Igor Levit – On DSCH (2021) [Official Digital Download 24bit/96kHz]

Igor Levit knows no half measures – it’s either all in or nothing. In 2019, he recorded Beethoven’s complete 32 piano sonatas for Sony Classical; in 2020, he played the longest work in music history in concert – Eric Satie’s 18-hour long Vexations; and then there were his daily concerts from his home during the first lockdown. Now comes a new musical extreme. With On DSCH, Levit embraces the 20th century, his own Russian roots, and turns to two composers who, like him, were much more than just musicians. The album is divided into two parts: It includes the complete 24 Preludes and Fugues, Op. 87, by Shostakovich, complemented by Ronald Stevenson’s homage to the Russian master, Passacaglia on DSCH. Levit acknowledges this connection and bridges the gap between these two Cold War artists with a project that leaves the listener breathless. As his friend and musicologist Anselm Cybinski would say, “nothing less than 360^0 totality.”

When Shostakovich heard the Well-Tempered Clavier in Leipzig in 1950, on the 200th anniversary of Bach’s death, he shortly thereafter decided to compose a modern equivalent. Unlike Bach, his 24 preludes and fugues are arranged in a circle of fifths rather than chromatically. His pieces focus less on complex compositional and formal features and more on the versatility of motifs as well as inner expression at a time when the composer was still struggling under Stalinism. Ten years later, Stevenson, a native of Scotland, composed Passacaglia on DSCH, a political statement at the height of the Cold War. Stevenson refers directly to Shostakovich by using the monogram D-S-C-H, which his elder (whose name is spelt ‘Schostakowitsch’ in German) had himself incorporated into several of his works. Throughout his nearly hour-long work, Stevenson explores the Russian composer’s leitmotif in a new and expanded way, and his variations build on each other, creating a kind of ‘perpetual motion’.

One could argue that this ever-turning musical wheel is Levit’s trademark. With incredible stamina, sustained energy and enormous dynamic and tonal flexibility, he gives each moment its own meaning, whether it be the powerful and mystical Passacaglia of Prelude No. 12 in G sharp minor or the much more provocative and almost dance-like Fugue No.15 in D flat major. Levit manages to unite these two extremes of Shostakovich’s work not only musically but also intellectually, but Stevenson is not to be outdone here: a work dedicated to the victims of the Holocaust (something which Levit also considers as one of his great callings in life), the Dies Irae that concludes the vast Triple Fugue Over Ground Bass is indusputably one of the other highlights of this triple CD.

