Rinaldo Alessandrini, Concerto Italiano – Bach: Ouvertures for Orchestra (2019) [Official Digital Download 24bit/88,2kHz]

Rinaldo Alessandrini, Concerto Italiano – Bach: Ouvertures for Orchestra (2019)
FLAC (tracks) 24 bit/88,2 kHz | Time – 02:10:12 minutes | 2,33 GB | Genre: Classical
Studio Masters, Official Digital Download | Front Cover | © naïve classique

Facce d’amore, ‘Faces of love’ follows Jakub Józef Orliński’s first solo album, Anima Sacra, which moved Gramophone magazine to announce that “This is a voice with a big future.” It brings a switch from the sacred to the personal and passionate. As the Polish-born, New York-trained countertenor says, the programme – which includes eight world premiere recordings – comprises “operatic arias that tell a story, showing a musical picture of a male lover in the baroque era – not only the positive side, like joyful or reciprocated love, but also anger or even madness.” Spanning some 85 years of the baroque period, the arias on Facce d’amore are by Handel, Cavalli, Alessandro Scarlatti, Bononcini, Conti, Hasse, Orlandini, Predieri and Matteis. Orliński is again partnered by the instrumentalists of Il Pomo d’Oro and their Principal Conductor Maxim Emelyanychev.

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Rinaldo Alessandrini, Concerto Italiano – 1700 (2018) [Official Digital Download 24bit/88,2kHz]

Rinaldo Alessandrini, Concerto Italiano – 1700 (2018)
FLAC (tracks) 24 bit/88,2 kHz | Time – 01:05:01 minutes | 1,13 GB | Genre: Classical
Studio Masters, Official Digital Download | Front Cover | © naïve classique

A player of the harpsichord, organ and pianoforte; a choirmaster and conductor; Rinaldo Alessandrini is a teacher too, who loves to use his records and concerts to draw his audience into thrilling themes. This Roman is well-placed to know just how much history – and musical history is no exception here – is made up of strata which build up over each other, creating a jumble which can be anarchic, but which always drives invention.

After an album that retells the story of 150 Years of Italian Music (Naïve 1994), and then another dedicated to the beginnings of Italian baroque in 1600 (Naïve 2012), we were treated to an enchanting black pearl, as incongruous as it was strange: Monteverdi – Night. Stories of lovers and Warriors (Naïve 2017) offers a collection of works that celebrate the night. Here is a recording dedicated to the flourishing of instrumental music in the later baroque period around 1700.

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Rinaldo Alessandrini – Bach: Klavierwerke (2021) [Official Digital Download 24bit/88,2kHz]

Rinaldo Alessandrini – Bach: Klavierwerke (2021)
FLAC (tracks) 24 bit/88,2 kHz | Time – 01:19:15 minutes | 1,62 GB | Genre: Classical
Studio Masters, Official Digital Download | Front Cover | © naïve classique

Numbering more than 200, Bach’s keyboard works form the most substantial part of his output. Any attempt to of er an exhaustive representation of this particular compositional universe on a single CD is bound, therefore, to end in failure if it tries to do more than simply provide a source of listening pleasure. Such a statement should come as no surprise if we bear in mind the fact that the work of the master of Eisenach also reveals a development from modal counterpoint to the tonal harmonic system across a repertoire which – as refl ected on this album – encompasses everything from pieces designed for those in the early stages of learning to play a keyboard instrument to the legendary Well-tempered Clavier collection, via an endless array of preludes, suites, inventions and sinfonias.

