Vladimir Ashkenazy, London Symphony Orchestra, André Previn – Rachmaninov: The Piano Concertos; Rhapsody On A Theme Of Paganini (2014)
FLAC (tracks) 24 bit/96 kHz | Time – 02:38:19 minutes | 2,70 GB | Genre: Classical
Studio Masters, Official Digital Download | Front Cover | © Decca Music Group Ltd.
The Rachmaninov Piano Concertos performed by Vladimir Ashkenazy and the London Symphony Orchestra, conducted by André Previn are among the most iconic recordings in the Decca Classics catalogue. For the first time in over 40 years, the recordings have been remastered in ultra-high quality 96kHz 24-bit audio at Abbey Road Studios.
A note on the remastering: To celebrate these iconic recordings, DECCA has gone back to the original tapes and used the latest techniques and extensive comparison with the first LP pressings, to make a definitive transfer. For the first time ever, all audio processing has been achieved in the 96kHz 24-bit domain.
Read moreYuja Wang, Simón Bolívar Symphony Orchestra of Venezuela & Gustavo Dudamel – Rachmaninov: Piano Concerto No.3 In D Minor, Op.30 / Prokofiev: Piano Concerto No.2 In G Minor, Op.16 (2013)
FLAC (tracks) 24 bit/96 kHz | Time – 01:11:54 minutes | 1,27 GB | Genre: Classical
Studio Masters, Official Digital Download | Front Cover | © Deutsche Grammophon (DG)
Twenty-four year old Chinese pianist Yuja Wang is widely recognized for playing that combines the spontaneity and fearless imagination of youth with the discipline and precision of a mature artist. Regularly lauded for her controlled, prodigious technique, Yuja’s command of the piano has been described as “astounding” and “superhuman,” and she has been praised for her authority over the most complex technical demands of the repertoire, the depth of her musical insight, as well as her fresh interpretations and graceful, charismatic stage presence. Following her San Francisco recital debut The San Francisco Chronicle wrote “The arrival of Chinese-born pianist Yuja Wang on the musical scene is an exhilarating and unnerving development. To listen to her in action is to re-examine whatever assumptions you may have had about how well the piano can actually be played,” and The Washington Post called Yuja’s Kennedy Center recital debut “jaw-dropping.”
Read moreBBC Philharmonic, Gianandrea Noseda – Rachmaninov: Symphony No. 3 – Prince Rostislav – Caprice bohémien (2011)
FLAC (tracks) 24 bit/96 kHz | Time – 01:13:44 minutes | 1,25 GB | Genre: Classical
Studio Masters, Official Digital Download | Front Cover | © Chandos
This is the sixth volume in our highly acclaimed Rachmaninoff series, performed by the BBC Philharmonic under Gianandrea Noseda. Of Symphony No. 1 on a previous volume in this series (CHAN10475), BBC Music magazine said: ‘Noseda and the BBC Philharmonic have the work’s measure and their performance has a full-blooded intensity and fire.’ The series has been well received by the public and reviewers alike, and many of the recorded works will be performed by Noseda and the BBC Philharmonic at this year’s Proms.
Symphony No. 3 is the most expressively Russian of all Rachmaninoff’s symphonies, particularly in the dance rhythms of the energetic finale. Rachmaninoff wrote the symphony for the Philadelphia Orchestra, having spoken fondly of the ensemble, calling it ‘my very favourite orchestra’. The premiere was conducted by the charismatic Leopold Stokowski, but reviews were mixed – leaning towards the negative – and it was not until the re-evaluation of Rachmaninoff’s works in the 1970s that this symphony finally got the recognition that it deserves.
Rarely recorded and performed today, the symphonic poem Prince Rostislav is one of Rachmaninoff’s earliest surviving compositions for orchestra. Based on a short ballad by Alexey Tolstoy, the highly atmospheric and evocative music speaks of the ill-fated Prince of Kiev who was tragically drowned in the Ukrainian river Dniepr.
Equally unfamiliar is Capriccio bohémien, the colourful fantasy by Rachmaninoff on a gypsy theme, which takes much of its inspiration from one of the composer’s other works, the opera Aleko, based on Pushkin’s The Gypsies.
