Marie-Sophie Talbot – Ondes (2023) [Official Digital Download 24bit/44,1kHz]

Marie-Sophie Talbot – Ondes (2023)
FLAC (tracks) 24 bit/44,1 kHz | Time – 55:22 minutes | 321 MB | Genre: Jazz
Studio Masters, Official Digital Download | Front Cover | © homerecords.be

Ondes is an ode to the living! Ondes is to go to sea in a multidisciplinary show with a gifted captain who keeps the troops awake on the foam of the days. Marie-Sophie Talbot with a solid crew goes around the moods and continents with a sincerity and a drive for life that forces respect, with an art of pooling and orchestration, with texts and inspired choirs. The palette is as wide as a big draft, and the waterline carries the song of an untamed humanity.

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Marie-Laure Garnier – Chants nostalgiques (2023) [Official Digital Download 24bit/96kHz]

Marie-Laure Garnier – Chants nostalgiques (2023)
FLAC (tracks) 24 bit/96 kHz | Time – 01:05:43 minutes | 1,11 GB | Genre: Classical
Studio Masters, Official Digital Download | Front Cover | © B Records

Marie-Laure Garnier, Célia Oneto Bensaid and the Hanson Quartet have devised a programme based on the theme of nostalgic love. Starting with Ernest Chausson’s Poème de l’amour et de la mer arranged for voice, string quartet and piano, they draw the thread of passion, both joyful and melancholy, in Gabriel Fauré’s La Bonne Chanson and Charlotte Sohy’s Les Chants nostalgiques, recorded for the first time with this group. They give their name to this new b-records album, which is marked by symbolism, grace and emotion.

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Marie Lys, Abchordis Ensemble, Andrea Buccarella – Amate Stelle: Arias for Anna Maria Strada (2023) [Official Digital Download 24bit/96kHz]

Marie Lys, Abchordis Ensemble, Andrea Buccarella – Amate Stelle: Arias for Anna Maria Strada (2023)
FLAC (tracks) 24 bit/96 kHz | Time – 01:15:49 minutes | 1,42 GB | Genre: Classical
Studio Masters, Official Digital Download | Front Cover | © Glossa

The program of the “Amate Stelle” album was born from the great love of soprano Marie Lys for the music written by Handel for Anna Maria Strada Del Po. Handel’s librettist Paolo Rolli said of Po: “She sings better than the two previous ones!” referring to the famous divas Cuzzoni and Bordoni, for expressive, dramatic and technical qualities.

No doubt that “la Stradina” was Handel’s “Prima Donna” and “Favorita”. He wrote hundreds of pages of incredible music for her, including the main character of his opera “Alcina”. Furthermore, Charles Burney, who had the opportunity to listen to her performances, considered her as an artist “forged” by the composer himself.

This pyrotechnic concert program for soprano and orchestra presents in world premiere gorgeous opera arias written by these composers, together with a selection of masterpieces by Handel.

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Maria Callas – Ponchielli: La Gioconda, Op. 9 (2023) [Official Digital Download 24bit/96kHz]

Maria Callas – Ponchielli: La Gioconda, Op. 9 (2023)
FLAC (tracks) 24 bit/96 kHz | Time – 02:47:28 minutes | 1,70 GB | Genre: Classical, Opera
Studio Masters, Official Digital Download | Front Cover | © Warner Classics

It was as Ponchielli’s long-suffering ballad singer, La Gioconda, that Callas made her Italian debut, in 1947 at the Arena di Verona, and it proved crucial to her career. Five years later, La Gioconda became her first studio recording of a complete opera. It showcases both the dark-hued splendour of her voice at this period – she was still in her twenties – and her inimitable intensity and insight.

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Maria Callas, Orchestra del Teatro della Scala di Milano, Tullio Serafin – Bellini: Norma (2023) [Official Digital Download 24bit/96kHz]

Maria Callas, Orchestra del Teatro della Scala di Milano, Tullio Serafin – Bellini: Norma (2023)
FLAC (tracks) 24 bit/96 kHz | Time – 02:40:26 minutes | 1,58 GB | Genre: Classical, Opera
Studio Masters, Official Digital Download | Front Cover | © Warner Classics

Which cantatrice can claim she has embodied the character of Norma better than Maria Callas? The tragic figure of the Gaulish priestess torn between her rank and her love for a Roman proconsul is the emblematic role of Maria Callas, the one she performed most often on stage (almost a hundred times) and with which she attained the status of living legend. Here is the first studio version of 1954 conducted by Tullio Serafin.

