Genre: R&B
Duration: 1:02:12
Year: 2015
Quality: WEB DL 1080p
Container: TS
Video codec: H.264
Audio codec: AAC
Video: MPEG4 Video (H264) 1920×1080 29.97fps 9000 Kbps
Audio: AAC 48000Hz stereo 264kbps
Setlist:
Prisoner
Losers
Tell Your Friends
Often
Drunk in Love (Beyonce cover)
Love Me Harder
(Ariana Grande cover)
Crew Love (Drake cover)
Or Nah (Ty Dolla $ign cover)
The Morning
House of Balloons/Glass Table Girls
Earned It
Can’t Feel My Face
The Hills
Encore:
High For This
Wicked Games (more…)
Genre: Country
Duration: 00:29:52
Year: 2015
Quality: WEB DL 1080p
Container: TS
Video codec: H.264
Audio codec: AAC
Video: MPEG4 Video (H264) 1920×1080 29.97fps 9000 Kbps
Audio: AAC 48000Hz stereo 258kbps
Setlist:
Nashville Grey Skies
All Over Again
State Lines
I Just Wanna Love You
Friday Night
Jekyll and Hyde
Tonight (more…)
Genre: Pop
Duration: 00:27:53
Year: 2015
Quality: WEB DL 1080p
Container: TS
Video codec: H.264
Audio codec: AAC
Video: MPEG4 Video (H264) 1920×1080 29.97fps 8500 Kbps
Audio: AAC 48000Hz stereo 263kbps
Setlist:
We Don’t Give A
Inhale Exhale
Adore You
So Good
In The Morning
Zillionaire
Firefly (more…)
Genre: Folk Rock
Duration: 1:19:42
Year: 2015
Quality: WEB DL 1080p
Container: TS
Video codec: H.264
Audio codec: AAC
Video: MPEG4 Video (H264) 1920×1080 29.97fps 9000 Kbps
Audio: AAC 48000Hz stereo 255kbps
Setlist:
Snake Eyes
Believe
Wilder Mind
I Will Wait
Lover of the Light
Thistle & Weeds (Extended Intro)
Monster
Tompkins Square Park
Sweet Dreams (Are Made of This) (Eurythmics cover) (with Jack Garratt)
Cold Arms (Acoustic, performed without microphones)
The Cave
Ditmas
Dust Bowl Dance (Extended Intro)
Encore:
Hot Gates
Little Lion Man
The Wolf (more…)
Genre: Neo soul, Pop
Duration: 00:30:12
Year: 2015
Quality: WEB DL 1080p
Container: TS
Video codec: H.264
Audio codec: AAC
Video: MPEG4 Video (H264) 1920×1080 29.97fps 8500 Kbps
Audio: AAC 48000Hz stereo 254kbps
Setlist:
Whole
Jump Hi
Wonder Woman
Jungle Lady
Impossible
Mardi Gras
Where Do We Go
Treat Me Like Fire (more…)
Genre: Soul, gospel
Duration: 00:32:10
Year: 2015
Quality: WEB DL 1080p
Container: TS
Video codec: H.264
Audio codec: AAC
Video: MPEG4 Video (H264) 1920×1080 29.97fps 8900 Kbps
Audio: AAC 48000Hz stereo 259kbps
Setlist:
River
Smooth Sailin’
Brown Skin Girl
Pull Away
Better Man
Flowers
Lisa Sawyer
Twistin’ & Groovin’
Coming Home (more…)
Genre: Electronic, Pop
Duration: 00:31:51
Year: 2015
Quality: WEB DL 1080p
Container: TS
Video codec: H.264
Audio codec: AAC
Video: MPEG4 Video (H264) 1920×1080 29.97fps 9000 Kbps
Audio: AAC 48000Hz stereo 258kbps
Setlist:
Synesthesia, Part 1
Chemical
The Love You’re Given
Weathered
Latch
(Sam Smith cover)
Worry (more…)
Genre: Pop
Duration: 00:33:10
Year: 2015
Quality: WEB DL 1080p
Container: TS
Video codec: H.264
Audio codec: AAC
Video: MPEG4 Video (H264) 1920×1080 29.97fps 8502 Kbps
Audio: AAC 48000Hz stereo 256kbps
Setlist:
Some Type of Love
I Won’t Tell a Soul
One Call Away
Marvin Gaye
How Deep Is Your Love (Calvin Harris cover)
Suffer
See You Again (more…)
Tove Lo – Queen Of The Clouds (2014) [Blueprint Edition 2015]
FLAC (tracks) 24-bit/44,1 kHz | Time – 1:11:14 minutes | 914 MB | Genre: Pop
Studio Master, Official Digital Download – Source: HDTracks | @ Island Records
Swedish superstar Tove Lo has enchanted audiences across the world with her unique brand of confessional electro-pop. Following the immense success of Queen Of The Clouds Tove Lo is rereleasing her debut album to coincide with her first U.S. Headline Tour. Queen Of The Clouds gained pick up at Rolling Stone, Billboard, and many more. iHeart Radio ON THE VERGE Artist, multiplatinum selling superstar, and touring across all major festivals this summer, Tove Los rerelease is sure to keep fans begging for more. (more…)
Read moreTigran Hamasyan – Luys I Luso (2015)
FLAC (tracks) 24-bit/96 kHz | Time – 76:03 minutes | 1,17 GB | Genre: Jazz
Studio Master, Official Digital Download – Source: ProStudioMasters | Artwork: Digital booklet | @ ECM Records
Pianist Tigran Hamasyan’s Luys I Luso (“Light from the Light”) is an extraordinary exploration of Armenian sacred music, hymns and sharakans (Armenia’s liturgical songs) as well as chants, all arranged for voices and piano. This music of the 5th to 19th centuries is given new and dramatic expression through Hamasyan’s improvisational imagination and committed performances from Armenia’s leading choir, the Yerevan State Chamber Choir. Hamasayan has long been deeply interested in Armenian sacred music, increasingly drawn to its “incredibly beautiful melodies”. (more…)
Read moreVaughan Jones – The Hidden Violin: Romantic Virtuoso Works for Solo Violin (2014)
FLAC (tracks) 24 bit/96 kHz | Time – 57:32 minutes | 1,05 GB | Genre: Classical
Studio Master, Official Digital Download – Source: HDTracks | @ First Hand Records
Recorded September 2013 at Monkswood Studios in Waltham Abbey, UK.
