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Dan Nimmer Trio – Modern Day Blues (2010) [Japan 2016]
SACD Rip | SACD ISO | DSD64 2.0 > 1-bit/2.8224 MHz | 67:08 minutes | Front/Rear Covers | 2,7 GB
or DSD64 2.0 (from SACD-ISO to Tracks.dsf) > 1-bit/2.8224 MHz | Front/Rear Covers | 2,65 GB
or FLAC (carefully converted & encoded to tracks) 24bit/88,2 kHz | Front/Rear Covers | 1,37 GB
Dan Nimmer is an American jazz pianist and composer. “Modern Day Blues”, his fourth album for Venus Records, is another winning trio date, this time with his contemporary band mates – bassist David Wong and drummer Pete Van Nostrand. The program has a few standards, but the bulk of it consists of attractive compositions by jazz musicians, including cool gems like “Out of the Past” by Benny Golson, “Le Coiffeur” by Dexter Gordon and “Uh Huh” by Hank Mobley. Nimmer closes the program with his “Modern-Day Blues”, a powerful modal blues and definitely a highlight of this satisfying release. Recommended to fans of straight-ahead piano trio music.
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Dan Nimmer Trio – Kelly Blue (2007) [Japan 2016]
SACD Rip | SACD ISO | DSD64 2.0 > 1-bit/2.8224 MHz | 56:53 minutes | Front/Rear Covers | 2,31 GB
or DSD64 2.0 (from SACD-ISO to Tracks.dsf) > 1-bit/2.8224 MHz | Front/Rear Covers | 2,25 GB
or FLAC (carefully converted & encoded to tracks) 24bit/48 kHz | Front/Rear Covers | 697 MB
Dan Nimmer is an American jazz pianist and composer. As the title suggests, Nimmer’s second release for Venus Records is a tribute to Wynton Kelly, who was a swingy, bluesy and funky genius and a groove master who worked with Miles Davis and others. Jimmy Cobb, the veteran drummer who played with Kelly in the historic “Kind of Blue” session, bridges the two generations and validates Nimmer’s efforts with his impeccable groove.
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Dan Nimmer Trio – Horizons (2019) [Venus Japan]
SACD Rip | SACD ISO | DSD64 2.0 > 1-bit/2.8224 MHz | 63:21 minutes | Front/Rear Covers | 2,55 GB
or DSD64 2.0 (from SACD-ISO to Tracks.dsf) > 1-bit/2.8224 MHz | Front/Rear Covers | 2,5 GB
or FLAC (carefully converted & encoded to tracks) 24bit/96 kHz | Front/Rear Covers | 1,47 GB
The Dan Nimmer’s Trio 2019’s release for Japanese Venus Records label. The trio consisting of pianist Dan Nimmer, bassist David Wong, and drummer Pete Van Nostrand perform nine jazz tunes including “On Green Dolphin Street” and Johnny Mandel’s “Theme from M.A.S.H. (Suicide is Painless)”.
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Dan Nimmer Trio – All The Things You Are (2012) [Japan 2018]
SACD Rip | SACD ISO | DSD64 2.0 > 1-bit/2.8224 MHz | 54:14 minutes | Front/Rear Covers | 2,18 GB
or DSD64 2.0 (from SACD-ISO to Tracks.dsf) > 1-bit/2.8224 MHz | Front/Rear Covers | 2,14 GB
or FLAC (carefully converted & encoded to tracks) 24bit/96 kHz | Front/Rear Covers | 1,27 GB
Dan Nimmer is an American jazz pianist and composer. An old soul in a young body, Dan Nimmer plays with the spirit, the passion and the soul of someone who has been on the planet much longer. With prodigious technique and an innate sense of swing, his playing often recalls that of his own heroes, specifically Oscar Peterson, Wynton Kelly, Erroll Garner and Art Tatum. This release from Venus includes such standards as “The Shadow Of Your Smile”, “Night and Day”, “So In Love”, “Fly Me To The Moon”, and more! Recommended to fans of straight-ahead piano trio music.
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Danilo Rea Trio – Romantica (2005) [Japan 2017]
SACD Rip | SACD ISO | DSD64 2.0 > 1-bit/2.8224 MHz | 72:39 minutes | Front/Rear Covers | 2,96 GB
or FLAC(converted with foobar2000 to tracks) 24bit/88,2 kHz | Front/Rear Covers | 1,48 GB
Italian pianist Danilo Rea started playing jazz in 1975 with the well-known Trio di Roma. Through the years he’s worked with Chet Baker, Lee Konitz, Bob Berg, Michael Brecker, Tony Oxley, Dave Liebman, Kenny Wheeler and John Scofield. Here he’s accompanied by accomplished jazz players Ares Tavolazzi and Roberto Gatto. Romantic Italian Jazz performed by accomplished Jazz players.
