The Miles Davis Sextet, The Thelonious Monk Quartet – Miles & Monk at Newport (1964/2017) [Official Digital Download 24bit/96kHz]

The Miles Davis Sextet, The Thelonious Monk Quartet – Miles & Monk at Newport (1964/2017)
FLAC (tracks) 24 bit/96 kHz | Time – 51:18 minutes | 1,10 GB | Genre: Jazz
Studio Masters, Official Digital Download | Front Cover | © Columbia – Legacy

Miles & Monk at Newport was a combined album of a Miles Davis appearance at Newport with an appearance of Thelonious Monk, from the LP era. Despite the title, the two artists do not perform together on the LP, and they are represented on each side by separate live appearances at the Newport Jazz Festival.
On the first side of the LP was a series of high tempo performances of bebop tunes and other staples of the Davis live repertoire from 1958. The performance was contemporaneous with Davis’ Milestones album. Aside from the 1973 release Jazz at the Plaza (also a 1958 concert) during the LP era, this was the only legitimate (non-bootleg) recording of a live Davis combo performance earlier than the 1960 Blackhawk recordings. As such, this performance and Jazz at the Plaza were the only legitimate live recordings representing the Kind of Blue sextet. On the second side were a few numbers by Thelonious Monk’s combo, from a 1963 Newport appearance. It featured an idiosyncratic appearance by clarinetist Pee Wee Russell. The Miles set was recorded in mono and the Monk set was recorded in stereo, so the mono LP featured a fold-down of the Monk set and the stereo LP featured an electronically re-channeled for stereo remix of the Miles set.

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Miles Davis, Stan Getz, Gerry Mulligan, Lee Konitz, Sonny Rollins, Zoot Sims – Conception (1956/2016) [Official Digital Download 24bit/192kHz]

Miles Davis, Stan Getz, Gerry Mulligan, Lee Konitz, Sonny Rollins, Zoot Sims – Conception (1956/2016)
FLAC (tracks) 24 bit/192 kHz | Time – 39:49 minutes | 945 MB | Genre: Jazz
Studio Masters, Official Digital Download | Front Cover | © Prestige

“Conception” is a compilation album issued by Prestige Records in 1956 as PRLP 7013, featuring Miles Davis on a number of tracks. Miles Davis is but one of the featured performers on this compilation album consisting of various tracks released on 10-inch vinyl and 78s, recorded in New York City between 1949 and 1951. In addition to Davis, other key figures on the album include Sonny Rollins, Stan Getz, Gerry Mulligan, Lee Konitz and Zoot Sims. The tracks had all been previously released by Prestige in discontinued formats, either on 10 inch LPs, or as 78rpm singles.

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Miles Davis Quintet – The First Great Quintet (2021) [Official Digital Download 24bit/44,1kHz]

Miles Davis Quintet – The First Great Quintet (2021)
FLAC (tracks) 24 bit/44,1 kHz | Time – 03:51:16 minutes | 2,51 GB | Genre: Jazz
Studio Masters, Official Digital Download | Front Cover | © Pristine Classical

In the summer of 1955, after Davis performed at the Newport Jazz Festival, he was approached by Columbia Records executive George Avakian, who offered him a contract if he could form a regular band. Davis assembled his first regular quintet to meet a commitment at the Café Bohemia in July with Sonny Rollins on tenor saxophone, Red Garland on piano, Paul Chambers on bass, and Philly Joe Jones on drums. By the autumn, Rollins had left to deal with his heroin addiction, and later in the year joined the hard bop quintet led by Clifford Brown and Max Roach.

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Miles Davis Quintet – The 1960 German Concerts (2010/2019) [Official Digital Download 24bit/44,1kHz]

Miles Davis Quintet – The 1960 German Concerts (2010/2019)
FLAC (tracks) 24 bit/44,1 kHz | Time – 01:00:23 minutes | 605 MB | Genre: Jazz
Studio Masters, Official Digital Download | Front Cover | © RevOla

The Miles Davis Quintet was an American jazz band from 1955 to early 1969 led by Miles Davis. The quintet underwent frequent personnel changes toward its metamorphosis into a different ensemble in 1969. Most references pertain to two distinct and relatively stable bands: the First Great Quintet from 1955 to 1959; and the Second Great Quintet from late 1964 to early 1969, Davis being the only constant throughout.

