Maya Fridman – REIÐ (2019) [Official Digital Download 24bit/96kHz]

Maya Fridman – REIÐ (2019)
FLAC (tracks) 24 bit/96 kHz | Time – 47:10 minutes | 848 MB | Genre: Classical
Studio Masters, Official Digital Download | Front Cover | © TRPTK

“In the middle of the journey of our life, I found myself within a dark woods where the straight way was lost” – Dante Alighieri, Inferno

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Maya Fridman – De Graaff: The Forest in April (2021) [Official Digital Download 24bit/176,4kHz]

Maya Fridman – De Graaff: The Forest in April (2021)
FLAC (tracks) 24 bit/176,4 kHz | Time – 51:04 minutes | 1,59 GB | Genre: Classical
Studio Masters, Official Digital Download | Front Cover | © TRPTK Reference

For cellist Hans Woudenberg, De Graaff wrote “Rimpelingen” in 2017 on the occasion of his farewell to Asko|Schönberg, a work that was received with joy by the trade press. In season 2020-2021 cellist Maya Fridman was artist in residence at the Utrecht-based TivoliVredenburg. Through the artistic leadership of this venue, contact was made with the composer and a new initiative came about, with support from the Fonds Podiumkunsten. De Graaff was commissioned to compose a new work for Fridman, which was later titled “Concerto no. 5, The Forest in April”.

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Maxim Emelyanychev – Beethoven: Symphony No. 3 – Brahms: Variations on a Theme by Haydn (2018) [Official Digital Download 24bit/96kHz]

Maxim Emelyanychev – Beethoven: Symphony No. 3 – Brahms: Variations on a Theme by Haydn (2018)
FLAC (tracks) 24 bit/96 kHz | Time – 01:04:24 minutes | 1,04 GB | Genre: Classical
Studio Masters, Official Digital Download | Front Cover | © Aparté

After a first exciting solo disc of Mozart’s Sonatas on the fortepiano, Maxim Emelyanychev now holds the baton in a symphonic program.

The young conductor was recently appointed head of the Royal Liverpool Philharmonic and a new wind of freedom is blowing in two major scores.

In Beethoven’s so often recorded Eroica Symphonie, he knows how to enhance the rich thematic palette and the variety of timbres. His insatiable curiosity galvanizes the Nizhny Novgorod Chamber Orchestra. His unlimited imagination combined to the use of natural horns and trumpets devilishly refresh the interpretation of this masterpiece.

This promising young musician – former conductor of the ensemble Il Pomo d’Oro and Currentzis’ favourite continuist – then visits Brahms’s Variations on a Theme by Haydn with as much greed and sensitivity. A most awaited release!

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Maxence Cyrin – Novö Piano 2 (2015) [Official Digital Download 24bit/48kHz]

Maxence Cyrin – Novö Piano 2 (2015)
FLAC (tracks) 24 bit/48 kHz | Time – 42:45 minutes | 340 MB | Genre: Classical
Studio Masters, Official Digital Download | Front Cover | © Evidence (LTR)

Having drawn attention with his original compositions, arrangements and covers, pianist Maxence Cyrin is back with Novö Piano II in which, with emotion and mischievousness, he takes a new look at the pop-rock repertoire of the ’80s and ’90s, from The Cure to Björk, by way of Soundgarden and Goldfrapp. Basically, what makes for the quality of a cover? The interpretation, transcription, arrangement? Not only. A cover is, of course, a way for a musician to embody the emotion felt when listening to a given artist, as well as a means for translating the attachment that links him to his past. The quality of Maxence Cyrin’s covers, whether focusing on pop or techno hits, stems from this form of distant and amorous relation he has with ‘certain rarities, certain favorite titles and not just hits’ that have punctuated his existence, such as Dominique A’s ‘Le courage des oiseaux’, The Cure’s ‘If Only Tonight We Could Sleep’, Björk’s ‘Hyperballad’ or trip-hop’s cult title Rob D’s ‘Clubbed to Death’.

