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Travis – Everything At Once (2016)
FLAC (tracks) 24 bit/96 kHz | Time – 33:21 minutes | 751 MB | Genre: Alternative Rock
Studio Masters, Official Digital Download | Front Cover | © Red Telephone Box
Everything At Once’ is the brand new ten track studio album by Travis released on their own label Red Telephone Box and features the new single ‘3 Miles High’ a beautifully understated and uplifting acoustic track, featuring backing vocals from up and coming Norwegian artist Aurora. Written by Travis and produced by Michael Ilbert at the legendary Hansa Studios in Berlin, ‘Everything At Once’ positively overflows with conviction and confidence; pushing boundaries while maintaining their classic sound.
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Travis – 10 Songs (2020)
FLAC (tracks) 24 bit/48 kHz | Time – 37:54 minutes | 466 MB | Genre: Rock
Studio Masters, Official Digital Download | Front Cover | © BMG Rights Management (UK) Ltd
At various points along the trajectory between then and now, Travis have sold millions of albums (just under three million of The Man Who in the UK alone); they’ve been the subject of an award-winning feature length documentary (Almost Fashionable) and Fran has elicited acclaim from Paul McCartney, Elton John and Graham Nash – all songwriters whose ability to divine a timeless melody out of thin air has sustained them through the decades.
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Transatlantic – The Absolute Universe: The Breath Of Life (Abridged Version) (2021)
FLAC (tracks) 24 bit/48 kHz | Time – 01:04:18 minutes | 856 MB | Genre: Progressive Rock
Studio Masters, Official Digital Download | Front Cover | © InsideOutMusic
Transatlantic have never been a band to resist a challenge. So it should come as no surprise that for their fifth album ‘The Absolute Universe’, Neal Morse Roine Stolt Pete Trewavas and Mike Portnoy have really gone out to do something a little unusual. “We have actually come up with something unprecedented,” says Portnoy proudly. “We’ve got two versions of this album. There’s a two CD presentation (‘Forevermore’), which is 90 minutes long, and a single one (‘The Breath Of Life’) – that’s 60 minutes. The single CD is NOT an edited version of the double CD. They’re new recordings. What we have done are different approaches to the songs for this! We wrote fresh lyrics and have different people singing on the single CD version tracks as compared to those on the double CD. We revamped the songs to make the two versions different.”
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Transatlantic – The Absolute Universe: Forevermore (Extended Version) (2021)
FLAC (tracks) 24 bit/48 kHz | Time – 01:30:23 minutes | 1,15 GB | Genre: Rock
Studio Masters, Official Digital Download | Front Cover | © InsideOutMusic
Transatlantic have never been a band to resist a challenge. So it should come as no surprise that for their fifth album ‘The Absolute Universe’, Neal Morse Roine Stolt Pete Trewavas and Mike Portnoy have really gone out to do something a little unusual. “We have actually come up with something unprecedented,” says Portnoy proudly. “We’ve got two versions of this album. There’s a two CD presentation (‘Forevermore’), which is 90 minutes long, and a single one (‘The Breath Of Life’) – that’s 60 minutes. The single CD is NOT an edited version of the double CD. They’re new recordings. What we have done are different approaches to the songs for this! We wrote fresh lyrics and have different people singing on the single CD version tracks as compared to those on the double CD. We revamped the songs to make the two versions different.” For this record, the band have also returned to the concept album format: “What we have is essentially one giant composition, split into chapters. The storyline is about the struggles facing everyone in society today” comments Portnoy. “We didn’t start out with the idea of this being conceptual,” admits Stolt. “The way things work with us is that we have a load of ideas, and these are developed spontaneously when we meet up. Everything happens in the moment.”
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Train – Drops Of Jupiter (Remastered) (2000/2021)
FLAC (tracks) 24 bit/96 kHz | Time – 47:59 minutes | 1,02 GB | Genre: Rock
Studio Masters, Official Digital Download | Front Cover | © Columbia – Legacy
Drops of Jupiter is the second studio album by American pop rock band Train, released in 2001. The album’s title is derived from “Drops of Jupiter (Tell Me)”, its lead single, which was a hit internationally and won the Grammy Award for Best Rock Song.