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Miles Davis Quintet – Relaxin’ With The Miles Davis Quintet (1956/2016) [Official Digital Download 24bit/192kHz]

Miles Davis Quintet – Relaxin’ With The Miles Davis Quintet (1956/2016)
FLAC (tracks) 24 bit/192 kHz | Time – 36:52 minutes | 791 MB | Genre: Jazz
Studio Masters, Official Digital Download | Front Cover | © Prestige

This is one of four highly-acclaimed albums Miles Davis made during two days of marathon sessions in May and October 1956 to fulfill a contractual obligation. Davis recorded 26 tracks over the two days, all live off the floor and all first takes, with his superb first great quintet that includes John Coltrane on tenor saxophone, Red Garland on piano, Paul Chambers on bass and Philly Joe Jones on drums.

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Miles Davis Quintet – Cookin’ With The Miles Davis Quintet (1957/2016) [Official Digital Download 24bit/192kHz]

Miles Davis Quintet – Cookin’ With The Miles Davis Quintet (1957/2016)
FLAC (tracks) 24 bit/192 kHz | Time – 33:24 minutes | 697 MB | Genre: Jazz
Studio Masters, Official Digital Download | Front Cover | © Prestige

Cookin’ was the first album to be released of the famed extended recording sessions of the Miles Davis Quintet, wherein they taped the band’s basic repertoire (and what a marvelous mixture of jazz originals and standards) in the manner of nightclub sets rather than the repetition of the usual studio takes. The album excited listeners not only with its contents but with its promise of more to come. Davis, Coltrane, Garland, Chambers and Philly Joe Jones; one of the classic groups in the history of jazz. It established a level of excellence that was to foster a long, successive line of outstanding Davis quintets and sextets through the 50s and 60s.

From the muted eloquence of ‘My Funny Valentine’, through the finger-poppin’ ‘Blues By Five’, to the urgent swing of ‘Airegin’ and ‘Tune Up’, Cookin’ has the ability to thrill the listener no matter how many times it is played—the mark of an all-time great performance.

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Miles Davis and Milt Jackson – Quintet / Sextet (1956/2016) [Official Digital Download 24bit/192kHz]

Miles Davis and Milt Jackson – Quintet / Sextet (1956/2016)
FLAC (tracks) 24 bit/192 kHz | Time – 31:00 minutes | 744 MB | Genre: Jazz
Studio Masters, Official Digital Download | Front Cover | © Prestige

This 1956 release features Miles Davis backed by an all-star group including vibraphonist Milt Jackson who shares co-billing, Jackie McLean on alto saxophone on his two original contributions, pianist Ray Bryant, bassist Percy Heath and drummer Art Taylor. In addition to McLean’s two songs, the rest of the programme contains Ray Bryant’s Changes and Bitty Ditty, written by Thad Jones.

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Miles Davis – Walkin’ (1957/2016) [Official Digital Download 24bit/192kHz]

Miles Davis – Walkin’ (1957/2016)
FLAC (tracks) 24 bit/192 kHz | Time – 37:52 minutes | 787 MB | Genre: Jazz
Studio Masters, Official Digital Download | Front Cover | © Prestige Records

Walkin’, now considered one of the earliest essential albums in the Miles Davis canon, comprises two classic 1954 sessions: one with a quintet; the other a sextet. The influential sextet session, featuring trombonist J.J. Johnson and Lucky Thompson on sax, took advantage of long-playing record technology with two extended jams that announced both the return of modern jazz musicians to a focus on the blues and the coming of the funky hard bop era. The quintet date, with underground legend Davey Schildkraut on alto sax, provides the first inkling of the trumpeter’s haunting muted style and introduces his classic composition Solar.

