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Henryk Szeryng – J.S. Bach: Sonatas And Partitas (1980/2018) [Official Digital Download 24bit/96kHz]
Henryk Szeryng – J.S. Bach: Sonatas And Partitas (1980/2018)
FLAC (tracks) 24 bit/96 kHz | Time – 02:09:51 minutes | 2,62 GB | Genre: Classical
Studio Masters, Official Digital Download | Front Cover | © Deutsche Grammophon (DG)
Bachs Sonaten und Partiten für Violine solo umfassen sechs Werke für das Instrument ohne jede Begleitung. Der mexikanische Geiger und Komponist polnischer Abstammung, Henryk Szernyg, spielte den Zyklus gleich zweimal ein. Seine Aufnahme aus dem Jahr 1967 entstand im Théâtre Municipal in Vevey (Schweiz) unter Tonmeister Vittorio Negri. Szeryng schafft es, die Musik für sich selbst sprechen zu lassen und ihr gleichzeitig seine eigene Note zu geben.
Read moreHenryk Szeryng – Brahms: Violin Concerto (Remastered) (2018) [Official Digital Download 24bit/96kHz]
Henryk Szeryng – Brahms: Violin Concerto (Remastered) (2018)
FLAC (tracks) 24 bit/96 kHz | Time – 41:21 minutes | 829 MB | Genre: Classical
Studio Masters, Official Digital Download | Front Cover | © Decca Music Group Ltd.
As a young boy he was trained by his mother to play piano but later decided to exchange the instrument for the violin. In 1928, convinced by Bronisław Huberman (a friend of the family), Szeryng went to Berlin to study under Karl Flesch. His debut concert took place in Warsaw in 1933 when he performed Ludwig van Beethoven’s Violin Concerto in D major with Warsaw Philharmonic Orchestra under the baton of Bruno Walter. In the same year he played in Bucharest, Vienna, and Paris, achieving acclaim both from the audience and the critics. In the years 1933-1939 the artist continued to learn violin under Jacques Thibaud and Gabriel Bouillon and studied composition under Nadia Boulanger.
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Henryk Szeryng – Brahms: Violin Concerto (1962/2018)
FLAC (tracks) 24 bit/192 kHz | Time – 40:24 minutes | 1,57 GB | Genre: Classical
Studio Masters, Official Digital Download | Front Cover | © Decca Music Group Ltd.
Violinist Henryk Szeryng is accompanied by pianist Charles Reiner for this audiophile recording of compositional works by Bartok, Debussy, Novacek, Brahms, Marroquin, Rimsky-Korsakov, Leclair, Gluck, Vitali, and Locatelli.
Violinist Henryk Szeryng is joined by The London Symphony Orchestra conducted by Antal Dorati for this recording of Brahms’ Violin Concerto in D Major. Violinist Henryk Szeryng famous classic recordings with pianist Charles Reiner in February 1963 both recorded and included Bartók, Debussy, Brahms and Rimsky-Korsakov and other composers sketch masterpiece. Series of Henryk Szeryng perfect calm and interpretation of each song, showing extraordinary musicianship and amazing playing skills.
The enthusiasts of almost everyone a “Szeryng Plays Kreisler And Other Treasures For The Violin”, which included part of the track, that is, from this album.
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Henryk Szeryng – Brahms: Double Concerto / Beethoven: 2 Romances (Remastered) (2018)
FLAC (tracks) 24 bit/96 kHz | Time – 51:07 minutes | 1,02 GB | Genre: Classical
Studio Masters, Official Digital Download | Front Cover | © Decca Music Group Ltd.
As a young boy he was trained by his mother to play piano but later decided to exchange the instrument for the violin. In 1928, convinced by Bronisław Huberman (a friend of the family), Szeryng went to Berlin to study under Karl Flesch. His debut concert took place in Warsaw in 1933 when he performed Ludwig van Beethoven’s Violin Concerto in D major with Warsaw Philharmonic Orchestra under the baton of Bruno Walter. In the same year he played in Bucharest, Vienna, and Paris, achieving acclaim both from the audience and the critics. In the years 1933-1939 the artist continued to learn violin under Jacques Thibaud and Gabriel Bouillon and studied composition under Nadia Boulanger.
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Henryk Szeryng – Beethoven: Violin Sonatas Nos. 1-10 (1980/2018)
FLAC (tracks) 24 bit/96 kHz | Time – 03:52:49 minutes | 4,49 GB | Genre: Classical
Studio Masters, Official Digital Download | Front Cover | © Decca Music Group Ltd.
As a young boy he was trained by his mother to play piano but later decided to exchange the instrument for the violin. In 1928, convinced by Bronisław Huberman (a friend of the family), Szeryng went to Berlin to study under Karl Flesch. His debut concert took place in Warsaw in 1933 when he performed Ludwig van Beethoven’s Violin Concerto in D major with Warsaw Philharmonic Orchestra under the baton of Bruno Walter. In the same year he played in Bucharest, Vienna, and Paris, achieving acclaim both from the audience and the critics. In the years 1933-1939 the artist continued to learn violin under Jacques Thibaud and Gabriel Bouillon and studied composition under Nadia Boulanger.
