Search Results for "Rod Stewart"

New York Trio – The Things We Did Last Summer (2002) [Japan 2003]
SACD Rip | SACD ISO | DSD64 2.0 > 1-bit/2.8224 MHz | 59:57 minutes | Front/Rear Covers | 2,41 GB
or Studio Master, Official Digital Download FLAC (tracks) 24 bit/96 kHz | Front Cover | 1,36 GB

Also known as the New York Jazz Trio, this combo is a studio-only group who specialize in recording classic standards in a straightforward, post-bop style. The New York Trio features three gifted musicians who are firmly established on the East Coast jazz scene. Pianist Bill Charlap is a member of the Phil Woods Quintet, has accompanied the likes of Tony Bennett, Benny Carter, and Gerry Mulligan, and has recorded a handful of well-received albums for Blue Note as a bandleader. Bassist Jay Leonhart has recorded as a headliner since 1983, while also making a name for himself as a vocalist and songwriter as well as backing up Marian McPartland, Louie Bellson, Lee Konitz, and many others. And drummer Bill Stewart had handled demanding gigs with a variety of musicians, including jazz guitarist John Scofield, funky sax man Maceo Parker and R&B legend James Brown. They make this record for the Japanese market.

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New York Trio – Thou Swell (2007) [Japan 2016]
SACD Rip | SACD ISO | DSD64 2.0 > 1-bit/2.8224 MHz | 55:02 minutes | Front/Rear Covers | 2,24 GB
or FLAC(converted with foobar2000 to tracks) 24bit/88,2 kHz | Front/Rear Covers | 1,06 GB

The New York Trio, consisting of pianist Bill Charlap, bassist Jay Leonhart, and drummer Bill Stewart, have created quite a stir in Japan, as they have entered the studio regularly to record for the Japanese Venus Jazz label at the start of the 21st century. Their sixth CD for the label, Thou Swell draws from the songbook of Richard Rodgers and Lorenz Hart, a composer/lyricist combo who wrote many songs that became standards. As a result, a number of these songs have been frequently recorded by jazz musicians and seem in danger of overexposure. But Charlap is a thoughtful arranger, playing “My Funny Valentine” complete with the usually omitted verse that sets up the song while playing it at a very deliberate tempo, resulting in a stunningly different take. The pendulum-like introduction added to the breezy “I Didn’t Know What Time It Was” is fun, as is the lush setting of the infrequently performed “That’s for Me.” Some pieces can’t help but cover familiar ground, but that doesn’t detract from these enjoyable performances.

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New York Trio – Stairway To The Stars (2005) [Japan 2015]
SACD Rip | SACD ISO | DSD64 2.0 > 1-bit/2.8224 MHz | 57:48 minutes | Front/Rear Covers | 2,32 GB
or FLAC(converted with foobar2000 to tracks) 24bit/88,2 kHz | Front/Rear Covers | 1,1 GB

Consisting of Bill Charlap, Jay Leonhart and Bill Stewart, the New York Trio is a studio-only group that specializes in classic standards performed in a straightforward post-bop style. On this release, the trio focuses on selections from the Great American Songbook.

Bill Charlap is a member of the Phil Woods Quintet and has performed with Tony Bennett, Benny Carter, Gerry Mulligan and others. He’s also recorded a handful of acclaimed albums for Blue Note as a bandleader.
Bassist Jay Leonhart has been a headliner since 1983, while also perofrming as a vocalist and songwriter. Leonhart has played with Marian McPartland, Louie Bellson, Lee Konitz and others.
Drummer Bill Stewart has played gigs with many musicians including John Scofield, Maceo Parker and James Brown.

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New York Trio – Love You Madly (2003) [Japan 2016]
SACD Rip | SACD ISO | DSD64 2.0 > 1-bit/2.8224 MHz | 62:20 minutes | Front/Rear Covers | 2,54 GB
or FLAC(converted with foobar2000 to tracks) 24bit/88,2 kHz | Front/Rear Covers | 1,25 GB

The vast Duke Ellington songbook is always ripe for exploration, and the New York Trio, featuring pianist Bill Charlap, bassist Jay Leonhart, and drummer Bill Stewart, is up to the task. The gorgeous ballad “The Star Crossed Lovers” is in good hands, as Charlap gently examines the facets of this gem, accompanied by Leonhart’s spacious basslines and Stewart’s whispering brushes. The brisk run through “Love You Madly” is transformed into an extended workout instead of the brief versions typically played by its composer. Charlap’s bluesy gospel introduction to “I’m Just a Lucky So-and-So” will turn a few heads. Even though there’s nothing new about tackling “It Don’t Mean a Thing (If It Ain’t Got That Swing)” at a racehorse tempo, this trio’s intricate workout is a bit more abstract than most recordings. Charlap’s jaunty treatment of “I Let a Song Go Out of My Heart” suggests its composer’s stride piano roots. Another sentimental journey.

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