The album contains elements of rock, country and indie rock. Besides “Drops of Jupiter (Tell Me)”, two other singles were released from this album: “She’s on Fire” and “Something More,” both of which also achieved some success on the Adult Top 40 chart.
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Train – Does Led Zeppelin II (2016)
FLAC (tracks) 24 bit/44,1 kHz | Time – 41:54 minutes | 469 MB | Genre: Rock
Studio Masters, Official Digital Download | Front Cover | © Crush Music – Atlantic
Multi-platinum and Grammy winning San Francisco band TRAIN is set to pay homage to one of their biggest musical inspirations with the release of the first cover album of their career, LED ZEPPELIN II. The 9-track album follows the original Led Zeppelin II track listing including classic hit songs such as “Ramble On” and “Whole Lotta Love.” The band has famously covered Zeppelin their entire career in live shows. All of the band’s proceeds from this album will go to their charity of record, Family House in San Francisco, of which they’ve been huge supporters for years.
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Train – Bulletproof Picasso (2014)
FLAC (tracks) 24 bit/88,2 kHz | Time – 43:43 minutes | 819 MB | Genre: Pop Rock
Studio Masters, Official Digital Download | Front Cover | © Columbia
“Bulletproof Picasso” is the seventh studio album by American rock band Train. The album was produced by previous Train collaborator Butch Walker, and reflects frontman-singer/songwriter Pat Monahan’s penchant for distinctive musical stylings. The album’s first single, “Angel In Blue Jeans”, soared to the Top 15 of Triple A and Adult Top 40 radio in only a month, joining the band’s successful arsenal of other radio-embraced singles throughout their two-decade career.
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Traffic – The Last Great Traffic Jam (Remastered) (2005/2021)
FLAC (tracks) 24 bit/44,1 kHz | Time – 01:28:36 minutes | 1,05 GB | Genre: Rock
Studio Masters, Official Digital Download | Front Cover | © Wincraft Music Inc.
The Last Great Traffic Jam is a live album and DVD from the English rock band Traffic. The album was recorded on the 1994 reunion tour supporting Far from Home.
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Traffic – John Barleycorn Must Die (1970/2012)
FLAC (tracks) 24 bit/96 kHz | Time – 39:42 minutes | 849 MB | Genre: Rock
Studio Masters, Official Digital Download | Front Cover | © Island Records (The Island Def Jam Music Group / Universal Music)
John Barleycorn Must Die was a pivotal statement in the history of British folk rock. Traffic, one of music’s most influential bands, garnered high praise for their psychedelic blend of folk, jazz, soul and rock. Their original sound was complemented by unworldly virtuosity. John Barleycorn Must Die was the band’s most successful album and would later be certified gold by the RIAA. This outstanding effort would be the band’s highest charting album of all time, peaking at #5 onBillboard’s Top 200. John Barleycorn Must Die boast earthy staples including, “Glad,” “Freedom Rider” and the acclaimed single “Empty Pages,” which spent eight consecutive weeks on theBillboard Hot 100.
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Tracy McNeil & The Goodlife – You Be the Lightning (2020)
FLAC (tracks) 24 bit/48 kHz | Time – 46:25 minutes | 558 MB | Genre: Country
Studio Masters, Official Digital Download | Front Cover | © Cooking Vinyl Australia
You Be the Lightning is the fifth album for Melbourne-based Canadian ex-pat Tracy McNeil, and her band The GoodLife. Following a successful Pozible album campaign earlier this year, the critically-acclaimed Americana 5-piece release their newest full length through Cooking Vinyl Australia. Featuring the recent single Stars, and the much-adored Not Like A Brother (an instant hit with music directors at ABC Local, Double J & ABC Country – and “one of the best ballads you’ll hear from anyone all year” – Double J), You Be the Lightning once again highlights the songwriting brilliance of McNeil. Within the broad strokes of Americana music, Tracy McNeil & The GoodLife have refined their own palette, expanding on their distinctive alt-country roots, culminating in a body of work that many believe is the bands’ finest to date.
