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Tatiana Primak-Khoury – Lebanese Piano Music, Vol. 2 (2019)
FLAC (tracks) 24 bit/96 kHz | Time – 01:18:36 minutes | 1,17 GB | Genre: Classical
Studio Masters, Official Digital Download | Front Cover | © Grand Piano
Three substantial piano sonatas stand at the heart of a recording that reflects personal and musical independence. For Anis Fuleihan, the juxtaposition of archaic and modern is both kaleidoscopic and playful, while Boghos Gelalian draws on folkloric and late-Romantic influences in his brand of ‘Orientalism.’ Houtaf Khoury’s Sonata No. 4 both questions and reflects unsettling contemporary experience in a work of audacious, pulsing intensity. Tatiana Primak-Khoury is a Ukrainian-Lebanese pianist. She began her concert career in her native Ukraine before extending her activities to performances in Europe, the United States and the Middle East. A laureate of national and international piano competitions, she graduated with honors from the Kiev Lysenko Special Music School in 1991, going on to study for a Master’s degree at the Tchaikovsky National Academy of Music in Kiev in 1996. In 1998 she moved to Lebanon, and has since been committed to expanding the boundaries of her traditional repertoire, constantly searching for and adding new contemporary works by Ovchinnikov, Rautavaara, Saygun and Panufnik among many others.
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Tasmin Little, John Lenehan – C. Schumann, D. E. Smyth & A. Beach: Works for Violin & Piano (2019)
FLAC (tracks) 24 bit/96 kHz | Time – 01:11:23 minutes | 1,23 GB | Genre: Classical
Studio Masters, Official Digital Download | Front Cover | © Chandos
Tasmin Little returns with a line-up of three women composers whose lives share some features but also significant differences that illustrate the complex lives of female musicians. Clara Schumann, Dame Ethel Smyth, and Amy Beach all came from families that encouraged their musical interests but balked, in varying degrees, at professional training and engagement. All three composers draw on the influence of Robert Schumann and Brahms; Beach and Smyth, in particular, were fond of metrical and motivic manipulation. Tasmin Little plays this music, so close to her heart, with her usual warmth and dexterity. The manuscript of Clara Schumann’s final chamber work, Three Romances, declares it ‘for piano and violin’, an ordering reflected in the relative complexity of the parts, the florid passagework here played beautifully by Little’s long-term collaborator, John Lenehan.
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Tasmin Little – British Violin Sonatas, Vol. 3 (2020)
FLAC (tracks) 24 bit/96 kHz | Time – 01:10:05 minutes | 1,17 GB | Genre: Classical
Studio Masters, Official Digital Download | Front Cover | © Chandos
Tasmin Little and Piers Lane complete their three album overview of British violin sonatas with works by York Bowen, John Ireland, William Alwyn, Eric Coates, and the world premiere recording of James Francis Brown’s The Hart’s Grace. Composed for the inaugural Hertfordshire Festival of Music, the work was premiered by Tasmin in Hertford in June 2016. The central premise of The Hart’s Grace is the emotional transformation experienced by a restless observer when encountering the almost magical, elusive freedom of the deer.
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Tapiola Sinfonietta & Mario Venzago – Brahms: Symphonies Nos. 1-4, Serenades Nos. 1 & 2 (2018)
FLAC (tracks) 24 bit/96 kHz | Time – 03:41:14 minutes | 3,73 GB | Genre: Classical
Studio Masters, Official Digital Download | Front Cover | © Sony Classical
The size of the orchestra and the arrangement of the orchestra is similar to the situation of the historic Hofkapelle in Meiningen, where the composer’s 4th symphony had been performed for the first time Fascinating new sound impression of well known classical pieces. Appealing and interesting version of Brahms’ immortal symphonies. About the artists Mario Venzago is the principal conductor and artistic director of the Bern Symphony Orchestra, Artist in Association at Finland’s Tapiola Sinfonietta and a regular guest conductor of the Kammerorchester Basel. Before taking up conducting, Venzago was a concert pianist at Radiotelevisione Svizerra in Switzerland, and performed throughout Europe as a soloist and accompanist. Several of his CDs have won international prizes. His recordings of the operas «Venus» and «Penthesilea» and of all choral works by Othmar Schoeck with the MDR choir and symphony orchestra received great international recognition and prestigious awards. The Tapiola Sinfonietta ? the orchestra of the City of Espoo – is a high-quality chamber orchestra whose guest performers include leading Finnish and foreign conductors and soloists. For 30 years, the orchestra has maintained a core repertoire of the Viennese Classics, but the ensemble is also eager to perform contemporary works and children’s music and participate in multi – genre productions. The orchestra tours regularly in Finland and abroad. Its home base is Tapiola Hall at the Espoo Cultural Centre, which is also where most of its nearly 70 discs have been recorded.