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Henryk Szeryng – Beethoven: Violin Concerto; Romance No. 2 (Remastered) (2018)
FLAC (tracks) 24 bit/96 kHz | Time – 55:25 minutes | 1,13 GB | Genre: Classical
Studio Masters, Official Digital Download | Front Cover | © Decca Music Group Ltd.
As a young boy he was trained by his mother to play piano but later decided to exchange the instrument for the violin. In 1928, convinced by Bronisław Huberman (a friend of the family), Szeryng went to Berlin to study under Karl Flesch. His debut concert took place in Warsaw in 1933 when he performed Ludwig van Beethoven’s Violin Concerto in D major with Warsaw Philharmonic Orchestra under the baton of Bruno Walter. In the same year he played in Bucharest, Vienna, and Paris, achieving acclaim both from the audience and the critics. In the years 1933-1939 the artist continued to learn violin under Jacques Thibaud and Gabriel Bouillon and studied composition under Nadia Boulanger.
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Henryk Szeryng – Bach, J.S.: Violin Sonatas Nos. 1- 6 (Remastered) (2018)
FLAC (tracks) 24 bit/96 kHz | Time – 01:37:32 minutes | 1,97 GB | Genre: Classical
Studio Masters, Official Digital Download | Front Cover | © Decca Music Group Ltd.
The complete accompanied violin sonatas of Johann Sebastian Bach in historic performances by the legendary Polish violinist Henryk Szeryng with Helmut Walcha at the harpsichord.
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Henryk Szeryng – Bach, J.S.: Violin Concerto Nos. 1 & 2; Concerto for 2 Violins (Remastered) (2018)
FLAC (tracks) 24 bit/96 kHz | Time – 54:38 minutes | 1,16 GB | Genre: Classical
Studio Masters, Official Digital Download | Front Cover | © Decca Music Group Ltd.
As a young boy he was trained by his mother to play piano but later decided to exchange the instrument for the violin. In 1928, convinced by Bronisław Huberman (a friend of the family), Szeryng went to Berlin to study under Karl Flesch. His debut concert took place in Warsaw in 1933 when he performed Ludwig van Beethoven’s Violin Concerto in D major with Warsaw Philharmonic Orchestra under the baton of Bruno Walter. In the same year he played in Bucharest, Vienna, and Paris, achieving acclaim both from the audience and the critics. In the years 1933-1939 the artist continued to learn violin under Jacques Thibaud and Gabriel Bouillon and studied composition under Nadia Boulanger.
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Henry Threadgill – Poof (2021)
FLAC (tracks) 24 bit/96 kHz | Time – 38:03 minutes | 729 MB | Genre: Jazz
Studio Masters, Official Digital Download | Front Cover | © Pi Recordings
Poof is composer, saxophonist and flutist and newly-minted NEA Jazz Master Henry Threadgill’s latest work with his band, Zooid, his primary musical laboratory for the last two decades. Their last release together, In for a Penny, In for a Pound, was the winner of the 2016 Pulitzer Prize for Music, whose committee called it “a highly original work in which notated music and improvisation mesh in a sonic tapestry that seems the very expression of modern American life.” His 2018 releases – large group efforts Dirt… And More Dirt and Double Up, Plays Double Up Plus – were also critically-lauded, with Dirt voted the No. 2 release of the year in the NPR Jazz Critics Poll, who called it “densely packed elemental material; a respite from commercial and manufactured surroundings and a bed of organic possibilities.”
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Henry ‘Red’ Allen – Feelin’ Good: His First In Person Album (1966/2016)
FLAC (tracks) 24 bit/192 kHz | Time – 43:44 minutes | 1,15 GB | Genre: Jazz
Studio Masters, Official Digital Download | Front Cover | © Columbia – Legacy
Henry James “Red” Allen was a jazz trumpeter and vocalist whose style has been claimed to be the first to fully incorporate the innovations of Louis Armstrong. Allen’s recordings received much favorable attention. His versatility is shown by his winning of Down Beat awards in both the traditional jazz and the modern jazz categories.