‘In the 19th century, they were already making piano reductions of orchestral works, and today many pianists do the same thing, reproducing the rock repertoire note by note. Although I sometimes remain faithful to the vocal melody, my work goes further: it’s a matter of adapting the piece, making a real arrangement, appropriating it while respecting its original spirit. I take inspiration as much from Chopin and 19th-century Romanticism as from the modernism of the early 20th, without forgetting to draw on French chanson, jazz, pop or techno. For example, my arrangement of Soundgarden’s « Black Hole Sun » draws on Ravel and jazz, and Van Halen’s « Jump » is dominated by a rhythmic play in which the whole-tone scale recalls Satie or Debussy.’ Primarily instrumental, Novö Piano II is however marked by two moments of vocal grace, when the pianist is joined by Miss Kittin or Frantic. The former interprets Grace Jones’s ‘Walking in the Rain’ (1981) in ‘talk-over’ mode, and the latter, Billy Idol’s ‘Eyes Without a Face’ (1984) in an extremely sensual register.

Finally, Novö Piano II has a warm, natural sound, characteristic of recording engineer Nicolas Bartholomée’s work, but it is even more distinctive for ‘the colored, melodious sound, with its dazzling timbre and deep basses’ of the Fazioli piano on which it was recorded.

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Maxence Cyrin – Nocturnes (Solo Piano) (2015) [Official Digital Download 24bit/48kHz]

Maxence Cyrin – Nocturnes (Solo Piano) (2015)
FLAC (tracks) 24 bit/48 kHz | Time – 29:32 minutes | 228 MB | Genre: Classical
Studio Masters, Official Digital Download | Front Cover | © Evidence (LTR)

„Nocturnes“ is the 4th album of Maxence Cyrin. Having realized two albums where he reinterpreted pop, rock and electro anthems as a solo pianist (‘Modern Rhapsodies’, ‘Novö Piano’), then ‘The Fantasist’, an imaginary movie soundtrack, ‘Nocturnes’ is its first album of compositions for solo piano, putting back with current tastes a musical form adopted by several classic composers (Fauré, Field) and popularized by Chopin.

This album, made up by 10 pieces, invites us to a night journey in Paris (Arc de triomphe, Dream over the bridge, Paris spleen), the places where we have fun there (La Bellevilloise, China club), it makes us make a detour to go to lengthen in the boudoirs of a rococo hotel (Velours poussière).

The pianist also invites us in the musing and in the enchantment (The frozen palace), in the melancholy (A tale from the past, In the grey of the sky) and proposes us before putting to sleep us to remember ourselves this night spent in his company (It was a very good night).

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Max von Mosch Orchestra – Berlin Kaboom! (Live) (2013) [Official Digital Download 24bit/44,1kHz]

Max von Mosch Orchestra – Berlin Kaboom! (Live) (2013)
FLAC (tracks) 24 bit/44,1 kHz | Time – 56:33 minutes | 601 MB | Genre: Jazz
Studio Masters, Official Digital Download | Front Cover | © ACT Music

When a young jazz musician composes a suite and calls it ‘Berlin Kaboom!’, it calls to mind the many young guns in the German capital’s jazz scene. Saxophonist Max von Mosch, who does exactly this with his first own ACT album, has only lived in Berlin for two years, and despite being just 33 years of age, he is already an old hand and figurehead of German jazz.

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Max Sweiry – Black Site (Original Motion Picture Soundtrack) (2019) [Official Digital Download 24bit/44,1kHz]

Max Sweiry – Black Site (Original Motion Picture Soundtrack) (2019)
FLAC (tracks) 24 bit/44,1 kHz | Time – 44:32 minutes | 476 MB | Genre: Soundtrack
Studio Masters, Official Digital Download | Front Cover | © MovieScore Media

Original Motion Picture Soundtrack for the film Black Site (2018). The music by Max Sweiry, Simon Martins, and Joe Froud. Black Site is a 2018 action science fiction film written and directed by Tom Paton, starring – Sophia Del Pizzo, Lauren Ashley Carter, Jessica-Jane Stafford, Henry Douthwaite, Samantha Schnitzler, Bentley Kalu, Angela Dixon, Alana Wallace, Phoebe Robinson-Galvin, Toby Osmond, Kris Johnson, Mike Beckingham.

