Giuliano Carmignola, Sol Gabetta, Dejan Lazic – Beethoven: Triple Concerto (2015) [Official Digital Download 24bit/96kHz]

Giuliano Carmignola, Sol Gabetta, Dejan Lazic – Beethoven: Triple Concerto (2015)
FLAC (tracks) 24 bit/96 kHz | Time – 55:10 minutes | 942 MB | Genre: Classical
Studio Masters, Official Digital Download | Front Cover | © Sony Classical

Cello superstar Sol Gabetta teams up with the celebrated musicians Giuliano Carmignola, violin, and Dejan Lazić, piano, to form a formidably talented ensemble for this new all-Beethoven recording. They will be joined by conductor Giovanni Antonini and the Kammerorchester Basel, a team who have great pedigree recording Beethoven’s works to critical acclaim.

The centrepiece of this album is Beethoven’s ‘Triple Concerto’, the Concerto for Violin, Cello and Piano in C Major, Op. 56. The choice of the three solo instruments effectively makes this a concerto for piano trio, and it is the only concerto Beethoven ever completed for more than one solo instrument.

The album also includes a number of Beethoven’s most well-known overtures. The famous Coriolan Overture features alongside ‘The Creatures of Prometheus’ and the Egmont overtures.

The three soloists in the Beethoven Triple Conecerto in C major, Op. 56, are all attractive players in their own right, and they display lively, agile ensemble work here. Cellist Sol Gabetta in particular, emerging as a major star on her instrument, brings a lightness and clarity to the melodies of this work that is so often laden down with more weight than it can bear. (The work looks back to Beethoven’s first period more than forward to the Violin Concerto in D major, Op. 61.) But the real star is conductor Giovanni Antonini, leading the Basel Chamber Orchestra, who keeps the music moving along and brings it the transparency it so often lacks. The three overtures that bracket the Triple Concerto are much more than filler; Antonini brings an urgent trajectory to the Egmont Overture, Op. 84 (sample track 5), especially, with tempo shifts and razor-sharp instrumental turning points that perhaps take the piece away from the monumental tone of the Goethe play to which it is attached, but sound like no other version you’ve heard. If there’s any complaint, it’s that the Egmont Overture would have made a better conclusion than the Coriolan Overture, Op. 62, which is also well done but is a less self-contained piece. Impressive, even essential Beethoven that has absorbed the lessons of the historical-performance movement.

Tracklist:
1-01. Giovanni Antonini – Die Geschöpfe des Prometheus, Op. 43: Overture (05:02)
1-02. Sol Gabetta;Giuliano Carmignola;Dejan Lazic – Concerto for Violin, Cello, and Piano in C Major, Op. 56, “Triple Concerto”: I. Allegro (17:11)
1-03. Sol Gabetta;Giuliano Carmignola;Dejan Lazic – Concerto for Violin, Cello, and Piano in C Major, Op. 56, “Triple Concerto”: II. Largo (04:48)
1-04. Sol Gabetta;Giuliano Carmignola;Dejan Lazic – Concerto for Violin, Cello, and Piano in C Major, Op. 56, “Triple Concerto”: III. Rondo alla Polacca (13:12)
1-05. Giovanni Antonini – Egmont, Op. 84: Overture (07:25)
1-06. Giovanni Antonini – Coriolan Overture, Op. 62 (07:30)

Personnel:
Kammerorchester Basel:
Giuliano Carmignola, violin
Sol Gabetta, cello
Dejan Lazic, piano
Giovanni Antonini, direction

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