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Daniel Chorzempa – Bach-Liszt: Organ Works (1970/2005)
PS3 Rip | SACD ISO | DST64 2.0 & DST64 4.0 >1-bit/2.8224 MHz | Front Cover | 2.71 GB
FLAC tracks 2.0 24bit/88.2 kHz | Front Cover | 1.03 GB
This SACD from PentaTone was recorded originally in 1970, not long after he’d made his official debut as an organist. (His organ recitals are notable for being played from memory.) The performances were taken down in the then-new quadraphonic system & released on Philips LPs. But of course quadraphonic LPs were a less than ideal carrier for the 4ch sound on the tapes. Fortunately PentaTone, a company founded by ex-Philips personnel, has been reissuing quad recordings on SACDs remastered from those tapes & they sound spectacularly lifelike. They are, of course, in 4ch sound, not the 6ch that the modern SACD system is capable of.
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Dan Gibson – Thunderstorm: A Surround Sound Experience (2004)
PS3 Rip | SACD ISO | DSD64 2.0 & DST64 5.1 > 1-bit/2.8224 MHz | 52:39 minutes | Scans included | 4,01 GB
Features 2.0 Stereo & 5.1 multichannel Surround sound
Thunderstorm: A Surround Sound Experience SACD will completely transform any living space into the heart of a crackling thunderstorm. Specially designed and produced for SACD (Super Audio Compact Disc), but playable on any standard CD player, you will experience 64 times the clarity, depth, and audio resolution of a traditional CD. And featuring true 5.1 high-resolution surround sound, this Solitudes Thunderstorm SACD offers an audio experience like no other. It really is the next best thing to being there. While this is a continuous play, uninterrupted program, six track points have been created to allow for easy access to preferred sections. This way you can choose to listen to the wildlife and distant birdcalls take cover as the storm rolls in or you can advance to the peak of the storm where the wildlife is silent and all you hear is the thunder and rain.
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Dan Gibson – Songbirds: A Surround Sound Experience (2007)
PS3 Rip | SACD ISO | DST64 2.0 & 5.1 > 1-bit/2.8224 MHz | 71:45 minutes | Scans included | 3,54 GB
Features 2.0 Stereo & 5.1 multichannel Surround sound
Songbirds: A Surround Sound Experience is a program that will completely transform any living space — immersing the listener in the melodious world of songbirds. With 64 times the clarity, depth and audio resolution of a traditional CD, and featuring true 5.1 high-resolution surround sound, this Solitudes SACD is an audio experience like no other. It really is the next best thing to being there.
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Dan Gibson – Ocean Surf: A Surround Sound Experience (1995) [Reissue 2005]
PS3 Rip | SACD ISO | DST64 2.0 & 5.1 > 1-bit/2.8224 MHz | 63:06 minutes | Scans included | 3,87 GB
Features 2.0 Stereo & 5.1 multichannel Surround sound
The Ocean Surf: A Surround Sound Experience SACD by Solitudes will completely transform any living space into a spectacular seashore. Specially designed and produced for SACD, but playable on any standard CD player, you will experience 64 times the clarity, depth, and audio resolution of a traditional CD. And featuring true 5.1 high-resolution surround sound, this Solitudes Ocean Surf SACD offers an audio experience like no other. It really is the next best thing to being there.
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Dana Winner – Unforgettable Too (2002)
PS3 Rip | SACD ISO | DST64 2.0 & 5.1 > 1-bit/2.8224 MHz | 61:32 minutes | Scans included | 4,34 GB
or FLAC 2.0 Stereo (converted with foobar2000 to tracks) 24bit/88,2 kHz | Scans included | 1,25 GB
Features 2.0 Stereo and 5.1 multichannel surround sound
Dana Winner is the stage name of Chantal Vanlee. She is a Belgian singer who is famous especially in Flanders and the Netherlands. After her first success, Dana Winner also became well known in Germany and South Africa. At the end of the 1990s, she began singing in other languages and did not release an album in Dutch between 2000 and 2006.
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Dana Winner – Unforgettable (2001)
PS3 Rip | SACD ISO | DST64 2.0 & 5.1 > 1-bit/2.8224 MHz | 63:17 minutes | Scans included | 4,16 GB
or FLAC 2.0 Stereo (converted with foobar2000 to tracks) 24bit/88,2 kHz | 62:12 mins | Scans | 1,26 GB
Features Stereo and Multichannel surround sound
Dana Winner is the stage name of Chantal Vanlee. She is a Belgian singer who is famous especially in Flanders and the Netherlands. After her first success, Dana Winner also became well known in Germany and South Africa. At the end of the 1990s, she began singing in other languages and did not release an album in Dutch between 2000 and 2006.
