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Lana Cantrell – The 6th of Lana (1969/2019)
FLAC (tracks) 24 bit/96 kHz | Time – 30:40 minutes | 657 MB | Genre: Pop, Pop Rock
Studio Masters, Official Digital Download | Front Cover | © RCA Victor – Legacy
Lana’s best alnum from the ’70s. If you love the old love songs, with a little jazzy beat. Sound is fantastic. If you loved Lana in the 60s and 70s this is album to own.
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Lana Cantrell – Lana! (1968/2018)
FLAC (tracks) 24 bit/192 kHz | Time – 34:05 minutes | 1,25 GB | Genre: Pop, Oldies
Studio Masters, Official Digital Download | Front Cover | © RCA – Legacy
It is hard to know, upon again experiencing a sweet and long lost pleasure of youth, how much of our delight is caught in the lure of nostalgia, and what is genuinely spectacular about the artist that caused one to keep the flames of affectionate memory burning protectively throughout these so many years. With Lana, I have no doubts that it is the latter. She was always an extraordinary chanteuse, with exquisite taste in choosing the finest lyrics, arrangements, and high thoughts. Even minor musical works, once blessed and anointed by the talents of Ms. Cantrell, got the magic, and became bigger than life gems in the expansive universe of her heavenly repertoire, and fast favorites with her fanatical following.
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Lana Cantrell – Another Shade Of Lana (1967/2017)
FLAC (tracks) 24 bit/96 kHz | Time – 30:53 minutes | 722 MB | Genre: Pop
Studio Masters, Official Digital Download | Front Cover | © RCA – Legacy
A 60s and 70s pop rock singer who taught herself how to sing and perform in front of audiences. With no formal voice training she made her way into the music industry by just being herself and and doing what she wanted to do. A trim, tall, long-haired bombshell, many believed that Lana Cantrell had to be something more than just a singer, because of her beauty, demeanor and class.
Cantrell recorded for RCA Victor Records, releasing seven albums. Her preferred style of music was pop standards, but she later made contemporary pop rock a significant part of her performances. Cantrell commented in a 1994 profile, “Think of how few people can still make their careers by singing standards…. There’s Tony Bennett and Barbra Streisand, and I don’t know anyone else.” Listen now here album “Another Shade Of Lana” originally released 1967 by RCA Records.
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Lana Cantrell – And Then There Was Lana (1967/2017)
FLAC (tracks) 24 bit/96 kHz | Time – 31:24 minutes | 704 MB | Genre: Pop
Studio Masters, Official Digital Download | Front Cover | © RCA – Legacy
Lana Cantrell is one of those mysteries of the 60’s. An over-the-top belter who could compete with the best of them. After Barbra Streisand hit in 1963, each record company had to have their belter. A young quirky singer who would bust the tubes out of your new amplifier. Somewhere squeezed between Laine Kazan and Diahann Carroll was Lana Cantrell. Lana with her six RCA albums, but no hits. Lana one of the many reachers of fame in a entertainment world changing so fast that even the best and biggest of the stars were faltering. Lana! Was she just a little behind the times, or perhaps too far ahead? We suggest you to follow the original album entitled “And Then There Was Lana”, which was released in 1967.
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Lana Cantrell – Act III (1968/2018)
FLAC (tracks) 24 bit/192 kHz | Time – 33:36 minutes | 1,18 GB | Genre: Pop
Studio Masters, Official Digital Download | Front Cover | © RCA – Legacy
A 1960s and ’70s pop singer fluent in Broadway standards as well as AM pop hits, Lana Cantrell was born in Sydney, Australia. She was exposed to music at an early age, since her father was a jazz musician. Cantrell made her singing debut at the age of ten, and by her teens she had become a well-known TV personality in Australia. At 19 she traveled to the United States to do everything “humanly possible,” which meant trying her hand in film and on-stage.
