Christian Senn, laBarocca & Ruben Jais – The Solo Cantatas for Bass (2018) [Official Digital Download 24bit/48kHz]

Christian Senn, laBarocca & Ruben Jais – The Solo Cantatas for Bass (2018)
FLAC (tracks) 24 bit/48 kHz | Time – 54:24 minutes | 601 MB | Genre: Classical
Studio Masters, Official Digital Download | Front Cover | © Glossa

Of Bach’s two known religious cantatas and 15 known profane cantatas, only two make use of bass in the vocal section: the famous 1727 BWV 82 Ich habe genug, which has been recycled for various different vocal soloists over the years, and Ich will den Kreuzstab gerne tragen BWV 56 from 1726. In order to avoid putting out just another recording of these cantatas with the same programme as the dozens which have been recorded over nearly sixty years (by such artists as Hans Hotter, Dietrich Fischer-Dieskau, Gérard Souzay, Gerhard Hüsch, Hermann Prey, John Shirley-Quirk, Bernard Kruysen, Philippe Huttenlocher, Max von Egmond, Siegfried Lorenz, Siegmund Nimsgern, Matthias Goerne, Thomas Quasthoff…), even though this new version is sung by Christian Senn, a little originality is needed. And that’s what we have here. In addition to the two hits mentioned above, we have the rare cantata BWV 158 Der Friede sei mit dir – we don’t know the exact date it was written, possibly Weimar around 1715, or perhaps only around 1730 in Leipzig. This piece is surely a re-working of an older, lost cantata. Some sources give it as the “cantata for bass and soprano” but in reality this is a serious error of observation: for sure, the aria which makes up the second movement is clearly marked Aria & Chorale, the chorale being restricted to the soprano register, but in reality it was to be sung by “one or several sopranos in the choir”, and certainly not for a solo voice. So it’s a cantata (unfinished or incomplete) for solo bass, and so this record is a kind of complete collection of Bach’s three cantatas for this vocal line-up.

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Christian Sedelmyer – Ravine Palace (2020) [Official Digital Download 24bit/96kHz]

Christian Sedelmyer – Ravine Palace (2020)
FLAC (tracks) 24 bit/96 kHz | Time – 01:05:41 minutes | 1,30 GB | Genre: Country
Studio Masters, Official Digital Download | Front Cover | © Tasty Note Records

Grammy nominated fiddle player Christian Sedelmyer’s self-produced debut album Ravine Palace is a string band experience, meant to be heard as a journey through time and emotion. The record of 13 instrumental songs, all penned by Sedelmyer, both demonstrates his melodic sensibility as a writer and displays the collaborative setting in which his innovation and playfulness as an instrumentalist truly comes alive.

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Christian Scott aTunde Adjuah – The Emancipation Procrastination (2017) [Official Digital Download 24bit/88,2kHz]

Christian Scott aTunde Adjuah – The Emancipation Procrastination (2017)
FLAC (tracks) 24 bit/88,2 kHz | Time – 01:03:52 minutes | 1,22 GB | Genre: Jazz
Studio Masters, Official Digital Download | Front Cover | © Ropeadope

Trumpeter and Innovator Christian Scott delivers the final part of his 2017 Jazz Centennial trilogy with Emancipation Procrastination. This album reflects the Social and Political issues of our times, delivering healing. The title track is a beautiful mid tempo piece on which Scott and his band play haunting melodies. ‘Ashes of our forever’ is in a darker mood. ‘In the Beginning’ is a percussion led track. ‘Michele With One L’ is a lovely melodic track. ‘Gerrymandering Game’ is a short head nodding groove. ‘Unrigging November’, ‘Cages’ and the excellent ‘New Heroes’ are long tracks (30 mins between them) where the musicians have the chance to really play. This is Christian Scott’s most accessible album to date, check him out.

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Christian Scott – Stretch Music (2015) [Official Digital Download 24bit/88,2kHz]

Christian Scott – Stretch Music (2015)
FLAC (tracks) 24 bit/88,2 kHz | Time – 51:01 minutes | 1,12 GB | Genre: Jazz
Studio Masters, Official Digital Download | Front Cover | © Stretch Music

Christian Scott, also known as Christian Scott aTunde Adjuah is a two-time Edison Award winning (2010 and 2012) and Grammy Award nominated jazz trumpeter, composer and producer. The Fall of 2015 marks Christian’s debut release on Ropeadope titled Christian Scott Stretch Music. The album demonstrates of Stretch music compositions that is sure to be an impactful statement of the genre.

