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Title: The Pineapple Thief – Where We Stood
Release Date: 2017
Genre: Rock, Art Rock, Prog Rock, Neo-Prog, Alternative Rock
Artist: Bruce Soord – Vocals, Acoustic & Electric Guitars; Steve Kitch – Keyboards, Backing Vocals; Jon Sykes – Bass, Backing Vocals; Gavin Harrison – Drums, Percussion; Darran Charles – Guitars
Production/Label: Kscope Music
Duration: 01:26:05 + 04:11:28
Quality: Blu-ray
Container: BDMV
Video codec: AVC
Audio codec: DTS, PCM
Video: MPEG-4 AVC 8985 kbps / 1920*1080p / 23,976 fps / 16:9 / High Profile 4.1
Audio#1(main mix): English DTS-HD MA 5.1 / 96 kHz / 6354 kbps / 24-bit (DTS Core: 5.1 / 48 kHz / 1509 kbps / 24-bit)
Audio#2(alternate mix): English DTS-HD MA 5.1 / 96 kHz / 6332 kbps / 24-bit (DTS Core: 5.1 / 48 kHz / 1509 kbps / 24-bit)
Audio#3: English LPCM 2.0 / 96 kHz / 4608 kbps / 24-bit
Size: 45.94 GB
Bringing to a close the unforgettable 14 date Your Wilderness tour (promoting the band’s 2016 hit album), The Pineapple Thief – led by Bruce Soord, and reinforced by Gavin Harrison on drums and Darran Charles (Godsticks) on guitar – performed an awe-inspiring show at a sold-out Islington Assembly Hall on 11th February 2017.
Where We Stood showcases a tight performance from both band regulars and guests on tracks from Your Wilderness – including In Exile, No Man’s Land and The Final Thing On My Mind – and early classics such as Nothing At Best, Show A Little Love and Simple As That.
This blu-ray version of Where We Stood includes the concert film with two 24/96 DTS-HD MA 5.1 surround sound mixes (one natural, one discrete) and 24/96 hi-res stereo audio; the original Your Wilderness album in both 24/96 DTS-HD MA 5.1 surround sound and 24/96 hi-res stereo audio; the previously exclusive and sold out 8 Years Later bonus material in both 24/96 DTS-HD MA 5.1 surround sound and 24/96 hi-res stereo audio; an acoustic 5-track bonus album in 24/96 hi-res stereo audio; a Where We Stood documentary film featuring behind the scenes footage from the concert; exclusive documentary footage of Bruce Soord during the songwriting process; a making-of video for the single “In Exile”; Soord’s acoustic studio performance of Tear You Up; the official videos for In Exile and No Man’s Land.
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THE S.L.P. – THE S.L.P. (2019)
FLAC (tracks) 24 bit/44,1 kHz | Time – 38:51 minutes | 425 MB | Genre: Alternative Rock, Indie Rock
Studio Masters, Official Digital Download | Front Cover | © Columbia
The Kasabian guitarist and songwriter spreads his wings on a kaleidoscopic album that, featuring Slowthai and Little Simz, takes its time to explore a patchwork of genres
A young Pete Doherty once said, “I subscribe to the Umberto Eco view that Noel Gallagher is a poet and Liam‘s a town crier”. If we’re to apply a similar logic here, then perhaps Kasabian’s Serge Pizzorno is a composer and Tom Meighan is the town’s human cannonball. Away from his bandmate’s propane showmanship, here Pizzorno makes his solo debut as The S.L.P. to explore the extremes of the sound he helped form to shape a generation of indie – but will it hold the same thrills?
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Various Artists – The Royal Wedding – The Official Album (2018)
FLAC (tracks) 24 bit/48 kHz | Time – 01:03:40 minutes | 621 MB | Genre: Classical
Studio Masters, Official Digital Download | Front Cover | © Decca (UMO) (Classics)
The official album of the Wedding ceremony of Prince Harry and Ms. Meghan Markle…
Musicians confirmed to perform at the wedding ceremony include British cellist Sheku Kanneh Mason, Welsh soprano Elin Manahan Thomas, The Choir of St George’s Chapel and Christian gospel group The Kingdom Choir. The Orchestra, conducted by Christopher Warren-Green, will be made up of musicians from the BBC National Orchestra of Wales, the English Chamber Orchestra and the Philharmonia. State Trumpeters are drawn from all ranks of the Band of the Household Cavalry, and will provide ceremonial support during the Service at St George’s Chapel. The music will be under the direction of James Vivian, Director of Music, St George’s Chapel.
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Royal Scottish National Orchestra,Lance Friedel – Great Comedy Overtures (2015)
FLAC (tracks) 24 bit/192 kHz | Time – 01:19:40 minutes | 2,79 GB | Genre: Classical
Studio Masters, Official Digital Download | Front Cover | © Naxos
The flourishing genre of the comic opera had its roots in eighteenth-century Italian opera buffa, whose irrepressible brio was soon taken up outside the country’s borders. In France it produced opéra comique and operetta, and in German-speaking countries Spieloper and Viennese operetta. Some of the world’s most popular comic opera overtures, filled with gorgeous tunes, brilliant orchestration and race-to-the-finish endings, are presented here. They include staples of the concert repertoire such as Hérold’s dramatic Zampa, the textual delicacy of Wolf-Ferrari’s Il segreto di Susanna and the vivid colour of Lortzing’s Zar und Zimmermann.