BBC Philharmonic, Gianandrea Noseda – Rachmaninov: Symphony No. 2 – The Rock (2010)
FLAC (tracks) 24 bit/96 kHz | Time – 01:14:48 minutes | 1,25 GB | Genre: Classical
Studio Masters, Official Digital Download | Front Cover | © Chandos
Under Gianandrea Noseda, the BBC Philharmonic’s epic Rachmaninoff series continues with a recording of Symphony No.2, coupled with The Rock.
Unlikely his First Symphony, Symphony No.2 is standard orchestral repertoire. A recent concert at the Bridgewater Hall, elicited the review, ‘Noseda showed his remarkable affinity with Rachmaninoff’s style. He combines an ability to sustain the long structures of its emotional climaxes with a vocalistic approach to phrasing which lifts the tunes out of the texture and lefts them sing. It’s almost operatic in its vividness.’ City Life.
The challenge of making his mark with that ultimate big statement, a symphony, still faced Rachmaninoff as he headed into his mid-thirties. Posterity now accepts that he had probably cracked a tough nut with his First Symphony (CHAN 10475). Yet the 1897 premiere, poorly conducted under disputed circumstances by Glazunov, was so unfavourably received that it forced Rachmaninoff into creative silence for the next three years. Rachmaninoff’s Second Symphony was drafted alongside an equally ambitious Second Piano Sonata in a charming garden villa in Dresden, where the whole family had settled in late 1906. The finished product turned out to be one of the longest of all Russian symphonies. Breadth, though, is of the essence of the Second Symphony’s wealth of lovingly wrought and subtly interlinked thematic material. As one critic observed at the 1908 St Petersburg premiere, conducted with his usual first-rate flexibility by Rachmaninoff, ‘the new E minor Symphony… may be slightly over long for the general audience, but how fresh, how beautiful it is’.
The accomplished fantasia of 1893, The Rock offers an excellent example of Rimsky-Korsakov’s orchestration as acknowledged by Rachmaninoff’s original dedication.
BBC Philharmonic, Gianandrea Noseda – Rachmaninov: Symphony No. 1 – The Isle of the Dead – Youth Symphony (2008)
FLAC (tracks) 24 bit/96 kHz | Time – 01:14:34 minutes | 1,24 GB | Genre: Classical
Studio Masters, Official Digital Download | Front Cover | © Chandos
Regarded as one of the most remarkable composers of the twentieth century, Serge Rachmaninoff wrote three romantically inclined symphonies, two of which are now standard orchestral repertoire. However, the premiere of Symphony No. 1 was such a disaster that Rachmaninoff refrained from composing anything more for the next three years. The conductor, Glazunov, is reputed to have been drunk, and Rachmaninoff was unable to attend the entire performance. He reacted by tearing up the score. Thankfully for posterity, the instrumental parts were preserved and rediscovered in 1945, permitting the work to be restored. It is a work full of youthful fervour, distinctive and sweeping themes, and nationalist sentiments, and is now widely regarded as a vivid example of his early talent. It is complemented here by the ‘Youth Symphony’, the first movement of a projected but never completed symphony in D minor, composed when Rachmaninoff was only seventeen, and the great symphonic poem The Isle of the Dead, inspired by Arnold Böcklin’s painting of the same name which Rachmaninoff had seen on display in Paris in 1907.
Composed in 1909, it is still a relatively early work, but contains some of the dark Russian spiritual qualities which Rachmaninoff was to develop further in his later compositions.
Jean-Philippe Collard – Rachmaninoff: 6 Moments musicaux – Mussorgsky: Pictures at an Exhibition (2018)
FLAC (tracks) 24 bit/88,2 kHz | Time – 01:05:11 minutes | 981 MB | Genre: Classical
Studio Masters, Official Digital Download | Front Cover | © La Dolce Volta
Jean-Philippe Collard’s version stands out for its fluidity and wonderful naturalness. He constantly renews his touch, first thinking of the Pictures at an exhibition… in their orchestral nature.
The artist never tries to do too much, painting each painting with imagination but sobriety, always concerned with balance.
