15 | Size: ~3.28 Gb | Recovery: 3% | Covers: in archive | Release: Drag City Records (dc420-5.1), 2006 | Note: Not Watermarked
DVD-Audio. The Letting Go is an overwhelming undertaking. As mentioned, there are strings lovely charts that do so much more than just trace chord changes up and down the neck. Arrangements by Ryder McNair and Nico Muhly are threaded throughout the record, augmenting a simple quintet players to provide a sixth sense. The deceptive nature of his band is on display from the top. Filthy Jim White is known far and wide for his resource behind the drum kit and he proves it song after song, with sensitivity that provokes dynamic variety from skins, an acoustic depth to the room. Paul Oldham’s bass is a feeling accompaniment to Bonny’s guitar, played with brotherly clairvoyance and constancy. Young Emmett Kelly’s clean electric guitar lines roam within the web and suddenly shine, are blues and folk and r’n’b in shifting turn, guilelessly tactic and soulfully expressive. And up front with Bonny is the bewitching Dawn McCarthy of Faun Fables. Her vocal flights on those records can hardly prepare one for the intimacy and empathy of her harmonies and other voices on The Letting Go. (more…)
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Title: Ying Quartet: Schumann
Released: 2014
Genre: Classical, Instrumental
Artist: Ayano Ninomiya (Violin), Janet Ying (Violin), Phillip Ying (Viola), David Ying (Cello)
Issued: United States | Sono Luminus
Duration: 1:13:43
Technical Specs
Blu-ray
BD-25 Single-Layer Disc
Video Resolution/Codec
1080i/AVC MPEG-4
Aspect Ratio(s)
TBA
Audio Formats
DTS-HD MA 7.1 (96 kHz / 9207 kbps / 24-bit)
DTS-HD MA 5.1 (192 kHz / 12274 kbps / 24-bit)
LPCM 2.0 (192 kHz / 9216 kbps / 24-bit)
Subtitles/Captions
None
Supplements
None
The Ying Quartet occupies a position of unique prominence in the classical music world, combining brilliantly communicative performances with a fearlessly imaginative view of chamber music in today’s world. Now in its second decade as a quartet, the Quartet has established itself as an ensemble of the highest musical qualifications in its tours across the United States and abroad. Their performances regularly take place in many of the world’s most important concert halls, from Carnegie Hall to the Sydney Opera House. At the same time, the Quartet’s belief that concert music can also be a meaningful part of everyday life has also drawn the foursome to perform in settings as diverse as the workplace, schools, juvenile prisons, and the White House. In fact, the Ying Quartet’s constant quest to explore the creative possibilities of the string quartet has led it to an unusually diverse array of musical projects and interests. As quartet-in-residence at the Eastman School of Music, the Ying Quartet maintains full time faculty positions in the String and Chamber Music Departments.
The three string quartets were all written in just a few weeks in the summer of 1842, and his writing for strings is, for better or worse, rather pianistic. It is unfortunate that some would dispatch the significance and beauty of these works so easily. Though there are passages and textures in the quartets that are clearly influenced by keyboard technique, this is glorious music. The imagination and wit, vitality and virtuosity, subtlety and nuance, and heartfelt yearning and emotion that are displayed throughout the quartets are enough to be as satisfying as any of Schumann’s music. Each one of them is a joy to perform.
Since all of the quartets were written in just a few short weeks, it is interesting to take them (Op. 41, Nos. 1, 2 and 3) as a set and consider the similarities and differences between each of the corresponding movements. For example, all three of the first movements are primarily gentle in nature and convey a sense of unfolding, though there are dynamic and energetic moments within. None of them begin with forceful, dramatic intensity to grab an audience; instead, Schumann uses an intimate quality and a sense of drawing the listener in to define the emotional world of these quartets. Two of the three first movements also end in a wonderfully quiet and peaceful way. (more…)
Title: Inscape: American Aggregate
Released: 2014
Genre: Instrumental
Artist: Brandon Almagro (trumpet), Bryce Bunner (viola), Sarah D’Angelo (violin), Cara Fleck (harp), David George (bass), Benjamin Greanya (bassoon), Nicholas Hodges (violin & viola), Douglas Jameson (cello), Susanna Loewy (flute), Timothy McReynolds (piano), Rebecca Racusin (violin), Jessica Sammis (cello), Bethany Slater (oboe), Megan Yanik (viola), Richard Scerbo (Artistic Director), Evan Ross Solomon (Clarinet & Executive Director)
Issued: United States | Sono Luminus
Duration: 1:22:39
Technical Specs
Blu-ray
BD-25 Single-Layer Disc
Video Resolution / Codec
1080i / AVC MPEG-4
Aspect Ratio (s)
TBA
Audio Formats
DTS-HD MA 7.1 (96 kHz / 8844 kbps / 24-bit)
DTS-HD MA 5.1 (192 kHz / 12 268 kbps / 24-bit)
LPCM 2.0 (192 kHz / 9216 kbps / 24-bit)
Subtitles / Captions
None
American Aggregate, the follow up to Inscape’s GRAMMY® nominated debut album Sprung Rhythm on the Sono Luminus label, explores the rich and varied sounds of American music in the 21st century. From the mechanized world of our cities to the natural beauty of our landscapes, from the sounds of jazz and rock to indigenous folk music, the picture of contemporary classical music is revealing and diverse. The works contained on this album reflect American culture, landscape, and environment as expressed through the distinctly American voices of seven young composers.