This recording aims to cast a spotlight on some of the remarkable, yet forgotten music written for the solo violin between c.1840 and 1919. The long shadow of JS Bach and his own Partitas and Sonatas for Solo Violin looms over some of the works contained on this disc, yet many of the movements liberate themselves from this influence, displaying a resourcefulness and an array of moods that draw the listener into what can otherwise be the precariously narrow sound world of the solo violin. Many of the pieces have never been recorded before and some, particularly the Second Godard Sonata and Saint-Lubin Fantaisie, deserve to take their place beside Bach, Bartók and Ysaÿe as interesting additions to the central works in the solo violin repertoire.
Read moreThe Helio Sequence – The Helio Sequence (2015)
FLAC (tracks) 24 bit/96 kHz | Time – 35:43 minutes | 772 MB | Genre: Rock, Alternative
Studio Master, Official Digital Download – Source: HDTracks | @ Sub Pop Records
The self-titled sixth album by The Helio Sequence began with a friendly competition. Several of the duo’s friends within the Portland, Oregon music scene had been playing “The 20-Song Game.” The rules were simple, playful and ambitious: Songwriters would arrive in their studios at prearranged times and spend all day recording 20 complete songs. When they were finished, they’d have a party, listen to the results and talk about the process of simply making music in the moment. Brandon Summers and Benjamin Weikel took the spirit of the game to heart, and forged ahead writing a new record. (more…)
Read moreThe Clash – Give ‘Em Enough Rope (1978/2013)
FLAC (tracks) 24 bit/96 kHz | Time – 36:58 minutes | 855 MB | Genre: Punk, Rock
Official Digital Download – Source: HDTracks.com | Digital booklet | @ Sony Music UK
Chart History/Awards
– Voted Album of the Year in 1978 by Sounds, Rolling Stone and Time magazines.
– Give ‘Em Enough Rope peaked at #2 on the UK Albums Chart in 1978.
Give ‘Em Enough Rope is the second studio album by The Clash and was released in November of 1978. It was also their first album to be released in the United States. Give ‘Em Enough Rope was produced by Sandy Pearlman, founder of Blue Oyster Cult. The album focuses on themes of third-world combat, global terrorism, war, and corruption, as well as inner-city desolation.
Read moreThe Clash – The Clash (1977/2013)
FLAC (tracks) 24 bit/96 kHz | Time – 34:51 minutes | 790 MB | Genre: Punk, Rock
Official Digital Download – Source: HDTracks.com | Digital booklet | @ Sony Music UK
Chart History/Awards
– Ranked #3 by NME on its list of the Greatest Albums of the ’70s.
– Ranked #3 by Spin magazine on its list of the 50 Most Essential Punk Records.
– The U.S. version was ranked #77 by Rolling Stone magazine on their list of The 500 Greatest Albums of All Time.
The Clash is the debut studio album by the English punk rock band of the same name. Released in 1977, it was mostly written on the 18th floor of a high-rise council flat rented by Mick Jones’ grandmother. The recording of the album took place over three weekend sessions at CBS Studio 3 in February 1977. The album is pure, unadulterated rage and fury, fueled by passion stemming from political and social disenfranchisement that many faced in the UK in the late 1970s, and the music is driven by relentless energy; the songs stripped down to bare-bones, three-chord rockers.
The album was well-received by critics and peaked at number 12 on the UK charts, while American critic Robert Christgau gae the album an A rating and stated, “Cut for cut, this may be the greatest rock and roll album…ever manufactured.”
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