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Christian Scott – Ruler Rebel (2017) [Official Digital Download 24bit/88,2kHz]

Christian Scott – Ruler Rebel (2017)
FLAC (tracks) 24 bit/88,2 kHz | Time – 35:44 minutes | 693 MB | Genre: Jazz
Studio Masters, Official Digital Download | Front Cover | © Stretch Music

There are fortunately a lot of jazz musicians working to revitalize the idiom by pushing it into new and exciting places, and there are few of them doing that as aggressively and compellingly as Christian Scott aTunde Adjuah. He is a two-time Edison Award winning and Grammy Award nominated jazz trumpeter, composer and producer. “Ruler Rebel” is his first in a three-album series collectively titled “The Centennial Trilogy”.

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Christian Scott – Christian aTunde Adjuah (2012/2015) [Official Digital Download 24bit/88,2kHz]

Christian Scott – Christian aTunde Adjuah (2012/2015)
FLAC (tracks) 24 bit/88,2 kHz | Time – 01:59:07 minutes | 2,45 GB | Genre: Jazz
Studio Masters, Official Digital Download | Front Cover | © Concord Jazz

‘Christian Scott isn’t your typical jazz musician…The trumpet phenom is creating jazz for a younger generation…’ (New York Magazine)

‘Christian Scott ushers in new era of jazz’ (NPR)

‘Jazz’s young style God’ (JazzTimes)

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Christian Sands – REACH (2017) [Official Digital Download 24bit/44,1kHz]

Christian Sands – REACH (2017)
FLAC (tracks) 24 bit/44,1 kHz | Time – 01:05:49 minutes | 720 MB | Genre: Jazz
Studio Masters, Official Digital Download | Front Cover | © Mack Avenue Records

With his debut Mack Avenue Records recording, REACH, singularly talented pianist and five-time Grammy Award nominee Christian Sands is stretching into exciting progressive territory as he breaks new ground traversing from the straight-ahead zone into fresh-sounding music influenced by a range of styles, from Afro-Cuban rhythms to hip-hop beats to dirty blues with an edge.

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Christian Sands – Be Water (2020) [Official Digital Download 24bit/96kHz]

Christian Sands – Be Water (2020)
FLAC (tracks) 24 bit/96 kHz | Time – 01:04:29 minutes | 1,29 GB | Genre: Jazz
Studio Masters, Official Digital Download | Front Cover | © Mack Avenue Records

A small opus which rises from within, “Intro,” unassuming title and all, begins Be Water, a true wealth of music which pianist Christian Sands has designed to flow not only like the awe-inspiring, fear-inducing title element, but like mercy, freely and without boundary.

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Christian Poltéra & Kathryn Stott – R. Schumann, C. Schumann & Brahms: Sonatas & Songs (2020) [Official Digital Download 24bit/96kHz]

Christian Poltéra & Kathryn Stott – R. Schumann, C. Schumann & Brahms: Sonatas & Songs (2020)
FLAC (tracks) 24 bit/96 kHz | Time – 01:05:17 minutes | 1,13 GB | Genre: Classical
Studio Masters, Official Digital Download | Front Cover | © BIS

During the eighteenth century the cello gradually emerged from the anonymity of the continuo group, and by the beginning of the Romantic era the instrument had become an indispensable tool for composers. Robert Schumann, who had himself taken cello lessons, was very fond of it, describing is as a ‘beautiful instrument’; and Johannes Brahms, who acquired considerable skill as a cellist, praised its ‘masculine, serious character’. It is therefore to be hoped that neither composer would object to Christian Poltéra’s sensitive adaptations of their works.

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Christian Olivier – Prévert (2017) [Official Digital Download 24bit/44,1kHz]

Christian Olivier – Prévert (2017)
FLAC (tracks) 24 bit/44,1 kHz | Time – 47:44 minutes | 493 MB | Genre: Chanson
Studio Masters, Official Digital Download | Front Cover | © Universal Music Division Mercury Records

A l’occasion des trente ans de la disparition de Jacques Prévert, Christian Olivier a décidé de lui rendre hommage au travers d’un album composé de 15 titres. En enregistrant de nouvelles musiques, Christian Olivier présente un nouveau regard sur le poète, l’auteur qu’était Jacques Prévert. Il est parfois accompagné de Yolande Moreau avec qui il partira sur scène pour présenter un spectacle autour de Prévert. / On the occasion of the thirty years of the disappearance of Jacques Prévert, Christian Olivier has decided to pay tribute to him through an album consisting of 15 tracks. In the midst of recording new music, Christian Olivier presents a new look at the poet, the author was Jacques Prévert. Sometimes he is accompanied by Yolande Moreau with whom he will go on stage to present a show about Prévert.