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Neil Young – Chrome Dreams II (2007)
FLAC(tracks) 24 bit/96 kHz | Time – 66:17 minutes | 1,29 GB
DVD-Audio Rip | Sourced Track – LPCM 2.0 Stereo | No Art
Neil Young spent his 2006 hawking Living with War, an album as immediate as a news bulletin, so perhaps it made sense that after its promo push was done he would retreat into the past, planning to finally finish Archives, the long-promised box set of unreleased performances from his vaults. Two individual discs of classic live performances were released in the winter of 2006/2007, acting as a teaser for the proposed fall release of the box, but like with most things involving Neil, things didn’t work precisely as planned, as he once again pushed Archives to the back burner so he could release Chrome Dreams II, a sequel to an album that never came out in the first place. The first Chrome Dreams was slated for a 1977 release, but for some indiscernible reason Young scrapped the album, parsing out some of the songs on subsequent albums, sometimes re-recording the originals, sometimes overdubbing, sometimes just sticking the previously unreleased tracks onto new albums. Among the Chrome Dreams songs that popped later are some of his greatest, including “Like a Hurricane” and an originally acoustic “Powderfinger” and “Pocahontas,” along with other such excellent tunes as “Sedan Delivery,” “Too Far Gone,” and “Look Out for My Love,” a pedigree that would suggest that Chrome Dreams II could include its fair share of major songs. Despite the inclusion of the long-bootlegged (and simply long at a lumbering 18 minutes) “Ordinary People,” that’s not quite true: it’s a modest collection of stray songs and new tunes, pieced together in a fashion similar to 1989’s Freedom, which in fact is where the 1977 “Too Far Gone” was finally unveiled. (more…)
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Title: UFO – Showtime
Released: 2014
Genre: Rock, Hard Rock, Heavy Metal
Artists: Phil Mogg (v), Pete Way (b), Paul Raymond (g) (k), Jason Bonham (d), Vinnie Moore (g)
Released: SPV / Steamhammer
Duration: 1:36:18
Quality: Blu-ray
Container: BDMV
Video codec: AVC
Audio Codec: DTS, AC-3
Video: MPEG-4 AVC 9999 kbps / 1920 * 1080i / 29,970 fps / 16: 9 / High Profile 4.1
# 1 Audio: English DTS-HD MA 5.1 / 48 kHz / 2910 kbps / 16-bit (DTS Core: 5.1 / 48 kHz / 768 kbps / 16-bit / DN -4dB)
Audio # 2: English Dolby TrueHD 5.1 / 48 kHz / 2606 kbps / 16-bit (AC3 Embedded: 5.1 / 48 kHz / 448 kbps)
# 3 Audio: English Dolby Digital 5.1 / 48 kHz / 448 kbps / DN -4dB
# 4 Audio: English Dolby Digital 2.0 / 48 kHz / 224 kbps / DN -4dB
Size: 22.17 GB
During the world tour for the album ‘You Are Here’ UFO filmed a concert in May 2005 at the Pumpwerk Wilhelmshaven in Germany. Now ‘Showtime’ will be released for the first time on Blu-ray, including a fantastic acoustic session which was recorded at the Peppermint Park Studios in Hannover, Germany. More bonus material, like making of and history interviews, are also included and you can see the last performances with the band of drummer Jason Bonham, the son of Led Zeppelin drummer John Bonham, and Pete Way who had to leave the band due to health reasons soon after.
Most UFO fans consider the only real lineup to be when guitarist Michael Schenker decides to grace the band with his presence. And truth be told, this is a valid point — the group’s best work seems to occur whenever the unpredictable guitarist is present, whether it was in the ’70s (1977’s Lights Out, 1979’s exceptional Strangers in the Night) or his mid-’90s re-entry (1995’s Walk on Water). But shortly after the dawn of the 21st century, Schenker decided to jump ship once more for his solo career, and the band was left with the decision of “to be or not to be.” What resulted was probably UFO’s most interesting and strongest non-Schenker lineup ever, consisting of mainstays Phil Mogg (vocals), Pete Way (bass), and Paul Raymond (keyboards, guitar), as well as such renowned “newcomers” as Vinnie Moore (guitar) and Jason Bonham (drums). 2005 saw the release of the zillionth UFO live set, Showtime, which does a fine job of showcasing this latter day lineup. The double-disc CD (which was also issued as a DVD under the same title) focuses primarily on the classics, including such standouts as “This Kids,” “Love to Love,” and “Lights Out” — despite a vocal flub by Mogg on the latter track. But the recent material included from 2004’s You Are Here is surprisingly strong — “When Daylight Goes to Town” (which sounds quite similar to Van Halen’s “Best of Both Worlds”) and “The Wild One.” While it’s not, of course, going to top the aforementioned Strangers in the Night — a near impossible feat — Showtime proves that there may be life after Schenker after all. –Greg Prato
General : Phoenix – Lollapalooza Brazil 2014.TS
Format : MPEG-TS at 7 515 Kbps
Length : 3.30 GiB for 1h 2mn 50s 895ms
Video #0 : AVC at 6 756 Kbps
Aspect : 1920 x 1080 (1.778) at 29.970 fps
Audio #0 : AC-3 at 384 Kbps
Infos : 6 channels, 48.0 KHz
Language : pt
Lollapalooza is an annual music festival featuring popular alternative rock, heavy metal, punk rock and hip hop bands, dance and comedy performances and craft booths. It has also provided a platform for non-profit and political groups and various visual artists.