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Collegium Vocale Gent & Philippe Herreweghe – J.S. Bach: Himmelfahrts-Oratorium, BWV 11 (Remastered) (1993/2023)
FLAC (tracks) 24 bit/96 kHz | Time – 01:07:00 minutes | 1,12 GB | Genre: Classical
Studio Masters, Official Digital Download | Front Cover | © harmonia mundi
Lobet Gott in seinen Reichen (Laud to God in all his kingdoms), BWV 11,[a] known as the Ascension Oratorio (Himmelfahrtsoratorium), is an oratorio by Johann Sebastian Bach, marked by him as Oratorium In Festo Ascensionis Xsti (Oratorio for the feast of the Ascension of Christ), composed for the service for Ascension and probably first performed on 15 May 1738.
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Collegium Vocale Gent & Philippe Herreweghe – Bach: Mit Fried und Freud (Remastered) (1998/2023)
FLAC (tracks) 24 bit/96 kHz | Time – 58:26 minutes | 1016 MB | Genre: Classical
Studio Masters, Official Digital Download | Front Cover | © harmonia mundi
The theme of death and dying was one of the favourite themes ofBach and his contemporaries in their cantatas – that “musical theology”which was held in such high esteem in deeply Lutheran Northern Germany.Composed between 1723 and 1725, the three cantatas on this record treatthe subject from different angles: the expectation of a “marvellousdawn” (BWV 8), the final departure in peace and joy (BWV 125), and thevanity of earthly existence (BWV 138). There is “no consolation onearth”, but only in heaven – what other composer, what other artistsucceeded in expressing this consolation with such depth, or with suchobviousness as Bach?
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Tore Brunborg with Eivind Aarset, Steinar Raknes, Per Oddvar Johansen – Slow Snow (2015)
FLAC (tracks) 24 bit/96 kHz | Time – 48:19 minutes | 1012 MB | Genre: Jazz
Studio Masters, Official Digital Download | Front Cover | © ACT Music
On a per-capita basis, no other country in the world spawns more top-class jazz musicians than Norway. Jan Garbarek is the guiding star, but it was also the second generation born in the 60s that helped ‘Nordic Jazz’ to global notoriety: Nils Petter Molvær, Bugge Wesseltoft, Geir Lysne, Eivind Aarset and saxophonist Tore Brunborg. Although highly respected in the Norwegian jazz scene, Brunborg has until now been known internationally as a sideman, however this year, the 54 year-old brings out his own international release, his ACT debut ‘Slow Snow’.
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Christian Tetzlaff, Tanja Tetzlaff, Deutsches Symphonie-Orchester Berlin & Paavo Järvi – Brahms: Double Concerto, Viotti: Violin Concerto No. 22; Dvorák: Silent Woods (2023)
FLAC (tracks) 24 bit/44,1 kHz | Time – 01:00:46 minutes | 578 MB | Genre: Classical
Studio Masters, Official Digital Download | Front Cover | © Ondine
This album by violinist Christian Tetzlaff and cellist Tanja Tetzlaff together with the Deutsches Symphonie-Orchester Berlin conducted by Paavo Järvi, is dedicated in the memory of their longtime artistic partner, pianist Lars Vogt (1970–2022). At the heart of this album is Brahms, one of Lars Vogt’s favourite composers, and his late orchestral masterpiece, the Double Concerto. Brahms himself had admired one of Viotti’s violin concertos so much that he included material from the Violin Concerto no.22 into his work. With Christian Tetzlaff’s recording of the Violin Concerto, this album finally brings these two works together. Also included is Dvořák’s beautiful Silent Woods for cello and orchestra, a work by another composer that was very close to Lars Vogt’s heart.