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Max Swan – The Fisherman (2018) [Official Digital Download 24bit/44,1kHz]

Max Swan – The Fisherman (2018)
FLAC (tracks) 24 bit/44,1 kHz | Time – 26:16 minutes | 284 MB | Genre: Neo Soul, Pop
Studio Masters, Official Digital Download | Front Cover | © nicethingsMUSIC

A saxophonist, vocalist, and producer from Philadelphia by way of Perkasie, PA, Max Swan channels influence from the likes of Stevie Wonder, James Blake, Donny Hathaway, Michael Brecker, and Lenny Pickett. He’s gone from nothing-but-jazz, to everything-other-than-jazz, and all stops in between. Initially being the loud alto player that showed up for the jam session every week, Max slowly took on more opportunities in hip hop production, as both a bandleader and producer, playing with a number of artists and groups in the Philly area. Over time, the saxophone he’d lay on tracks led to supplementing keyboards, and writing string and horn section arrangements. The work that was done with these artists led Max to start laying vocals on his newer music, starting with “So Much Chime”. Swan received accolades during the creation of his current sound with Councilman David Oh’s PHLlive Center Stage Music Conference, Ernest Stuart’s Center City Jazz Festival, and was named one of the “Best of 2017” on WXPN. Most recently, “The Waters” was featured on NPR’s Heavy Rotation, and is currently featured on 88.5 WXPN on the daily. Since his residency with The Kimmel Center last spring/summer, Max curated MONO//POLY, a music series showcasing artists’ music in non-traditionally arranged ways, unique to each set, all backed by Max and the band. “The Fisherman”, his debut album, released August 23rd.

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Max Stadtfeld – Stax (2019) [Official Digital Download 24bit/44,1kHz]

Max Stadtfeld – Stax (2019)
FLAC (tracks) 24 bit/44,1 kHz | Time – 55:47 minutes | 627 MB | Genre: Jazz
Studio Masters, Official Digital Download | Front Cover | © ACT Music

Stax`s music is not just some intellectual showing-off, it bobbles along in the rhythm-oriented mainstream, and yet, over and above that, it is imbued with an astonishing sense of both freshness and maturity. This quartet is playing the music of now – and at an amazing level of achievement. These musicians formulate shared narratives that go way beyond the mindless clicks and zappings of their generation.

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Max Roach His Chorus And Orchestra – It’s Time (2020) [Official Digital Download 24bit/96kHz]

Max Roach His Chorus And Orchestra – It’s Time (2020)
FLAC (tracks) 24 bit/96 kHz | Time – 43:45 minutes | 920 MB | Genre: Jazz
Studio Masters, Official Digital Download | Front Cover | © RevOla

It’s Time is a 1962 album by jazz drummer Max Roach, released on Impulse! Records which also features trumpeter Richard Williams, tenor-saxophonist Clifford Jordan, trombonist Julian Priester, pianist Mal Waldron, bassist Art Davis, and a vocal choir conducted by Coleridge-Taylor Perkinson. Singer Abbey Lincoln appears on “Lonesome Lover”.

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Max Roach – We Insist! Max Roach’s Freedom Now Suite (2021) [Official Digital Download 24bit/96kHz]

Max Roach – We Insist! Max Roach’s Freedom Now Suite (2021)
FLAC (tracks) 24 bit/96 kHz | Time – 37:23 minutes | 694 MB | Genre: Jazz contemporain
Studio Masters, Official Digital Download | Front Cover | © Candid

We Insist! (subtitled Max Roach’s Freedom Now Suite) is a jazz album released on Candid Records in 1960. It contains a suite which composer and drummer Max Roach and lyricist Oscar Brown had begun to develop in 1959 with a view to its performance in 1963 on the centennial of the Emancipation Proclamation. The cover references the sit-in movement of the Civil Rights Movement. The Penguin Guide to Jazz awarded the album one of its rare crown accolades, in addition to featuring it as part of its Core Collection.