Conceived and created in 1991 by Jane’s Addiction singer Perry Farrell as a farewell tour for his band, Lollapalooza ran annually until 1997, and was revived in 2003. From its inception through 1997 and its revival in 2003, the festival toured North America. In 2004, the festival organizers decided to expand the dates to two days per city, but poor ticket sales forced the 2004 tour to be canceled.In 2005, Farrell and the William Morris Agency partnered up with Austin, Texas–based company Capital Sports Entertainment (now C3 Presents) and retooled it into its current format as a weekend destination festival in Grant Park, Chicago, Illinois.
In 2010 it was announced that Lollapalooza would debut outside of the United States, with a branch of the festival staged in Chile’s capital Santiago on April 2–3, 2011 where they partnered up with Santiago-based company Lotus. In 2011, the company Geo Events confirmed the Brazilian version of the event, which was held at the Jockey Club in São Paulo on 7 and 8 April 2012.In November 2014, the first European Lollapalooza was announced, which will be held at the former Tempelhof Airport in Berlin.
The music festival hosts more than 160,000 people over a two or three-day period. Lollapalooza has featured a diverse range of bands and has helped expose and popularize artists such as Dev, Rollins Band, Nine Inch Nails, Jane’s Addiction, The Smashing Pumpkins, Muse, Imagine Dragons, Babes in Toyland, Beastie Boys, Kings of Leon, Coldplay, Stone Temple Pilots, Depeche Mode, Foo Fighters, Red Hot Chili Peppers, Ministry, Pearl Jam, The Cure, Of Monsters and Men, Primus, The Killers, The National, Rage Against the Machine, Arcade Fire, Franz Ferdinand, X Japan, Audioslave, Soundgarden, Siouxsie and the Banshees, Cage the Elephant, Alice in Chains, Björk, Lorde, MGMT, Tool, The Black Keys, deadmau5, Hole, Body Count, Ice-T, Queens of the Stone Age, The Drums, The Strokes, Arctic Monkeys, Calvin Harris, Thenewno2, Fishbone, Lady Gaga, Lucius, Betty Who, Butthole Surfers, and Scramble Campbell. (more…)
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No Doubt
KROQ Almost Acoustic Christmas 2014
The Forum, Inglewood, CA, USA
December 14, 2014
Setlist:
01. Hella Good
02. Ex-Girlfriend
03. Sunday Morning
04. Underneath It All
05. Just a Girl
06. Simple Kind of Life
07. It’s My Life (Talk Talk cover)
08. Push and Shove
09. Bathwater
10. New
11. Don’t Speak
12. Spiderwebs
Incubus
KROQ Almost Acoustic Christmas 2014
The Forum, Inglewood, CA, USA
December 13, 2014
Setlist:
01. Wish You Were Here
02. Anna Molly
03. Nice to Know You
04. Megalomaniac
05. In the Company of Wolves
06. He Needs Me (Shelley Duvall cover)
07. Pardon Me
08. Trust Fall
09. Drive
Download:
http://usenet.fun/jvd4umc26o6q/Incubus_2014-12-13_KROQ_Almost_Acoustic_Christmas.rar
or
http://usenet.fun/fm6eiglaz731/Incubus_2014-12-13_KROQ_Almost_Acoustic_Christmas.rar
Fall Out Boy
KROQ Almost Acoustic Christmas 2014
The Forum, Inglewood, CA, USA
December 13, 2014
Setlist:
01. The Phoenix
02. This Ain’t a Scene, It’s an Arms Race
03. Sugar, We’re Goin Down
04. Beat It (Michael Jackson cover)
05. Dance, Dance
06. Centuries
07. Thnks fr th Mmrs
08. My Songs Know What You Did in the Dark (Light Em Up)
Fall Out Boy
KROQ Almost Acoustic Christmas 2014
The Forum, Inglewood, CA, USA
December 13, 2014
Setlist:
01. The Phoenix
02. This Ain’t a Scene, It’s an Arms Race
03. Sugar, We’re Goin Down
04. Beat It (Michael Jackson cover)
05. Dance, Dance
06. Centuries
07. Thnks fr th Mmrs
08. My Songs Know What You Did in the Dark (Light Em Up)