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Miles Davis And The Lighthouse All-Stars – At Last! (1985/2016) [Official Digital Download 24bit/192kHz]

Miles Davis And The Lighthouse All-Stars – At Last! (1985/2016)
FLAC (tracks) 24 bit/192 kHz | Time – 39:36 minutes | 1,00 GB | Genre: Jazz
Studio Masters, Official Digital Download | Front Cover | © Concord Records

Recorded live in September 1953 at the Lighthouse Café in Hermosa Beach, California but not released until 1985, this album captures Miles Davis jamming with the club’s house band, the Lighthouse All Stars. Chet Baker, on the bill at the Lighthouse that night, plays trumpet on two of these songs (though not with Davis); the two trumpeters are variously joined on these tunes by Rolf Ericson, Bob Cooper, Bud Shank, Lorraine Geller, Russ Freeman, Howard Rumsey and Max Roach.

“I sometimes jammed with some of the musicians of the Lighthouse and we made ​​a record. At that time, Chet Baker (was known as one of) the best young jazz trumpeters. He was California. He played at the Lighthouse one day I went to jam. Chet was a pretty nice guy, cool and good instrumentalist. But he knew as well as I that he had much copied me. At the meeting, he told me afterwards that knowing I was in the room had made ​​him nervous.”

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Miles Davis & John Coltrane – The Final Tour: The Bootleg Series, Vol. 6 (2018) [Official Digital Download 24bit/96kHz]

Miles Davis & John Coltrane – The Final Tour: The Bootleg Series, Vol. 6 (2018)
FLAC (tracks) 24 bit/96 kHz | Time – 03:40:57 minutes | 4,05 GB | Genre: Jazz
Studio Masters, Official Digital Download | Front Cover | © Columbia – Legacy

Miles Davis & John Coltrane – The Final Tour: The Bootleg Series, Vol. 6 brings together five mythic concert performances during the epochal Spring 1960 Jazz At The Philharmonic European Tour. The box set was produced by the multi-Grammy winning team of producers Steve Berkowitz, Michael Cuscuna and Richard Seidel. And mastered by multi-Grammy winning Sony Music engineer Mark Wilder. The Final Tour is essential listening, an invitation to travel through time to experience the enduring beauty and magic of Miles and Trane at the peak of their collective powers.

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Miles Davis & John Coltrane – The Final Tour: The Bootleg Series, Vol. 6 (2018) [Official Digital Download 24bit/44,1kHz]

Miles Davis & John Coltrane – The Final Tour: The Bootleg Series, Vol. 6 (2018)
FLAC (tracks) 24 bit/44,1 kHz | Time – 03:40:57 minutes | 2,11 GB | Genre: Jazz
Studio Masters, Official Digital Download | Front Cover | © Columbia – Legacy

“Miles Davis & John Coltrane – The Final Tour: The Bootleg Series, Vol. 6” brings together five mythic concert performances during the epochal Spring 1960 Jazz At The Philharmonic European Tour. The box set was produced by the multi-Grammy winning team of producers Steve Berkowitz, Michael Cuscuna and Richard Seidel. And mastered by multi-Grammy winning Sony Music engineer Mark Wilder. The Final Tour is essential listening, an invitation to travel through time to experience the enduring beauty and magic of Miles and Trane at the peak of their collective powers.

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Miles Davis – Volume 3 (1954/2014) [Official Digital Download 24bit/192kHz]

Miles Davis – Volume 3 (1954/2014)
FLAC (tracks) 24 bit/192 kHz | Time – 26:22 minutes | 915 MB | Genre: Jazz
Studio Masters, Official Digital Download | Front Cover | © Blue Note Records

Miles Davis, Volume 3 (BLP 5040) is a 1954 10 inch LP album by Miles Davis. It consists of the third and last of three sessions recorded for Blue Note Records. Several years later, Davis would once again record at Blue Note, but as a sideman on Cannonball Adderley’s Somethin’ Else (BLP 1595).