Thanks to this sense of narration, Baba Yaga and the Great Gate of Kiev hit the nail on the head.
This overflowing energy recalls a certain Horowitz with whom Jean-Philippe Collard had forged a beautiful friendship in those crucial years when artistic maturity was forged.
Read moreEstonian Philharmonic Chamber Choir, Paul Hillier – Rachmaninov: All-Night Vigil (2005)
FLAC (tracks) 24 bit/88,2 kHz | Time – 53:58 minutes | 885 MB | Genre: Classical
Studio Masters, Official Digital Download | Front Cover | © harmonia mundi
World renowned conductor Paul Hillier leads the Estonian Philharmonic Chamber Choir through Rachmaninov’s magnificent All-Night Vigil, often regarded as the capstone of Orthodox Church music. The breathtaking reading builds on a serene affirmation of religious faith, adding an array of timbral and harmonic effects and virtuosic techniques.
Read moreRachel Wammack – Rachel Wammack EP (2018)
FLAC (tracks) 24 bit/44,1 kHz | Time – 14:47 minutes | 172 MB | Genre: Country
Studio Masters, Official Digital Download | Front Cover | © RCA Records Label Nashville
The EP was produced by Dann Huff and marks the first commercial release from Wammack, a 23-year old native of Muscle Shoals, Alabama. She began writing songs at age 12. At the age of 17 she was discovered by Sony Music Nashville while performing in Muscle Shoals. Five years and many written songs later, Rachel received a record deal from Sony Music Nashville.
Read moreRachel Wammack – Enough (2019)
FLAC (tracks) 24 bit/44,1 kHz | Time – 18:10 minutes | 211 MB | Genre: Country
Studio Masters, Official Digital Download | Front Cover | © RCA Records Label Nashville
RCA Records Nashville’s noteworthy artist Rachel Wammack is a “dynamic new Country voice for the genre” (Rolling Stone) with her “deep-rooted, classic sound” (Wide Open Country) influenced heavily by the rich music history from her hometown of Muscle Shoals. Throughout her adolescent years, the 24-year-old expressed her art in songwriting, storytelling and the high school band, before earning a college degree from the University of North Alabama. At the age of 17, Wammack was discovered by a Sony Music Nashville executive at a piano restaurant which led to her record deal five years later and the release of her self-titled EP in April, helmed by award-winning producer Dann Huff. Showcasing “a strong woman who knows how to tap into her emotions and create something authentic,” (Taste of Country) the 4-song introductory features her autobiographical debut single “Damage,” which she co-wrote with award-winning songwriters Tom Douglas and David Hodges. This year, Wammack has been named one of Rolling Stone’s “10 New Country Artists You Need To Know,” Bobby Bones’ “Women of iHeartCountry,” CMT’s “Next Women of Country” and received a standing ovation during her Grand Ole Opry debut.
Read moreRachel Podger, Jane Rogers – Mozart & Michael Haydn: Duo Sonatas (2011)
FLAC (tracks) 24 bit/192 kHz | Time – 01:12:47 minutes | 2,24 GB | Genre: Classical
Studio Masters, Official Digital Download | Front Cover | © Channel Classics
These are splendid works. The combination of violin and viola is a remarkably sonorous one, and Michael Haydn’s two duos are masterpieces no less accomplished than Mozart’s. The team of Podger and Rogers is very well matched in terms of timbre, phrasing, and interplay between melody and accompaniment. They communicate the joy of the allegros vividly and with great spirit.
Read moreRachel Podger and Arte dei Suonatori – Antonio Vivaldi: La Stravaganza – 12 Violin Concertos (2003)
FLAC (tracks) 24 bit/96 kHz | Time – 01:43:52 minutes | 1,66 GB | Genre: Classical
Studio Masters, Official Digital Download | Front Cover | © Channel Classics
These performances of Vivaldi’s La Stravaganza – a collection of 12 violin concertos – are truly extravagant. They’re not designed to be listened to in one sitting and shouldn’t be: it’s not the sameness of the orchestration which might get in the way, it’s the intensity with which Vivaldi composed them and the manner in which the remarkable Rachel Podger plays them. Fans of Andrew Manze will love Podger for similar reasons.
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