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Henry Raudales – Mendelssohn: Violin Concerto in D Minor & String Symphonies Nos. 1-6 (2019)
FLAC (tracks) 24 bit/48 kHz | Time – 01:14:10 minutes | 761 MB | Genre: Classical
Studio Masters, Official Digital Download | Front Cover | © BR-Klassik
It was thanks to his father’s penchant for organizing musical concerts in his family’s Berlin apartment on Sunday mornings that the 11-year-old Felix Mendelssohn began to compose quite a long series of string symphonies, and also that the works were initially performed. The study of music and composition spurred the young composer on greatly; his diligence as well as his youthful creativity developed early, and he made astonishing progress. In 1821, he wrote the first half of his string symphonies, which together took less than two years to complete. During performances that formed part of the concerts at home, he always took over the direction of the chamber orchestra, which consisted of amateur and professional musicians from the Berlin court orchestra. Ever since their long-lost manuscripts were successfully rediscovered in 1950, Mendelssohn’s early string symphonies have been a fixed part of the string and chamber orchestra repertoire. In the youthful freshness and carefreeness of these early works, one can already hear echoes of the instrumental masterpieces by this important symphonic composer of early Romanticism that were soon to follow. This release contains the first six of Mendelssohn’s string symphonies in the form of studio recordings made by the Münchner Rundfunkorchester under its leader Henry Raudales, a violinist who has won several awards and has made numerous recordings with the orchestra as a conductor and a soloist.
Read more![Axel Wolf - Dreaming and Waking (2023) [Official Digital Download 24bit/48kHz] Download](https://i0.wp.com/imghd.xyz/images/2023/03/08/l1bukz8botelb_600.jpg?resize=500%2C500&ssl=1)
Axel Wolf – Dreaming and Waking (2023)
FLAC (tracks) 24 bit/48 kHz | Time – 01:00:22 minutes | 667 MB | Genre: Classical
Studio Masters, Official Digital Download | Front Cover | © Perfect Noise
Iris Lichtinger (baroque and renaissance recorders) and Axel Wolf (lute and theorbo) are well respected specialists in the field of early music. On their new recording, the musicians present musical treasures from the multinational melting pot of baroque London including works by Carissimi, Kapsperger, Marcello and Weiss.
Samuel Pepys (1633 – 1703) pondered the difference between dreaming and waking in his personal diary, which the English Member of the House of Commons, Secretary of State of the Royal Navy and passionate amateur musician kept during the years 1660 -1669. Among other things, he played the lute and noted on Thursday, April 16, 1668, that he had begun to learn the recorder, the sound of which attracted him the most “of all the sounds in the world.”
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Astoria – Seas8ns (2023)
FLAC (tracks) 24 bit/96 kHz | Time – 53:34 minutes | 981 MB | Genre: Tango
Studio Masters, Official Digital Download | Front Cover | © Antarctica Records
ASTORIA has the special feature of performing exclusively Astor PIAZZOLLA’s master work, adapted and transcribed by accordionist Christophe DELPORTE.
As an ensemble with a varied combination of four to eight musicians, all graduated from Royal Conservatories and laureates of international contests, ASTORIA imposes their own identity through the energy, the rigor and the emotion they express in their interpretation.
By highlighting the Argentine master’s genius, ASTORIA preserves the rhythmical and melodic enchantment of the original scores.
Since its creation in 2004, the ensemble has presented the music of Astor Piazzolla on the biggest Belgian and international stages and participates in various festivals (Brussels Summer Festival, Basilica Festival van Vlaanderen, Bugari Festival, Musiq’3 Festival, Festival de Castelfidardo (Italie), Festival International des Cyclades (Grèce) ….
Through their lively thrilling music, which evokes love, hope, suffering and melancholy, ASTORIA will lead you from the suburbs of Buenos Aires to the hot lands of the tropical flora.
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Art Deco Trio – Classical Changes (2023)
FLAC (tracks) 24 bit/96 kHz | Time – 01:13:01 minutes | 1,20 GB | Genre: Classical
Studio Masters, Official Digital Download | Front Cover | © SOMM Recordings
SOMM Recordings is pleased to announce Classical Changes, a second disc by the Art Deco Trio, which treats favourite classical pieces to delightful and often dazzling jazz-accented re-workings in variegated arrangements by Iain Farrington.
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Anthony Romaniuk – Perpetuum (2023)
FLAC (tracks) 24 bit/192 kHz | Time – 01:08:19 minutes | 2,27 GB | Genre: Classical
Studio Masters, Official Digital Download | Digital Booklet, Front Cover | © Alpha Classics
Anthony Romaniuk, multi-keyboardist, alchemist of pianos, or ‘musical polyglot’ as some people call him, presents his new album as follows: ‘I remember very clearly the occasions in my childhood when I would be at a concert and a magical feeling would overtake both the audience and the performers. It was as though everyone in the room was part of the performance and we were all experiencing a kind of collective bliss. As an adult I have tried to understand this phenomenon of communal concentration. It seems to me that a certain kind of musical work will naturally induce this state, works in which the rhythm is hypnotic, trance-like and ongoing. For this album I wanted to find music embodying this quality, pieces in perpetual motion.’ As if in some fascinating portrait gallery, we meet music by Kapsberger, Scarlatti, Purcell, Bach, Beethoven, Schubert, Schumann, Shostakovich, Stravinsky, Ravel, Satie, Ligeti, Adams, and improvisations, played on a Fazioli concert piano, a Graf fortepiano from 1835, a Flemish muselar, a seventeenth-century harpsichord, a Yamaha CP80 electro-acoustic piano and a Prophet Rev2 synthesizer.
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