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Dana Winner – Beautiful Life (2005)
PS3 Rip | SACD ISO | DST64 2.0 & 5.1 > 1-bit/2.8224 MHz | 48:34 minutes | Scans included | 2,96 GB
or FLAC 2.0 Stereo (converted with foobar2000 to tracks) 24bit/88,2 kHz | Scans included | 0,97 GB
Features 2.0 Stereo and 5.1 multichannel surround sound
Dana Winner is the stage name of Chantal Vanlee. She is a Belgian singer who is famous especially in Flanders and the Netherlands. After her first success, Dana Winner also became well known in Germany and South Africa. At the end of the 1990s, she began singing in other languages and did not release an album in Dutch between 2000 and 2006.
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Dana Winner – 10 Jaar: Het allerbeste van Dana Winner (2003)
SACD Rip | SACD ISO | DST64 2.0 & 5.1 > 1-bit/2.8224 MHz | 64:40 minutes | Scans included | 4,6 GB
or FLAC 2.0 Stereo(converted with foobar2000 to tracks) 24bit/96 kHz | Full Scans included | 1,61 MB
Features Stereo and Multichannel Surround Sound / EMI Music Belgium # 593678-2
Dana Winner is the stage name of Chantal Vanlee. She is a Belgian singer who is famous especially in Flanders and the Netherlands. After her first success, Dana Winner also became well known in Germany and South Africa. At the end of the 1990s, she began singing in other languages. “10 Jaar: Het allerbeste van Dana Winner” (“10 Years: The Best of” compilation) features the songs, performed mostly on her native language.
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David Bowie – The Rise and Fall of Ziggy Stardust and the Spiders from Mars 2003 (1972) [SACD 2003]
PS3 Rip | ISO | SACD DST64 2.0 & DST64 5.1 > 1-bit/2.8224 MHz | 38:47 minutes | Scans included | 2,50 GB
or FLAC 2.0 Stereo (converted with foobar2000 to tracks) 24bit/88,2 kHz | 38:31 min | Scans included | 810 MB
Features 2.0 Stereo and 5.1 multichannel surround.
Borrowing heavily from Marc Bolan’s glam rock and the future shock of A Clockwork Orange, David Bowie reached back to the heavy rock of The Man Who Sold the World for The Rise and Fall of Ziggy Stardust and the Spiders from Mars. Constructed as a loose concept album about an androgynous alien rock star named Ziggy Stardust, the story falls apart quickly, yet Bowie’s fractured, paranoid lyrics are evocative of a decadent, decaying future, and the music echoes an apocalyptic, nuclear dread. Fleshing out the off-kilter metallic mix with fatter guitars, genuine pop songs, string sections, keyboards, and a cinematic flourish, Ziggy Stardust is a glitzy array of riffs, hooks, melodrama, and style and the logical culmination of glam. Mick Ronson plays with a maverick flair that invigorates rockers like “Suffragette City,” “Moonage Daydream,” and “Hang Onto Yourself,” while “Lady Stardust,” “Five Years,” and “Rock ‘n’ Roll Suicide” have a grand sense of staged drama previously unheard of in rock & roll. And that self-conscious sense of theater is part of the reason why Ziggy Stardust sounds so foreign. Bowie succeeds not in spite of his pretensions but because of them, and Ziggy Stardust — familiar in structure, but alien in performance — is the first time his vision and execution met in such a grand, sweeping fashion.
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David Bowie – Scary Monsters (1980) [SACD 2003]
PS3 Rip | ISO | SACD DSD64 2.0 > 1-bit/2.8224 MHz | 45:29 minutes | Scans included | 1,84 GB
or FLAC(converted with foobar2000 to tracks) 24bit/88,2 kHz | Scans included | 968 MB
David Bowie returned to relatively conventional rock & roll with Scary Monsters, an album that effectively acts as an encapsulation of all his ’70s experiments. Reworking glam rock themes with avant-garde synth flourishes, and reversing the process as well, Bowie creates dense but accessible music throughout Scary Monsters. Though it doesn’t have the vision of his other classic records, it wasn’t designed to break new ground — it was created as the culmination of Bowie’s experimental genre-shifting of the ’70s. As a result, Scary Monsters is Bowie’s last great album. While the music isn’t far removed from the post-punk of the early ’80s, it does sound fresh, hip, and contemporary, which is something Bowie lost over the course of the ’80s.
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