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Margo Price – Strays (2023) [Official Digital Download 24bit/96kHz]

Margo Price – Strays (2023)
FLAC (tracks) 24 bit/96 kHz | Time – 46:19 minutes | 969 MB | Genre: Country, Country Rock
Studio Masters, Official Digital Download | Front Cover | © Loma Vista Recordings

Produced by Margo Price and Jonathan Wilson (Angel Olsen, Father John Misty), Strays was primarily recorded in the summer of 2021, during a week spent at Fivestar Studio in California’s Topanga Canyon. While the songwriting began the summer prior – during a six-day, mushroom-filled trip that Price and her husband Jeremy Ivey took to South Carolina – it was amongst the hallucinatory hills of western Los Angeles that Price experienced the best recording sessions of her career. Instilled with a newfound confidence and comfortability to experiment and explore like never before, Margo Price and her longtime band of Pricetags channeled their telepathic abilities into songs that span rock n roll, psychedelic country, rhythm & blues, and glistening, iridescent pop. Having been together since the days before Midwest Farmer’s Daughter, her 2016 debut that Rolling Stone named one of the Greatest Country Albums of All Time, Price and her band tracked live in the same room, simultaneously expanding upon and completely exploding the notions of every other album they have made together. With additional vocals from Sharon Van Etten and Lucius, plus guitar from Mike Campbell, strings, synthesizers and a breadth of previously untapped sounds, Strays is also Price’s most collaborative record yet.

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Marcus Weiss – SAX – Contemporary Concertos for Saxophone (2023) [Official Digital Download 24bit/48kHz]

Marcus Weiss – SAX – Contemporary Concertos for Saxophone (2023)
FLAC (tracks) 24 bit/48 kHz | Time – 01:11:12 minutes | 719 MB | Genre: Classical
Studio Masters, Official Digital Download | Front Cover | © Wergo

After the invention of the saxophone about 180 years ago, it has been hugely successful in certain musical styles, but never really established itself in the symphony orchestra. It’s still seen as a newcomer, and relatively few solo works have been written for it – at least until recently.

Marcus Weiss, one of the most successful classical saxophonists, chose four very characteristic concertante pieces from recent decades that demonstrate a wide range of possibilities for the instrument. All four pieces were premiered by him and three of them are dedicated to him.

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Måneskin – RUSH! (2023) [Official Digital Download 24bit/44,1kHz]

Måneskin – RUSH! (2023)
FLAC (tracks) 24 bit/44,1 kHz | Time – 52:50 minutes | 626 MB | Genre: Rock
Studio Masters, Official Digital Download | Front Cover | © Epic

Rush! Is the latest full length from global sensation, Måneskin. The band is a critically acclaimed four-piece-rock band that began busking on the streets of Rome as teenagers, and now just a few years later, are a razor tight group of captivating musicians widely hailed for being at the forefront of driving a worldwide resurgence of Rock music. Rush! contains the track ‘Kools Kids’ that was recently debuted live along with ‘The Loneliest,’ the band’s latest global-smash-in-waiting, an ode to classic old-school rock ballads.

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MAMASWEED – What da Funk (2022) [Official Digital Download 24bit/44,1kHz]

MAMASWEED – What da Funk (2022)
FLAC (tracks) 24 bit/44,1 kHz | Time – 58:24 minutes | 605 MB | Genre: Rock
Studio Masters, Official Digital Download | Front Cover | © Mamasweed Music

Mamasweed – ein Schelm wer hier an Drogenkonsum denkt. Seventies-Rock-Gitarren erklingen im Stakkato, später steigen ein paar streicherähnliche Klänge aus einem unübersichtlichen Soundgemenge auf. Der Gesang versucht mit aller Macht, kraftvoll zu klingen und den Ton zu halten. Ein Schelm, wer zeitweilig auch an Led Zeppelin und Konsorten denkt.

Denn das hier ist Berlin-Kreuzberg im Jahr 2006. Mamasweed ist eine Band mit so vielen Musikern, dass sie sich scheinbar niemals gleichzeitig auf ein Bild zu quetschen vermögen. Stattdessen vereinnahmen sie lieber reichlich Tonspuren. Mamasweed sind zu siebt und haben keine oder kaum bürgerliche Namen: Gogo (Gitarre, Gesang, Mundharmonika), Yensin (Gitarre, Gesang, Mandoline), Kayki (Schlagzeug, Backgroundgesang), Shorty (Bass, Backgroundgesang, Flöte), Oli Benn Joseph (Keyboard, Klavier, Backgroundgesang), Nackt (Gitarre), Arne Augustin (Synthesizer, Keyboard).