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L’Amoroso & Guido Balestracci – A Schubertiade with Arpeggione (2020)
FLAC (tracks) 24 bit/176,4 kHz | Time – 01:03:42 minutes | 2,07 GB | Genre: Classical
Studio Masters, Official Digital Download | Front Cover | © Ricercar
The arpeggione, invented in 1823 by the Viennese luthier Johann Georg Stauffer, had a curious destiny. As its alternative names ‘guitar violoncello’ and ‘guitare d’amour’ suggest, it is in fact a guitar fitted with a bridge, held between the knees like a cello and played with a bow. The instrument enjoyed some success for around a decade, but, oddly enough, almost nothing has survived from its specific repertory except one supreme masterpiece: the sonata Franz Schubert wrote for it in 1824. The guitar was very popular in Vienna at that time, and Schubert was also fond of it; the original version of Die schöne Müllerin was published with guitar accompaniment! Guido Balestracci and the musicians of L’Amoroso have built a delightful Schubertiad around this famous sonata, combining the arpeggione and the piano with voice and guitars to appropriate a rich selection of the Viennese composer’s lieder.
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Lamont Dozier – Out Here On My Own (1973/2014)
FLAC (tracks) 24 bit/192 kHz | Time – 36:58 minutes | 1,48 GB | Genre: Soul
Studio Masters, Official Digital Download | Front Cover | © Geffen Records
A classic 70s soul record, Out Here On My Own was released by Lamont Dozier in 1973. Dozier is a master songwriter and performer, and this album is not to be missed.
Some strong ’70s R&B from the great songwriter Lamont Dozier. It was one of the better combinations of socio-political commentary and urgent soul vocals done in the period. The title cut, as well as the single “Fish Ain’t Bitin” and “Out Here On My Own,” were sizable hits.
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Lamont Dozier – Black Bach (1974/2014)
FLAC (tracks) 24 bit/192 kHz | Time – 41:11 minutes | 1,61 GB | Genre: Soul
Studio Masters, Official Digital Download | Front Cover | © Geffen Records
American singer-songwriter Lamont Dozier’s mid-70s release, Black Bach, is his soulful interpretation of songs based upon baroque stylings. The groove is undeniable, and mixed with strings it brings the record to a new level never before demonstrated by Dozier.
A well-sung but uneven album from legendary songwriter Lamont Dozier. Dozier didn’t get his momentum going as a solo act until the next album. This was his introductory vehicle, and it served to let him work out the kinks. Everything except the lyrics was first-rate; his vocals, the production, and the arrangements worked, and Dozier sounded convincing on the uptempo tunes and compelling on the ballads.
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Lambert, Hendricks, And Ross – The Swingers/The Hottest New Group in Jazz! (2020)
FLAC (tracks) 24 bit/44,1 kHz | Time – 01:03:49 minutes | 668 MB | Genre: Jazz
Studio Masters, Official Digital Download | Front Cover | © RevOla
Recorded in 1960, The Hottest New Group in Jazz (Columbia CS-8198) was the fourth LP by the vocal trio of Dave Lambert (1917-1966), Jon Hendricks (1921-2017) and Annie Ross (born in 1930, and age 87 at this writing). The group was formed in 1957 and was voted Best Vocal Group in the Down Beat Readers Poll from 1959 to 1963. Annie Ross left the group in 1962, replaced by vocalist Yolande Bavan. Any hopes of a reunion of the original trio ended with Lambert’s death in a car accident in 1966. This 2-CD set also contains their complete albums The Swingers! (Pacific Jazz Records WP-1264), Lambert, Hendricks & Ross Sing Ellington (Columbia CS-8310), and High Flying with Lambert, Hendricks & Ross (Columbia CS-8475), plus two complete 1959 sessions showcasing Hendricks backed by Pony Poindexter and Wes Montgomery.