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Sun Ra – Solo Keyboard Minnesota 1978 (2019) [Official Digital Download 24bit/44,1kHz]

Sun Ra - Solo Keyboard Minnesota 1978 (2019) [Official Digital Download 24bit/44,1kHz] Download

Sun Ra – Solo Keyboard Minnesota 1978 (2019)
FLAC (tracks) 24 bit/44,1 kHz | Time – 01:10:14 minutes | 677 MB | Genre: Jazz
Studio Masters, Official Digital Download | Front Cover | © Enterplanetary Koncepts

Sun Ra presented quite a few solo piano shows between 1977 and 1980 in the US and Europe, and several have been issued commercially. From a solo keyboard standpoint, it was one of Sunny’s most prolific periods. At each gig he customarily offered three categories of works: 1) Tin Pan Alley standards he had revered since his pre-Chicago days (e.g. “Over the Rainbow,” “Don’t Blame Me,” and “Honeysuckle Rose”); 2) Ra originals, though he drew from a limited selection of his voluminous catalog (“Love in Outer Space” seemed obligatory); and 3) improvisations, perhaps a blues, which sometimes included stray riffs from categories 1 and 2.
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Malaysian Philharmonic Orchestra, Kees Bakels – Rimsky-Korsakov: Orchestral Works (2007) [Official Digital Download 24bit/44,1kHz]

Malaysian Philharmonic Orchestra, Kees Bakels – Rimsky-Korsakov: Orchestral Works (2007)
FLAC (tracks) 24 bit/44,1 kHz | Time – 05:00:26 minutes | 2,21 GB | Genre: Classical
Studio Masters, Official Digital Download | Front Cover | © BIS Records

Two recent collections of Russian orchestral music – the Symphonies of Glazunov (BIS-CD-1663/64) and of Rachmaninov (BIS-CD-1665/66) – are here followed by a boxed 4-disc set of orchestral works by Rimsky-Korsakov. The recordings were all made between 2000 and 2002 with the Malaysian Philharmonic Orchestra under their founding principal conductor Kees Bakels, and received much praise at the time of their original releases. The generous selection, at a very advantageous price, contains the composer’s ‘greatest hits’ – the rendition of Sheherazade was called ‘a particular joy’ by International Record Review – as well as the less commonly-heard three symphonies, in performances which to the reviewer of web site Classics Today proved ‘the Malaysian Philharmonic members fully immersed in the composer’s unique sound world.’ Another rarity is the Piano Concerto in C sharp minor, in which eminent pianist Noriko Ogawa makes an appearance.
The collection also includes a broad sample of the music for the theatre, a field in which Rimsky-Korsakov had some of his greatest successes. Indeed, the disc particularly dedicated to the theatre music caused particular joy to the reviewer on the web site klassik.com who claimed that the performers ‘painted the imaginary musical canvas with a truly wonderful array of highly sophisticated colours’. Besides praising the orchestra and conductor, most reviewers found cause to commend the sound quality of the recordings, as here, on Classics Today: ‘The brilliance and realism are simply breathtaking, with a full dynamic range, ideal depth and breadth of soundstage, firm bass, open highs, and a panoramic splendor unrivaled on disc.

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Rimona Francis – Rimona Francis (1978/2015) [Official Digital Download 24bit/88,2kHz]

Rimona Francis – Rimona Francis (1978/2015)
FLAC (tracks) 24 bit/88,2 kHz | Time – 38:22 minutes | 714 MB | Genre: Jazz
Studio Masters, Official Digital Download | Front Cover | © MPS

Rimona Francis fits into no single category. With her Bulgarian background, Israeli singer Rimona Francis feels at home with the complexities of East European and mid-Eastern rhythms and melodies as well as jazz and modern classical. She utilizes them all on this extraordinary album.

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Sonic Desolution – Explorer (2021) [Official Digital Download 24bit/44,1kHz]

Sonic Desolution – Explorer (2021)
FLAC (tracks) 24 bit/44,1 kHz | Time – 53:39 minutes | 613 MB | Genre: Progressive Rock
Studio Masters, Official Digital Download | Front Cover | © GMR Music

Swedish melodic progressive rock band, SONIC DESOLUTION, featuring Members Of KAIPA, KEE MARCELLO, OUT OF THIS WORLD, ARTIC RAIN, have announced the release of their debut album ‘Explorer’ on April 30th, 2021 via GMR Music. ‘Explorer’ is for fans of classic prog like Flower Kings, Kaipa and Genesis.

