Search Results for "Oscar Peterson"

Joe Armon-Jones – Turn to Clear View (2019) [Official Digital Download 24bit/44,1kHz]

Studio Masters By admin · March 22, 2023 · Comments off

Joe Armon-Jones - Turn to Clear View (2019) [Official Digital Download 24bit/44,1kHz] Download

Since Starting Today – his first solo album released in 2018 – it was clear that Joe Armon-Jones had established his place in the young British jazz scene as a kind of mad scientist behind the keyboard who knows Herbie Hancock like the back of his hand. Spotted on the compilation album We Out Here (a Qobuzissime record!), released on Gilles Peterson’s label Brownswood Recordings, the co-founder of Ezra Collective has now revealed Turn to Clear View, a work that is just as eclectic as its predecessor with guest appearances from the likes of Oscar Jerome, Moses Boyd, Georgia Anne Muldrow and Nubya Garcia. Much like his counterparts, JAJ has been bottle-fed on a thousand different sounds and styles. There’s jazz of course, but also fusion, club music, afrobeat, hip-hop, neo-soul, acid jazz, dub and funk, genres that he effortlessly connects together like blocks of Lego. And much like its predecessor, the second album led by Armon-Jones echoes sounds of the late seventies and early eighties, when soul and funk were infiltrating jazz, for better or for worse. JAJ walks in the footsteps of Roy Ayers, Bernard Wright, Ramsey Lewis, Ronnie Laws, Ronnie Foster, Blackbirds, Headhunters and Alphonse Mouzon. And yet on tracks such as The Leo & Aquarius, he reminds us – with the help of the rapper Jehst – that he is living firmly in the 21st century and not in some fantasized past. This becomes evident again on Yellow Dandelion, which Georgia Anne Muldrow turns into a soul’n’jazz hit with very modern sounds. Behind his keyboard, JAJ never thinks purely about himself, nor does he abuse his pyrotechnic virtuosity. And it is precisely that quiet confidence which makes Turn to Clear View so wonderful. – Marc Zisman
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Joe Armon-Jones – Starting Today (2018) [Official Digital Download 24bit/44,1kHz]

Studio Masters By admin · March 22, 2023 · Comments off

Joe Armon-Jones - Starting Today (2018) [Official Digital Download 24bit/44,1kHz] Download

2018 debut album, by prodigious keys player, composer and producer Joe Armon-Jones, is buoyant, celebratory and welcoming. With a background in jazz, he draws from influences in dub, hip-hop and soul. Different traditions are infused and commingled together. Soulful brass arrangements are colored with carefully-tuned atmospherics; individual flashes of brilliance are bound into the album’s bigger picture. He’s part of London’s young, jazz-influenced music scene. Drawn from that same close-knit circle, the album features the likes of Moses Boyd, Nubya Garcia and Oscar Jerome. It’s playing with those – along with Ezra Collective, which he co-founded, and touring with the likes of Ata Kak and Pharoahe Monch – which has honed his playing and grown his ideas. It’s made for a record with an unmistakable depth. He draws on deep musical understanding, making music which is warm and has a feeling of joy. A document of his vision for bringing together his different influences, it’s also a testament to hard-earned, head-turning musical virtuosity.
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Anne Sofie von Otter, Bengt Forsberg – A Summer’s Day: Swedish Romantic Songs (2012) [Official Digital Download 24bit/88,2kHz]

Studio Masters By admin · July 10, 2022 · Comments off

Anne Sofie von Otter, Bengt Forsberg - A Summer's Day: Swedish Romantic Songs (2012) [Official Digital Download 24bit/88,2kHz] Download

Brought together by Anne Sofie von Otter, the four composers on this disc lived during the space of less than a century, from the birth of Erik Gustaf Geijer in 1783 to the death of Adolf Fredrik Lindblad in 1878, and thus prepared the ground for the great generation of Swedish song composers, including Stenhammar, Peterson-Berger and Rangström. The thirty-two songs selected by von Otter and Bengt Forsberg, her piano partner of long standing, provide a broad image of the early development of a Swedish Lied tradition. At one end of the spectrum is the simple grace and tunefulness of Lindblad’s and Geijer’s songs, mainly intended for domestic performance and of a highly lyrical nature, in terms of both music and texts – which were often written by the composers themselves. Incidentally both Lindblad and Geijer were inspired by the great Swedish soprano Jenny Lind, who performed songs by especially Lindblad at concerts in Sweden and abroad, including Mån tro? Jo, jo! (‘Would You Think? Indeed!’) and Varning (‘Warning’) included here. In comparison, Franz Berwald seems to have been more intent on breaking new ground with his relatively complex songs, attempting to reach an international audience through his settings of German and French texts. He wrote just a handful of songs and most of these are early, pre-dating the symphonies on which his fame rests. August Söderman, finally, was the youngest of the four, and began his career as a successful theatre musician at an early age. By the time he emerged as a composer in the 1850s, public concerts were becoming more frequent, and at the same time Söderman discovered Wagner’s music – two factors which induced him to search for new forms of musical expression in his songs, with the aim to create a broader narrative with a greater dramatic force. With her usual gift for characterization, Anne Sofie von Otter brings these largely forgotten miniatures to charming life, with the support of Bengt Forsberg, and, in two duets, the baritone Fredrik Zetterström.
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