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Christian Meyers Quintet – East Autumn (2012) [Official Digital Download 24bit/44,1kHz]

Christian Meyers Quintet – East Autumn (2012)
FLAC (tracks) 24 bit/44,1 kHz | Time – 57:39 minutes | 640 MB | Genre: Jazz
Studio Masters, Official Digital Download | Front Cover | © Neuklang

There are a lot of headaches that come with this gig. Deadlines, interviews and in some cases reviewing a greater variety of releases than some major publications. As a one man band this gig can work your last nerve at times.

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Christian McBride, Javon Jackson, Jimmy Cobb, Cedar Walton – New York Time (2006) [Official Digital Download 24bit/96kHz]

Christian McBride, Javon Jackson, Jimmy Cobb, Cedar Walton – New York Time (2006)
FLAC (tracks) 24 bit/96 kHz | Time – 59:04 minutes | 1,20 GB | Genre: Jazz
Studio Masters, Official Digital Download | Front Cover | © Chesky Records

New York Time offers jazz fans a wonderful opportunity to hear two rising stars of the genre (McBride, Jackson) performing with two respected elders (Cobb, Walton). The past also meets the present in other exciting ways on this recording. The set is highlighted by several of Walton’s original compositions and a cover of the legendary John Coltrane’s “Naima”. Meanwhile, McBride’s acoustic bass talents are spotlighted on his self-written composition “Grove” (for trumpeter Roy Hargrove) and Jackson represents the new vanguard of jazz with his own tune titled “Notes in Three”.

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Christian McBride Big Band – The Good Feeling (2011) [Official Digital Download 24bit/96kHz]

Christian McBride Big Band – The Good Feeling (2011)
FLAC (tracks) 24 bit/96 kHz | Time – 01:10:29 minutes | 1,30 GB | Genre: Jazz
Studio Masters, Official Digital Download | Front Cover | © Mack Avenue Records

The Good Feeling is a studio album by the Christian McBride Big Band. It won the Grammy Award for Best Large Jazz Ensemble Album at the 54th Annual Grammy Awards in 2012. The record was released on September 27, 2011 via the Mack Avenue label.

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Christian McBride Big Band – For Jimmy, Wes and Oliver (2020) [Official Digital Download 24bit/96kHz]

Christian McBride Big Band – For Jimmy, Wes and Oliver (2020)
FLAC (tracks) 24 bit/96 kHz | Time – 01:11:52 minutes | 1,43 GB | Genre: Jazz
Studio Masters, Official Digital Download | Front Cover | © Mack Avenue Records

Christian McBride solidifies his role as the champion of the past, present and future of jazz with his GRAMMY® Award-winning Big Band’s new album in tribute to Jimmy Smith, Wes Montgomery and Oliver Nelson. Featuring special guests Joey DeFrancesco and Mark Whitfield, “For Jimmy, Wes and Oliver” honors the historical legacy of the jazz legends who shaped the soul of music for generations to come.

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Christian McBride & Inside Straight – Live at the Village Vanguard (2021) [Official Digital Download 24bit/96kHz]

Christian McBride & Inside Straight – Live at the Village Vanguard (2021)
FLAC (tracks) 24 bit/96 kHz | Time – 01:19:49 minutes | 1,65 GB | Genre: Jazz
Studio Masters, Official Digital Download | Front Cover | © Mack Avenue Records

This record is the fruit of McBride’s long association with the Vanguard, where his first appearance as a leader for the historic club was in 1995. In 2007, the bassist and charismatic club owner Lorraine Gordon started an annual one-week residency, which featured McBride’s quintet, Inside Straight. “Lorraine enjoyed my trio and my quintet, Inside Straight. We had such large crowds, so after a few years with such supportive audiences, we added an extra week. Instead of doing the same band for two weeks, I just started bringing in a different band. This has been an ongoing relationship that I look forward to maintaining as long as I can.”

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