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Sonia Leigh – Live in London: Studio 3 Sessions (2018) [Official Digital Download 24bit/96kHz]

Sonia Leigh – Live in London: Studio 3 Sessions (2018)
FLAC (tracks) 24 bit/96 kHz | Time – 49:27 minutes | 944 MB | Genre: Country
Studio Masters, Official Digital Download | Front Cover | © GMR Label Services

Sonia Leigh is set to release her full-length live album on 15th June, 2018, paralleling her summer UK festival performances Sonia Leigh moved around frequently throughout her childhood, spending time in five states across the Bible Belt and Midwest. This filled her early life with changing scenery and half-packed moving boxes. Throughout, though, music remained a constant presence. “Growing up, my dad played music,” Sonia told Curve magazine, “He was a writer, and I’d listen to his songs that he wrote and I’d steal his guitar. As soon as I learned a few chords and I could change them fast enough, I started writing songs too.” Sonia became colored in many genres of music along her way. Influenced at a young age by her grandfather singing Hank Williams songs at family gatherings, soaking up her father’s own writing and record collection. It’s no surprise to mention her mothers classic rock favorites crept in and held a major roll in shaping her talents. In her early teens, the angst of the then-emerging grunge scene immediately set fire to a brand new trail and opened up a whole new world for Sonia’s musical wanderlust . Naturally, Sonia drew on every influence when she began writing and performing her own material, which she’s done since she began dreaming up her own songs in her bedroom. Along the way, this shape shifting singer-songwriter has honed both her craft and evolved her own genre-crossing style. “I grew up listening to country music with my Dad,” Sonia remembers, “but rock slowly became one of the biggest parts of the picture. I just loved it all, and I wanted to play it all. I was never someone who wanted to play only one style. I just wanted to play music.” Sonia’s passion for music transcends genres’ boxed-in boundaries, enabling her to maintain an expressive individuality, with energy and edge. She’s toured across the world with the likes of Melissa Etheridge, Zac Brown Band, Eric Church, and country legends such as Willie Nelson and Loretta Lynn. Back in her adopted hometown of Nashville, she’s become a popular songwriter on Music Row, with a pair of #1 hits to her name: Zac Brown Band’s ‘Goodbye in Her Eyes’ and ‘Sweet Annie’ (both featured on the Grammy-winning album ‘Uncaged’). Sonia Leigh has earned a reputation as a songwriter who stretches country music far beyond its traditional limits. Now, continuing to develop her solo career, working with new sounds, collaborators, and jumping genre boundaries with ease. Sonia is drawing in and on everything from pop. hip hop melodies and country storytelling to the no-rules spirit of grunge, combined with the energy of rock & roll. Catchy hooks and clever lyrics are Sonia Leigh’s trademarks. Her 11-track studio album ‘Sonia Leigh and Friends Live in London: Studio 3 Sessions’ shows an organic, honest, and raw approach. Recorded at the iconic Abbey Road Studios Sonia collaborates with hand selected UK musicians/artists including, James Tranter, James Dudley and Luke Davis from Broken Witt Rebels, sprinkled with a collection of surprise cameo’s. From the smokey vocals and catapulting guitar’s on ‘Jack is Back’ to the upbeat classic rock nod of ‘Alabama Bound’ and the witty, worldly-wise lyrics of ‘My Name is Money’, there are many gems on Sonia Leigh’s latest effort. Surprises such as a beautiful piano rendition of Claude Debussy’s ‘Clair de Lune’ and a never before recorded version of her penned number one hit for Zac Brown Band “Sweet Annie”. including a Tom Wait’s group sing along coupled with some brand new songs. There is something for everyone here.

