Los Angeles Philharmonic, Los Angeles Master Chorale, Gustavo Dudamel – J. Adams: The Gospel According To The Other Mary (2014) [Official Digital Download 24bit/96kHz]

Los Angeles Philharmonic, Los Angeles Master Chorale, Gustavo Dudamel – J. Adams: The Gospel According To The Other Mary (2014)
FLAC (tracks) 24 bit/96 kHz | Time – 02:13:03 minutes | 2,38 GB | Genre: Classical
Studio Masters, Official Digital Download | Front Cover | © Deutsche Grammophon (DG)

John Adams’ The Gospel According to the Other Mary, first performed in 2012 in Los Angeles, is something of an expansion on the composer’s El Niño, a Passion story adorned with a variety of contemporary themes and musical materials. Like the earlier work, it features a libretto by longtime Adams collaborator Peter Sellars, and it may be sung on-stage as an oratorio or presented as an opera. Mary Magdalene is indeed a central figure in the work, but actually it is more than the trick perspective the title might imply; as with El Niño Sellars incorporates such devices as set pieces featuring poetry by other writers (this time poet Louise Erdrich plays the central role). Jesus seems to appear as through a prism, embodied by a trio of countertenors: a typical Adams masterstroke. Bach’s Passions are obvious antecedents, but Andrew Clements of the London Guardian has accurately pointed out a resemblance to a work by a composer not much mentioned in the same breath as Adams: Leonard Bernstein’s Mass. The music has similar ambitions and a similar way, although not so extreme, of veering off into contemporary vernacular materials according to the text. This doesn’t suit Adams perfectly, although he takes steps, including a recurring use of the cimbalom, to tie all his diverse materials together. At any rate, the work is never boring and often absorbing; the enthusiasm of conductor Gustavo Dudamel, the vocal performers, and the Los Angeles Philharmonic Orchestra for the material is palpable; and this sprawling score is clearly recorded. Time will tell whether concert-music big events like this one will have staying power, but there’s a lot to chew on here for anyone with the slightest liking for Adams and his democratic, synoptic musical world.