The six tracks were recorded at Rudy Van Gelder’s Studio, Hackensack, New Jersey, on March 6, 1954 For the session he used exactly the same quartet he would again record with seven days later for side 2 of the Miles Davis Quartet LP (PRLP 161), released by Prestige. Davis says in his autobiography that these were his first recording sessions after successfully quitting his heroin habit, and that he arranged them both quickly as he needed money fast, and both Blue Note’s Alfred Lion and Prestige’s Bob Weinstock had given him a fair chance earlier when his reputation was in decline. This was also the first of several sessions Davis would record with the young Horace Silver, whom he liked for his funky style of playing.

After the 10″ LP format was discontinued, the tracks would all reappear on the 12″ album version of Miles Davis Volume 2 (BLP 1502), alongside tracks from Davis’ first two Blue Note sessions. In the CD era all six tracks would be reassigned to the CD version of Miles Davis Volume 1.

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Miles Davis – Volume 2 (1953/2014) [Official Digital Download 24bit/192kHz]

Miles Davis – Volume 2 (1953/2014)
FLAC (tracks) 24 bit/192 kHz | Time – 44:14 minutes | 1,39 GB | Genre: Jazz
Studio Masters, Official Digital Download | Front Cover | © Blue Note Records

Miles Davis Volume 2 refers to two separate but related entities. The first is a Miles Davis studio album released by Blue Note Records as a 10-inch LP, as BLP 5022 in 1953. The six tracks from this LP plus five alternate takes were released on CD in 1990 and remastered with restored artwork in 2001.

The second Miles Davis Volume 2 is a compilation of tracks from all three of his sessions with the label, released (with different cover art) in 1956 as BLP 1502.

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Miles Davis – Tutu (1986/2011) [Official Digital Download 24bit/192kHz]

Miles Davis – Tutu (1986/2011)
FLAC (tracks) 24 bit/192 kHz | Time – 42:46 minutes | 1,68 GB | Genre: Jazz
Studio Masters, Official Digital Download | Front Cover | © Rhino – Warner Records

One of Miles Davis’ late career-defining masterworks and the winner of two Grammy® Awards, Tutu found Davis again revolutionizing jazz by bringing it further into the realm of rock, funk, and R&B. The album features compositions by multiple Grammy winning bassist/songwriter Marcus Miller.

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Miles Davis – The Last Word: The Warner Bros. Years (2015) [Official Digital Download 24bit/44,1kHz]

Miles Davis – The Last Word: The Warner Bros. Years (2015)
FLAC (tracks) 24 bit/44,1 kHz | Time – 06:56:39 minutes | 4,68 GB | Genre: Jazz
Studio Masters, Official Digital Download | Front Cover | © Rhino – Warner Records

8 disc set from Miles’ work in the 1980-1990s plus live performances. Newly remastered in 2015.

Disc 1 – Tutu
Disc 2 – Music From Siesta (With Marcus Miller)
Disc 3 – Amandla
Disc 4 – Dingo Original Soundtrack (With Michele Legrand)
Disc 5 – Doo Bop
Disc 6 – Miles & Quincy Live At Montreux
Disc 7 – Live Around The World
Disc 8 – Live Performance from Nice Festival, France

In 1985, Miles Davis shocked the music world by moving from Columbia to Warner Bros.. He immediately started working on an album called Perfect Way after a tune by Scritti Politti, later renamed Tutu by producer Tommy LiPuma. When Tutu (a tribute to Desmond Tutu) was released in 1986, it re-ignited Miles Davis’ career, crossing over into the rock and pop markets and winning him two Grammy Awards. A definitive collection of the later part of Miles Davis’ work, fully remastered, from the Warner Bros studio albums Tutu, Amandla and Doo-Bop, the Dingo and Siesta soundtracks, live recordings with Quincy Jones, and the likes of Kenny Garrett, Foley and Adam Holzman.

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