Tracklist:
1. Igor Levit – Prelude No. 1 in C Major (02:37)
2. Igor Levit – Fugue No. 1 in C Major (02:32)
3. Igor Levit – Prelude No. 2 in A Minor (00:53)
4. Igor Levit – Fugue No. 2 in A Minor (01:26)
5. Igor Levit – Prelude No. 3 in G Major (01:49)
6. Igor Levit – Fugue No. 3 in G Major (01:51)
7. Igor Levit – Prelude No. 4 in E Minor (02:57)
8. Igor Levit – Fugue No. 4 in E Minor (04:45)
9. Igor Levit – Prelude No. 5 in D Major (01:28)
10. Igor Levit – Fugue No. 5 in D Major (01:48)
11. Igor Levit – Prelude No. 6 in B Minor (01:54)
12. Igor Levit – Fugue No. 6 in B Minor (04:57)
13. Igor Levit – Prelude No. 7 in A Major (01:13)
14. Igor Levit – Fugue No. 7 in A Major (02:11)
15. Igor Levit – Prelude No. 8 in F-Sharp Minor (01:12)
16. Igor Levit – Fugue No. 8 in F-Sharp Minor (07:11)
17. Igor Levit – Prelude No. 9 in E Major (02:06)
18. Igor Levit – Fugue No. 9 in E Major (01:36)
19. Igor Levit – Prelude No. 10 in C-Sharp Minor (02:10)
20. Igor Levit – Fugue No. 10 in C-Sharp Minor (05:27)
21. Igor Levit – Prelude No. 11 in B Major (01:05)
22. Igor Levit – Fugue No. 11 in B Major (02:00)
23. Igor Levit – Prelude No. 12 in G-Sharp Minor (04:31)
24. Igor Levit – Fugue No. 12 in G-Sharp Minor (03:45)
25. Igor Levit – Prelude No. 13 in F-Sharp Major (02:27)
26. Igor Levit – Fugue No. 13 in F-Sharp Major (04:45)
27. Igor Levit – Prelude No. 14 in E-Flat Minor (04:08)
28. Igor Levit – Fugue No. 14 in E-Flat Minor (02:44)
29. Igor Levit – Prelude No. 15 in D-Flat Major (02:34)
30. Igor Levit – Fugue No. 15 in D-Flat Major (01:33)
31. Igor Levit – Prelude No. 16 in B-Flat Minor (02:38)
32. Igor Levit – Fugue No. 16 in B-Flat Minor (07:29)
33. Igor Levit – Prelude No. 17 in A-Flat Major (01:39)
34. Igor Levit – Fugue No. 17 in A-Flat Major (03:40)
35. Igor Levit – Prelude No. 18 in F Minor (02:09)
36. Igor Levit – Fugue No. 18 in F Minor (03:03)
37. Igor Levit – Prelude No. 19 in E-Flat Major (02:15)
38. Igor Levit – Fugue No. 19 in E-Flat Major (02:26)
39. Igor Levit – Prelude No. 20 in C Minor (04:03)
40. Igor Levit – Fugue No. 20 in C Minor (05:12)
41. Igor Levit – Prelude No. 21 in B-Flat Major (01:16)
42. Igor Levit – Fugue No. 21 in B-Flat Major (02:42)
43. Igor Levit – Prelude No. 22 in G Minor (02:00)
44. Igor Levit – Fugue No. 22 in G Minor (03:12)
45. Igor Levit – Prelude No. 23 in F Major (02:24)
46. Igor Levit – Fugue No. 23 in F Major (04:02)
47. Igor Levit – Prelude No. 24 in D Minor (04:11)
48. Igor Levit – Fugue No. 24 in D Minor (09:23)
49. Igor Levit – Pars Prima: Sonata allegro (06:37)
50. Igor Levit – Pars Prima: Waltz in rondo-form (02:19)
51. Igor Levit – Pars Prima: Episode (01:09)
52. Igor Levit – Pars Prima: Suite. Prelude – Sarabande – Jig – Sarabande. Minuet – Jig – Gavotte – Polonaise (12:19)
53. Igor Levit – Pars Prima: Pibroch (Lament for the Children) (02:48)
54. Igor Levit – Pars Prima: Episode. Arabesque Variations (00:41)
55. Igor Levit – Pars Prima: Nocturne (01:59)
56. Igor Levit – Pars Altera: Reverie-Fantasy (05:30)
57. Igor Levit – Pars Altera: Fanfare – Forebodings. Alarm – Glimpse of a War-Vision (02:12)
58. Igor Levit – Pars Altera: Variations on “Peace, Bread & the Land” (1917) (02:08)
59. Igor Levit – Pars Altera: Symphonic March (01:55)
60. Igor Levit – Pars Altera: Episode (00:55)
61. Igor Levit – Pars Altera: Fandango (02:08)
62. Igor Levit – Pars Altera: Pedal-Point. “To emergent Africa” (02:03)
63. Igor Levit – Pars Altera: Central Episode. Études (03:42)
64. Igor Levit – Pars Altera: Variations in C Minor (03:41)
65. Igor Levit – Pars Tertia: Adagio. Tribute to Bach (01:57)
66. Igor Levit – Pars Tertia: Triple Fugue over Ground Bass: Subject I. Andamento (05:18)
67. Igor Levit – Pars Tertia: Triple Fugue over Ground Bass: Subject II. B A C H (07:02)
68. Igor Levit – Pars Tertia: Triple Fugue over Ground Bass: Subject III. Dies Irae (In memoriam the six million) (06:33)
69. Igor Levit – Pars Tertia: Final Variations on a Theme Derived from Ground. Adagissimo barocco (12:13)