Tracklist:
01. Kelley O’Connor, Los Angeles Master Chorale, Los Angeles Philharmonic – Act 1, Scene 1, Jail/House Of Hospitality: ‘The Next Day In The City Jail’ (04:09)
02. Brian Cummings, Daniel Bubeck, Nathan Medley, Tamara Mumford, Los Angeles Philharmonic – Act 1, Scene 1, Jail/House Of Hospitality: ‘Now A Certain Woman Named Martha’ (02:44)
03. Brian Cummings, Daniel Bubeck, Nathan Medley, Tamara Mumford, Los Angeles Philharmonic – Act 1, Scene 2, Mary: ‘And She Had A Sister Named Mary’ (01:40)
04. Kelley O’Connor, Los Angeles Philharmonic – Act 1, Scene 2, Mary: ‘I Am Surprised That I Am Beginning To Pray Daily’ (03:25)
05. Los Angeles Master Chorale, Los Angeles Philharmonic – Act 1, Scene 2, Mary: ‘En un día de amor yo bajé hasta la tierra’ (04:16)
06. Brian Cummings, Daniel Bubeck, Nathan Medley, Los Angeles Philharmonic – Act 1, Scene 3, Lazarus: ‘Now A Certain Man Was Sick’ (04:00)
07. Los Angeles Philharmonic – Act 1, Scene 3, Lazarus: Lazarus Dies While The Sisters Await Jesus (02:03)
08. Tamara Mumford, Brian Cummings, Daniel Bubeck, Nathan Medley, Los Angeles Philharmonic – Act 1, Scene 3, Lazarus: ‘Why Standest Thou Afar Off, O Lord?’ (02:26)
09. Kelley O’Connor, Tamara Mumford, Brian Cummings, Daniel Bubeck, Nathan Medley, Los Angeles Philharmonic – Act 1, Scene 3, Lazarus: ‘In My Own Quietly Explosive Here’ (02:51)
10. Kelley O’Connor, Los Angeles Philharmonic – Act 1, Scene 3, Lazarus: ‘Don’t Touch My Left Arm’ (01:51)
11. Brian Cummings, Daniel Bubeck, Nathan Medley, Kelley O’Connor, Los Angeles Philharmonic – Act 1, Scene 3, Lazarus: ‘When Mary Was Come Where Jesus Was’ (03:42)
12. Brian Cummings, Daniel Bubeck, Nathan Medley, Los Angeles Master Chorale, Los Angeles Philharmonic – Act 1, Scene 3, Lazarus: ‘Jesus Said, Take Ye Away The Stone’ (01:52)
13. Brian Cummings, Daniel Bubeck, Nathan Medley, Los Angeles Philharmonic – Act 1, Scene 3, Lazarus: ‘And When He Thus Had Spoken’ (04:19)
14. Los Angeles Master Chorale, Los Angeles Philharmonic – Act 1, Scene 3, Lazarus: ‘Drop Down, Ye Heavens, From Above’ (03:07)
15. Brian Cummings, Daniel Bubeck, Nathan Medley, Los Angeles Philharmonic – Act 1, Scene 4, Supper At Bethany: ‘Then Jesus Six Days Before The Passover’ (00:42)
16. Russell Thomas, Los Angeles Philharmonic – Act 1, Scene 4, Supper At Bethany: ‘For The Grave Cannot Praise Thee’ (06:38)
17. Brian Cummings, Daniel Bubeck, Nathan Medley, Kelley O’Connor, Los Angeles Master Chorale, Los Angeles Philharmonic – Act 1, Scene 4, Supper At Bethany: ‘Then Took Mary A Pound Of Ointment’ (04:46)
18. Russell Thomas, Brian Cummings, Daniel Bubeck, Nathan Medley, Los Angeles Philharmonic – Act 1, Scene 5, Passover: ‘And There Were Some That Had Indignation’ (01:40)
19. Tamara Mumford, Brian Cummings, Daniel Bubeck, Nathan Medley, Los Angeles Philharmonic – Act 1, Scene 5, Passover: ‘We Know There Will Be No Utopias’ (05:19)
20. Russell Thomas, Los Angeles Philharmonic – Act 1, Scene 5, Passover: ‘Tell Me: How Is This Night Different’ (09:29)
21. Los Angeles Master Chorale, Los Angeles Philharmonic – Act 2: ‘Who Rips His Own Flesh Down The Seams’ (03:49)
22. Brian Cummings, Daniel Bubeck, Nathan Medley, Russell Thomas, Los Angeles Master Chorale, Los Angeles Philharmonic – Act 2, Scene 1, Police Raid: ‘Martha And Mary, Not Knowing’ (05:40)
23. Los Angeles Philharmonic – Act 2, Scene 2, Arrest Of The Women: Instrumental Introduction (02:25)
24. Tamara Mumford, Los Angeles Philharmonic – Act 2, Scene 2, Arrest Of The Women: ‘Up At Two A.M., Picketed All Day’ (01:29)
25. Tamara Mumford, Los Angeles Master Chorale, Los Angeles Philharmonic – Act 2, Scene 2, Arrest Of The Women: ‘The Said Defendants’ (02:54)
26. Los Angeles Master Chorale, Los Angeles Philharmonic – Act 2, Scene 2, Arrest Of The Women: ‘Jesús, incomparable perdonador de injurias’ (03:01)
27. Brian Cummings, Daniel Bubeck, Nathan Medley, Kelley O’Connor, Los Angeles Philharmonic – Act 2, Scene 3, Golgotha: ‘And They Were Come Unto A Place Called Golgotha’ (06:14)
28. Los Angeles Master Chorale, Los Angeles Philharmonic – Act 2, Scene 3, Golgotha: ‘Daughters Of Jerusalem, Weep Not For Me’ (03:03)
29. Tamara Mumford, Brian Cummings, Daniel Bubeck, Nathan Medley, Los Angeles Philharmonic – Act 2, Scene 3, Golgotha: ‘Now There Stood By The Cross Of Jesus’ (01:27)
30. Brian Cummings, Daniel Bubeck, Nathan Medley, Los Angeles Philharmonic – Act 2, Scene 3, Golgotha: ‘When Jesus Saw His Mother’ (02:12)
31. Kelley O’Connor, Los Angeles Philharmonic – Act 2, Scene 4, Night: ‘When The Rain Began To Fall’ (07:35)
32. Russell Thomas, Los Angeles Philharmonic – Act 2, Scene 4, Night: ‘His Son Cried Out To Him’ (01:32)
33. Brian Cummings, Daniel Bubeck, Nathan Medley, Los Angeles Philharmonic – Act 2, Scene 5, Burial/Spring: ‘Now In The Place Where He Was Crucified’ (04:34)
34. Los Angeles Philharmonic – Act 2, Scene 5, Burial/Spring: Mary Awakens On The Third Morning (02:08)
35. Kelley O’Connor, Los Angeles Master Chorale, Los Angeles Philharmonic – Act 2, Scene 5, Burial/Spring: ‘It Is Spring’ (04:01)
36. Kelley O’Connor, Tamara Mumford, Russell Thomas, Brian Cummings, Daniel Bubeck, Nathan Medley, Los Angeles Master Chorale, Los Angeles Philharmonic – Act 2, Scene 6, Earthquake And Recognition: “And, Behold, There Was A Great Earthquake’ (03:17)
37. Kelley O’Connor, Tamara Mumford, Russell Thomas, Brian Cummings, Daniel Bubeck, Nathan Medley, Los Angeles Master Chorale, Los Angeles Philharmonic – Act 2, Scene 6, Earthquake And Recognition: ‘Why Seek Ye The Living Among The Dead?’ (06:25)

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