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Tomeka Reid & Fred Lonberg-Holm – Eight Pieces for Two Cellos (2022) [Official Digital Download 24bit/44,1kHz]

Tomeka Reid & Fred Lonberg-Holm – Eight Pieces for Two Cellos (2022)
FLAC (tracks) 24 bit/44,1 kHz | Time – 42:43 minutes | 415 MB | Genre: Jazz
Studio Masters, Official Digital Download | Front Cover | © Corbett vs. Dempsey

Repertoire for cello represents a little-explored niche of the greater jazz songbook. In 2013, cellists Tomeka Reid and Fred Lonberg-Holm turned their arrangerly and composerly attention to this terrain, assembling a selection of four originals (three by Lonberg-Holm, one by Reid) and four works by other composers. The latter include “Pluck It” by pioneering jazz cellist Fred Katz, member of the Chico Hamilton Quintet and soundtrack composer for Roger Corman films; “In Walked Ray” by intrepid hardbop bassist and cellist Sam Jones, who worked extensively with Cannonball Adderly; “Rally” by legendary bassist and cellist Ron Carter, who played with everyone from Miles Davis to Eric Dolphy to A Tribe Called Quest; and “Monti-Cello” by Harry Babsin, the least recognizable name in the group who played cello duets with Oscar Pettiford and recorded the first jazz cello solos with Dodo Marmarosa Trio in 1947. These new takes on old charts provide a storied backdrop and contemporary diving-board for Reid and Lonberg-Holm. By turns achingly beautiful – utilizing all the woody resonance of the twinned instruments – and probingly exploratory, they pay reverence to and also rethink their predecessors’ music. Alongside these historically-mined tracks are the player’s own deeply engaging compositions. Reid’s “Alla Mingus For La Bang” pays homage to one stringsman by way of another: bassist Charles Mingus to violinist Billy Bang. Lonberg-Holm’s “Fragile,” C’mon,” and “How Can We?” all investigate the bowed and pizzed cosmos of the celli with devilish relish. Gorgeously recorded direct-to-stereo sans audience at Chicago’s Logan Art Center, with a cover that sports a painting by Lonberg-Holm.

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Songs From A Breeze – Chapter One (2016) [Official Digital Download 24bit/44,1kHz]

Songs From A Breeze – Chapter One (2016)
FLAC (tracks) 24 bit/44,1 kHz | Time – 28:12 minutes | 268 MB | Genre: Jazz
Studio Masters, Official Digital Download | Front Cover | © Lin Records

Since the day they met at a studio, Deniz Taşar and Şentürk Öztaş have been playing music together and writing songs, leading them to create an album that tells the story of their six year long musical partnership, inspired by their experiences and projects they were a part of. The bass and vocal duo’s album: ‘Chapter One’ is now ready for you to meet a year after they began to take stage as a bass-vocal project “Songs From A Breeze”. Their name represents the respect they have for sudden inspirations as if they come with the breeze, also showing their love and curiosity for improvisation. The album consists of songs such as “Cheer” which was improvised while they were sitting on a grass field and more familiar songs like “Origin 134”, with its video released prior to the album. ‘Chapter One’ is just the beginning, an introduction as you may guess from its name. The album’s minimal and intimate attitude stands upon the duo’s starting point, the power of bass and vocal, allowing no room for any other sound. As Şentürk’s way of bass playing and Deniz’s approach to vocal change by the stories they tell, you will observe, imagine and go on a journey with them.

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David Bowie ‎- Ziggy Stardust And The Spiders From Mars: The Motion Picture (1973/2023) SD Blu-ray 1080p AVC DTS-HD MA 5.1 + BDRip 720p/1080p

Title: David Bowie ‎- Ziggy Stardust And The Spiders From Mars: The Motion Picture
Release Date: 1973/2023
Genre: Glam, Pop Rock

Production/Label: Rhino Home Video
Duration: 01:42:42
Quality: Blu-ray
Container: BDMV
Video codec: AVC
Audio codec: PCM / DTS
Video: MPEG-4 AVC Video / 38000 kbps / 1080p / 24 fps / 16:9 / High Profile 4.1
Audio#1: English / LPCM Audio / 2.0 / 48 kHz / 2304 kbps / 24-bit
Audio#2: English / DTS-HD Master Audio / 5.1 / 48 kHz / 4887 kbps / 24-bit (DTS Core: 5.1 / 48 kHz / 1509 kbps / 24-bit)
Size: 34.53 GB

The July 3rd, 1973 historic concert of the ‘leper Messiah’. This was to be David Bowie’s last concert with the Ziggy persona and the Spiders from Mars. A great medley of ‘Wild Eyed Boy From Freecloud’/’All The Young Dudes’/’Oh! You Pretty Things’, a Lou Reed cover, and a Rolling Stones cover are but some of the highlights.