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Tanja Tetzlaff – Tanja Tetzlaff Plays Bach & Encke (2019)
FLAC (tracks) 24 bit/96 kHz | Time – 01:20:00 minutes | 1,48 GB | Genre: Classical
Studio Masters, Official Digital Download | Front Cover | © CAvi-music
Tanja Tetzlaff in conversation with Friederike E. Westerhaus: On this recording you are pairing three Bach cello suites with two pieces by Thorsten Encke. How does this coupling change the experience for the player and for the listener?
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Tania Giannouli Trio – In Fading Light (2020)
FLAC (tracks) 24 bit/48 kHz | Time – 01:00:25 minutes | 568 MB | Genre: Jazz
Studio Masters, Official Digital Download | Front Cover | © Rattle
Oud and trumpet are two of my favourite instruments. A piano trio with these instruments is unusual, but I wanted to explore the beautiful textures, tonalities and emotional resonances that this combination of instruments offers. And of course, Andreas Polyzogopoulos (trumpet) and Kyriakos Tapakis (oud) are fabulous musicians and a joy to work with.
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Tanguy de Williencourt & Raphaël Pidoux – Beethoven: Cello Sonatas, Op. 5 (2020)
FLAC (tracks) 24 bit/96 kHz | Time – 01:05:23 minutes | 1,11 GB | Genre: Classical
Studio Masters, Official Digital Download | Front Cover | © harmonia mundi
With each new album, the Stradivari collection invites you to discover another unique instrument lovingly preserved and housed at the Museum of Music in Paris, such as the magnificent 1734 Guarneri cello and the 1855 Gebauhr grand piano, both of them exceptionally well suited to the music of Beethoven and his contemporaries. When these remarkable examples of European instrument-making are entrusted to performers as adept as Raphaël Pidoux and Tanguy de Williencourt, the composer’s celebrated Sonatas of Opus 5 stand revealed as never before!
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Tanguy de Williencourt – Beethoven: Bagatelles l’intégrale (2019)
FLAC (tracks) 24 bit/96 kHz | Time – 01:11:11 minutes | 1,06 GB | Genre: Classical
Studio Masters, Official Digital Download | Front Cover | © Mirare
Beethoven’s trifles illuminate his work in a new way: through these short pieces of only a few minutes one encounters the multiple aspects of his abundant and complex musical personality, such as the diary of a Beethoven of the miniature.
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Tangents – Timeslips (2020)
FLAC (tracks) 24 bit/44,1 kHz | Time – 39:20 minutes | 424 MB | Genre: Jazz Fusion, Jazz Rock
Studio Masters, Official Digital Download | Front Cover | © Temporary Residence Ltd.
Enigmatic Australian ensemble Tangents return with a new studio album two years after the release of New Bodies. The Australian Music Prize-nominated New Bodies thrust Tangents’ peculiar blend of furious improvisation and precision production into the international spotlight. More tension and intention pervade Tangents’ fourth album, Timeslips, demonstrating a thoughtful maturation of spontaneous ideas and more deliberately abstract assembly. With breathtaking, rhythmic drumming and adept production driving the various moods, Timeslips emerges from greater live performance and carefully constructed compositions. The brittle skittering mallets of “Exaptation,” raucous guitar of “Debris,” and processed trumpet of “Vessel” add new timbres to their existing palette of jazz drums, melancholy piano, throbbing cello and swirling glitched ambience. Mostly recorded in a single day, just before guitarist Sia Ahmad left the band, only the bravest, most intense moments from the original session remain intact on Timeslips. The tonal rumble of a 100-carriage coal train winding through New South Wales’ Bylong Valley signals the album’s slow close, recalling Tangents’ earlier references to the Australian environment on New Bodies and Stateless.
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Archive – Call To Arms & Angels (Deluxe Edition) (2022)
FLAC (tracks) 24 bit/44,1 kHz | Time – 03:41:18 minutes | 2,28 GB | Genre: Alternative Rock
Studio Masters, Official Digital Download | Front Cover | © Dangervisit
Call To Arms & Angels is the title of the twelfth studio album from South London collective Archive. A 17 track double album (triple LP) recorded at RAK studios in London. Deluxe editions of the album also include a bonus soundtrack album of new and exclusive instrumentals, as featured in the band’s Super 8 documentary that will accompany the release of the album. Produced by Archive and long time collaborator Jerome Devoise, Call To Arms & Angels is the band’s first studio set since 2016’s The False Foundation.
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