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Tracey Thorn – Record (2018)
FLAC (tracks) 24 bit/96 kHz | Time – 35:48 minutes | 765 MB | Genre: Indie Pop, Synth-pop
Studio Masters, Official Digital Download | Front Cover | © Unmade Road
In the last century, Tracey Thorn was the singer of Everything But The Girl, a moving and sophisticated duo that she formed with her partner Ben Watt. In the middle of the new wave craze, the two Brits offered some kind of jazz blended with melancholic folk, that they also opened to Brazilian rhythms. And when the electro wave started to break on the United Kingdom, Everything But The Girl didn’t hesitate to try their hand at it… In between, Thorn launched into a solo career, even doing freelance work for Massive Attack (on Protection and Better Things) or for the American-Iranian house duo Deep Dish. Most of all, she released rather eclectic EPs and albums, intimate at times, electro at other times… With Record released during the winter of 2018, she is more chameleon than ever, offering her more pop side here. It is pop in its style and engaged in its content. Tracey Thorn sings here the various mountains that a contemporary woman must ascend in her everyday life. It’s an ode to femininity and feminism that leans against rather sparkling melodies and choruses.
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Torun Eriksen – Visits (2013)
FLAC (tracks) 24 bit/96 kHz | Time – 40:10 minutes | 745 MB | Genre: Jazz
Studio Masters, Official Digital Download | Front Cover | © Jazzland Recordings
From the albums Glittercard to Passage, Torun Eriksen has honed her craft and identity to become one of the most instantly recognizable voices in Norwegian music today…
Her music is always immediate, personal and yet subtle and universal. With Visits, Torun opens a different door into her musical world, presenting us with a selection of 10 songs by various artists, each with its own personal resonance for her, and given a unique interpretation, sometimes defamiliarizing well-known songs, and at others, making the unfamiliar seem as though it has been present all along.
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Tord Gustavsen Trio – Being There (2007)
FLAC (tracks) 24 bit/96 kHz | Time – 59:33 minutes | 1,08 GB | Genre: Jazz
Studio Masters, Official Digital Download | Front Cover | © ECM
Norwegian pianist Tord Gustavsen views “Being There” as the third instalment of a trilogy that began with “Changing Places” (recorded 2001 and 2002) and continued with “The Ground” (recorded 2004). On “Being There” the music’s priorities are maintained. The album’s title is borrowed from a tune on “The Ground”, intentionally stressing the continuity of the music, and also underlining its working concept, characterized by Gustavsen as “being acutely present, aware and focused in the fullness of the moment. The group has a definite direction or sound, but there are still many nuances to explore.”
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Tord Gustavsen Trio – The Ground (2004)
FLAC (tracks) 24 bit/96 kHz | Time – 01:00:06 minutes | 1,11 GB | Genre: Jazz
Studio Masters, Official Digital Download | Front Cover | © ECM
Of the Norwegian artists that ECM has introduced over the years, pianist Tord Gustavsen must count as one of the least “Nordic” in musical temperament. If the contemplative component of his music and its quietude still reflect Scandinavian priorities, the manner in which he has sought and located connections to early jazz – especially the blues, gospel music, and the nexus of Caribbean music and New Orleans jazz – is entirely his own.
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Tord Gustavsen Quartet – The Well (2012)
FLAC (tracks) 24 bit/96 kHz | Time – 53:18 minutes | 995 MB | Genre: Modern
Studio Masters, Official Digital Download | Front Cover | © ECM
Two years after “Restored, Returned” introduced this line-up and with extensive touring behind them, on “The Well” the four musicians of the Gustavsen Quartet really blossom as a band in a programme of new tunes by Tord. Sax player Tore Brunborg is given an important voice here, his melodic lines combining bluesy sonority and Nordic cry. Gently but effectively propelled by the subtle pulses of drummer Jarle Vespestad and bassist Mats Eilertsen, Gustavsen’s gospel-tinged, unhurried piano playing displays a characteristic warmth and tenderness.
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