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Maya Beiser – Maya Beiser x Philip Glass (2021) [Official Digital Download 24bit/48kHz]

Maya Beiser – Maya Beiser x Philip Glass (2021)
FLAC (tracks) 24 bit/48 kHz | Time – 01:05:29 minutes | 634 MB | Genre: Classical
Studio Masters, Official Digital Download | Front Cover | © Islandia Music

On July 23, 2021, cellist, arranger, and producer Maya Beiser will release Maya Beiser x Philip Glass on her Islandia Music Records label. The album includes Maya’s arrangements of Philip Glass’s piano Etudes Nos. 2 and 5, Mad Rush, Music in Similar Motion, and selections from Naqoyqatsi, part of Glass’s Qatsi Trilogy with filmmaker Godfrey Reggio. On this album, Maya creates a multi-layered sound sculpture with her cello, exploring and unveiling new dimensions in some of Philip Glass’s most powerful and achingly beautiful works.

Maya says, “What do I see when I listen to Philip Glass’s music? What do I feel? How does the construction and deconstruction of these seemingly simple harmonic and melodic phrases affect my perception? In making this album, I searched for layers of sound that might reveal something new about Glass’s ingenious creative power. I was thinking about stratum, the layering that occurs in most sedimentary rocks formed at the Earth’s surface. I imagined the layers of my cello becoming porous and Glass’s music flowing vociferously through each layer, like lava, endlessly creating new patterns, expanding into the landscape.”

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Maxwell – Maxwell’s Urban Hang Suite (1996/2021) [Official Digital Download 24bit/44,1kHz]

Maxwell – Maxwell’s Urban Hang Suite (1996/2021)
FLAC (tracks) 24 bit/44,1 kHz | Time – 58:36 minutes | 672 MB | Genre: Soul
Studio Masters, Official Digital Download | Front Cover | © Columbia

The 25th anniversary digital edition of Maxwell’s Urban Hang Suite has been remastered for the first time at 24bit Hi-Res Audio with 2021 engineering by Mark Wilder.

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Maxwell – Embrya (1998/2018) [Official Digital Download 24bit/192kHz]

Maxwell – Embrya (1998/2018)
FLAC (tracks) 24 bit/192 kHz | Time – 01:02:44 minutes | 2,42 GB | Genre: R&B, Neo Soul
Studio Masters, Official Digital Download | Front Cover | © Columbia – Legacy

Maxwell’s ambition was one of the appealing qualities of his debut, Urban Hang Suite, especially since very few of his contemporaries were attempting to expand the boundaries of contemporary R&B. However, blessings can be curses, and that very ambition gets the better of Maxwell on his second album, Embrya. Loaded with pretentious song titles (“Gestation: Mythos,” “Arroz con Pollo,” “Luxury: Cococure”), the album bogs down in its own sophistication and his desire to make deep, serious music. Like Terence Trent d’Arby whose Neither Fish Nor Flesh offers a frightening parallel to Embrya Maxwell wants to be so much more than just another soul crooner, but his gifts become obscured the more he pushes them forward. To be sure, Embrya is far from a washout. Maxwell does have a remarkable voice and he can write really good modern soul songs it’s just that he has a tendency to think that’s not enough and then he overstuffs his songs with ideas that lead nowhere. With a little more focus, Embrya could have been an impressive second step. As it stands, it’s a bit of a sophomore stumble, albeit one with promising moments.

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Maxine Brown – Spotlight on Maxine Brown (1965/2020) [Official Digital Download 24bit/96kHz]

Maxine Brown – Spotlight on Maxine Brown (1965/2020)
FLAC (tracks) 24 bit/96 kHz | Time – 32:05 minutes | 568 MB | Genre: Soul
Studio Masters, Official Digital Download | Front Cover | © Roadshow Records

In a singles-driven genre and era, its rare to find an album like this that is actually worth listening to. Perhaps because its practically a compilation of previously released singles. It may not be quite as exciting as Where Did Our Love Go – with its incredible production and array of hits. But Maxine Brown’s voice is really great and manages to carry through here across a lot of different material without dropping a beat – brill-building to soul.

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