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Sonar feat. David Torn – Tranceportation, Vol. 1 (2019) [Official Digital Download 24bit/44,1kHz]

Sonar feat. David Torn – Tranceportation, Vol. 1 (2019)
FLAC (tracks) 24 bit/44,1 kHz | Time – 39:08 minutes | 422 MB | Genre: Rock
Studio Masters, Official Digital Download | Front Cover | © RareNoiseRecords

It remains an apt description for the outfit’s method of creating hypnotic pieces by gradually building intricate patterns of picked notes, plucked harmonics, mesmeric bass, and insistent rhythms. The music created by Stephan Thelen (tritone guitar), Bernard Wagner (tritone guitar), Christian Kuntner (tritone bass), Manuel Pasquinelli (drums, percussion) harnesses elements of rock, jazz and contemporary classical minimalism and fuses them to create a distinctive musical language.

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Sophisticated Sissies – Sophisticated Sissies (2021) [Official Digital Download 24bit/44,1kHz]

Sophisticated Sissies – Sophisticated Sissies (2021)
FLAC (tracks) 24 bit/44,1 kHz | Time – 39:31 minutes | 450 MB | Genre: Soul, Funk
Studio Masters, Official Digital Download | Front Cover | © Nordic Music Society

$ophisticated $issies present their self-titled album, via Nordic Music Society and The Orchard!

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Tobias Koch, Kölner Akademie & Michael Alexander Willens – Emilie Mayer: Piano Concerto · Overtures (2023) [Official Digital Download 24bit/48kHz]

Tobias Koch, Kölner Akademie & Michael Alexander Willens – Emilie Mayer: Piano Concerto · Overtures (2023)
FLAC (tracks) 24 bit/48 kHz | Time – 01:06:49 minutes | 720 MB | Genre: Classical
Studio Masters, Official Digital Download | Front Cover | © CPO

„Women who compose independently are rare in the music world. As abundant as the literary world is with female talent, the musical scene has few to champion, and among these few, Emilie Mayer is at the top. Her prolific output resembles a wellspring. She transforms every sensation, every feeling and every emotion to music.“ Elisabeth Sangalli-Marr (c. 1828–1901) described Emilie Mayer’s unique position in the music world of the time with these words in a Biographische Skizze (biographical sketch) published in 1877. Indeed, no other composer of her generation was so unimpressed by patriarchal gender conceit and rigid role attributions as „Europe’s greatest female composer“ (as Emilie Mayer is described in the subtitle of a recently published biography).

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Solveig Slettahjell – Come in from the Rain (2020) [Official Digital Download 24bit/96kHz]

Solveig Slettahjell – Come in from the Rain (2020)
FLAC (tracks) 24 bit/96 kHz | Time – 43:10 minutes | 859 MB | Genre: Jazz
Studio Masters, Official Digital Download | Front Cover | © ACT Music

The vibe right through this album is well-judged, the storytelling is compelling. There are timeless old tales like Buddy Johnson’s ‘Since I Fell For You’ or Irving Berlin’s ‘How Deep Is The Ocean’, stories to be rediscovered afresh like ‘I Lost My Sugar In Salt Lake City’ and more recent ones like ‘Johnsburg, Illinois’ by Tom Waits. And there are new ones like ‘So I Borrow Your Smile’, her own composition. These songs may come from folk or jazz or pop, yet Slettahjell and her highly accomplished musicians always make them individual, tasteful and authentic. And the subtle way she bends notes, always bringing them into perfectly true-pitched final focus is nothing short of miraculous. Every time.

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