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Lambert, Hendricks & Ross – Sing Ellington (1960/2019)
FLAC (tracks) 24 bit/44,1 kHz | Time – 31:41 minutes | 339 MB | Genre: Jazz
Studio Masters, Official Digital Download | Front Cover | © RevOla
Lambert, Hendricks & Ross were an American vocalese trio formed by jazz vocalists Dave Lambert, Jon Hendricks and Annie Ross. The group formed in 1957. “Lambert, Hendricks & Ross Sing Ellington”, released in late 1960, finds Dave Lambert, Jon Hendricks and Annie Ross exploring and recreating 11 songs associated with Duke Ellington. Accompanied by pianist Gildo Mahones, bassist Ike Isaacs and drummer Jimmy Wormworth, the singers are in prime form on such numbers as “Cottontail”, “What Am I Here For?”, “Caravan” and “In a Mellow Tone”. As with all of their records, their treatment of these songs is unique, fresh and enjoyable.
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Lambert, Hendricks & Ross – Sing A Song Of Basie + Sing Along with Basie! (1957+1958) (2019)
FLAC (tracks) 24 bit/44,1 kHz | Time – 01:05:01 minutes | 496 MB | Genre: Jazz
Studio Masters, Official Digital Download | Front Cover | © RevOla
Lambert, Hendricks & Ross were an American vocalese trio formed by jazz vocalists Dave Lambert, Jon Hendricks and Annie Ross. The group formed in 1957 and recorded their first album “Sing a Song of Basie” (1957) for ABC-Paramount Records. The album featured versions of Count Basie standards and was successful enough that the Count Basie Orchestra collaborated with them on “Sing Along With Basie” (1958). Sing a Song of Basie was awarded a Grammy Hall of Fame Award in 1998.
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Lambert Hendricks & Ross – High Flying (2021)
FLAC (tracks) 24 bit/48 kHz | Time – 39:58 minutes | 388 MB | Genre: Jazz
Studio Masters, Official Digital Download | Front Cover | © Music Manager
Lambert, Hendricks & Ross were an American vocalese trio formed by jazz vocalists Dave Lambert, Jon Hendricks and Annie Ross. From 1960 to 1964, Ross was replaced by vocalist Yolande Bavan.
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Lambert & Dekker – We Share Phenomena (2018)
FLAC (tracks) 24 bit/96 kHz | Time – 40:43 minutes | 763 MB | Genre: Alternative
Studio Masters, Official Digital Download | Front Cover | © BMG Rights Management GmbH
Lambert & Dekker is a new collaborative duo comprised of German pianist Lambert and US songwriter Brookln Dekker. Two of the most exciting and extraordinary artists of our time have teamed up to form an exceptional duo – Lambert & Dekker. The duo consists of Berlin piano eccentric Lambert, whose bizarre mask and extraordinary playing made him one of the top international neo-classic artist and of the US-born and UK-based singer Brookln Dekker. He is one half of the Anglo-American duo Rue Royale. Together they have followed their joint love for atmospheric cinema sounds and will release ‘Another One’ the first outtake from their debut album We Share Phenomena, October 12, 2018.
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Lambert – Sweet Apocalypse (2017)
FLAC (tracks) 24 bit/44,1 kHz | Time – 37:01 minutes | 337 MB | Genre: Classical
Studio Masters, Official Digital Download | Front Cover | © Mercury KX
Masked composer and pianist Lambert presents Sweet Apocalypse, a dystopian and romanticized take on the end of the world, paired with 24 illustrations to tell the story.
The pieces touch on classical ideals, but incorporate drums and technology, taking an unconventional approach to piano music. Stepping into the public eye three years ago, Lambert has only been seen wearing a mask inspired by Carnevale. Using it as an aesthetic tool, Lambert adds further depth to his image of allure and mystery.
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Lambert – False (2021)
FLAC (tracks) 24 bit/96 kHz | Time – 45:12 minutes | 841 MB | Genre: Classical
Studio Masters, Official Digital Download | Front Cover | © Mercury KX
False the new album by the extraordinary Berlin-based composer and pianist Lambert is released on Mercury KX. All 14 tracks are collaborations, resulting in Lambert’s most dazzlingly diverse album yet. Encompassing urgent breakbeats (with Tre B Mal), furious freeform jazz (aided by Pernille Solberg), gliding pedal steel Americana (from both Bob Drew and Jean Daeriou), industrial soundscapes (via Cole Collective) and even, on Room Trail collaboration Spheres, a full-on Autotuned vocal pop workout.
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