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The Royal Scottish National Orchestra – A Festival of Fučík (2015)
FLAC (tracks) 24 bit/96 kHz | Time – 01:19:51 minutes | 1,44 GB | Genre: Classical
Studio Masters, Official Digital Download | Front Cover | © Chandos
Best known for his ubiquitous circus march, Entry of the Gladiators (also known as Thunder and Blazes), Julius Fucík, the “Bohemian Sousa,” was a prolific composer of band and orchestral music in the late 19th and early 20th centuries. While his marches, waltzes, and polkas are still popular in the Czech Republic, they have largely faded from the Western orchestral repertoire. Neeme Järvi and the Royal Scottish National Orchestra have released this hybrid SACD collection on Chandos to revive some tuneful bonbons that deserve a fresh reassessment and a place on programs of light music. In addition to Entry of the Gladiators, highlights of this album include the Florentiner March, Danube Legends, Little Ballerinas, and Under the Admiral’s Flag, which are examples of Fucík’s infectious melodies, rousing rhythms, and zestful orchestration. The multichannel recording offers a spacious ambience that fully accommodates the orchestra’s bold, brassy quality.
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The Roy Meriwether Trio – Soup & Onions / Soul Cookin’ By (1965/2015)
FLAC (tracks) 24 bit/96 kHz | Time – 42:16 minutes | 867 MB | Genre: Bop, Piano Jazz, Soul Jazz
Studio Masters, Official Digital Download | Front Cover | © Columbia – Legacy
Heavy soul from the Roy Meriwether Trio – picking up at a place where the Ramsey Lewis trio first began, and taking things to a very soulful extension! The tunes are straightforward soul jazz, played with a heck of a lot of fire in the rhythms – thanks to bassist Isaas Sloan and drummer John Arnold – and all tracks feature plenty of cooking piano work from Roy himself! Titles include “The Ripper”, “Taste Of Honey”, “Soup & Onions”, “Little Lousy Jane”, and “Screwdriver”.
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The Roy Meriwether Trio – Soul Invader (1968/2017)
FLAC (tracks) 24 bit/192 kHz | Time – 52:35 minutes | 1,81 GB | Genre: Jazz
Studio Masters, Official Digital Download | Front Cover | © Columbia – Legacy
A multi-dimensional and self-taught virtuoso, pianist Roy Meriwether blends jazz, blues, R&B and gospel with classical elements in a unique and innovative style. In the mid-60s, on the commercial peak of Jazz, Roy Meriwether signed to Columbia Records whole roster boasted such great artists as Dave Brubeck and Erroll Garner. “Soul Invader”, some sweet and soulful live tracks from a live jazz set, very much reminiscent of The Ramsey Lewis Trio, was released in 1968.
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The Roland Hanna Trio – Child of Gemini (1971/2017)
FLAC (tracks) 24 bit/88,2 kHz | Time – 39:06 minutes | 717 MB | Genre: Jazz
Studio Masters, Official Digital Download | Front Cover | © MPS
One of a host of jazz musicians with deep roots in classical music, Roland Hanna graduated from NYC’s prestigious Julliard School of Music and worked with the likes of Charles Mingus, Elvin Jones, Sarah Vaughan and Jim Hall. Although Hanna had originally intended the pieces as a suite for cello and jazz ensemble, trio members American bass maestro Dave Holland, and Swiss drummer Daniel Humair fit in perfectly with the change of plans. Holland had just taken leave from Miles Davis, and Humair was about to go on tour with Oscar Peterson. Prelude combines Bach and a jazz-rock backbeat, while Hanna states that Allemande and the blues waltz Courrante ‘are the real gems of the Suite’, combining European classical with Afro-American music. Both pieces feature a finely integrated trio with open borders between accompaniment and solo. Written for his Gemini wife, Child of Gemini depicts her ‘changing mood and final resoluteness’. The modal Arsenic and New Lace drives ahead in an impressionistic ¾. The jazzy Ha-Ho Da are the first two letters of each player’s name, and signifies the group unity on this swinging medium-up blues. Outstanding solos by all three. The ballad Blue Lily finds Hanna ruminating on electric keyboard, and for critic/writer J.E. Berendt, A Statement For The Truth ‘notes the climax of the session, the brilliant finale to a suite whose individual movements are lined up in a contrasting, yet seamless row.” Hanna treats his rhythm section as equals; the solos are outstanding, and all three have ample room to stretch.
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The Rod Levitt Orchestra – Forty-Second Street (1966/2016)
FLAC (tracks) 24 bit/192 kHz | Time – 33:47 minutes | 1,24 GB | Genre: Jazz
Studio Masters, Official Digital Download | Front Cover | © RCA – Legacy
Rodney Charles Levitt, b. 16 September 1929, Portland, Oregon, USA. A regular trombone player in studio orchestras, Levitt first attracted attention in the jazz world through a job with Dizzy Gillespie, with whose big band he played in 1956. Apart from Gillespie, he also recorded with big bands led by Ernie Wilkins, Sy Oliver and Gil Evans. In the early 60s, he recorded with his own octet which included Bill Berry and Rolf Ericson but was most often heard on big band sessions under leaders such as Quincy Jones, Oliver Nelson and the Chuck Israels’ National Jazz Ensemble. Apart from his sound playing ability, Levitt is also a gifted arranger.
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