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Makoto Ozone – PARK STREET KIDS (2022) [Official Digital Download 24bit/96kHz]

Makoto Ozone – PARK STREET KIDS (2022)
FLAC (tracks) 24 bit/96 kHz | Time – 51:16 minutes | 1,02 GB | Genre: Jazz
Studio Masters, Official Digital Download | Front Cover | © Eight Islands Records

Dixieland jazz is the music that captured Makoto Ozone’s heart as a child and inspired him to pursue jazz. Even today, as a world-renowned pianist who has traveled extensively from jazz to classical music, the roots of Dixieland jazz remain close to his heart, and this special project, “Original Park Street Kids,” traces the roots of that music. A live recording disc held at the long-established jazz club “Body & Soul” on Shibuya’s Park Street is now available!

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Magdalena Lisak – Statkowski: Piano Pieces (2023) [Official Digital Download 24bit/96kHz]

Magdalena Lisak – Statkowski: Piano Pieces (2023)
FLAC (tracks) 24 bit/96 kHz | Time – 58:30 minutes | 950 MB | Genre: Classical
Studio Masters, Official Digital Download | Front Cover | © CD Accord

“With his profound intelligence and a heart that was forever young and fervent, he understood that, in the history of art, it is only form that changes – and change it must, indefatigably following the complex paths of human development. The essential content, however, always remains the same. It is a content born of the sense of life’s depth and mystery, through relentless and dedicated work, in the name of a selfless ideal.”

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Genesis – Extras Tracks 1983-1998 (2007) MCH SACD ISO + Hi-Res FLAC

Genesis – Extras Tracks 1983-1998 (2007)
PS3 Rip | ISO | SACD DST64 2.0 & 5.1 > 1-bit/2.8224 MHz | 45:36 minutes | Scans included | 2.91 GB
or FLAC 2.0 Stereo (converted with foobar2000 to tracks) 24bit/88,2 kHz | Scans included | 951 MB
Features 2.0 Stereo and 5.1 multichannel surround sound

The long-awaited high-fidelity overhaul of the Genesis catalog began with a multi-album box set spanning 1976-1982 — the first half of Phil Collins’ reign as lead vocalist, otherwise known as the prog years of when the group was a trio. Instead of moving backward to cover the band’s early, arty years with Peter Gabriel, the next release in this series moved forward, covering 1983-1998, otherwise known as the “pop years” for the trio. To their credit, Genesis doesn’t try to write the 1998 post-Collins Calling All Stations out of their history: it’s right here, alongside 1983’s Genesis, 1986’s Invisible Touch, and 1991’s We Can’t Dance, plus a bonus disc with eight rarities. Going forward to these albums makes sense for two reasons: first of all, there’s the fact that this is the reunited lineup that was touring the world in 2007, but it’s also true that these digital-era productions are better showcases for 5.1 Surround mixes and they’re the records that have loads of video and multimedia material to fill out these DVD-As (in the U.K., this set is available as Hybrid SACDs as well). The video section of each of the albums contains all the video clips from the record, plus new interviews with the bands about the record, then there’s multimedia press kits added to the mix. It may be a more deluxe treatment than either We Can’t Dance or Calling All Stations, but it’s certainly something that will appeal to hardcore fans who will find this expertly produced set irresistible even if the music itself isn’t.

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Genesis – Extras Tracks 1976-1982 (2007) MCH SACD ISO + Hi-Res FLAC

Genesis – Extras Tracks 1976-1982 (2007)
PS3 Rip | ISO | SACD DST64 2.0 & 5.1 > 1-bit/2.8224 MHz | 59:03 minutes | Scans included | 3,75 GB
or FLAC 2.0 Stereo (converted with foobar2000 to tracks) 24bit/88,2 kHz | Scans included | 1,29 GB
Features 2.0 Stereo and 5.1 multichannel surround sound

If the grouping of albums on this 2007 box set initially seems a little odd — it is neither a collection of the band’s early work, nor all of their albums after Peter Gabriel’s departure, nor is it their most popular work — it soon becomes apparent why these five albums are grouped together and reissued as remastered double-disc sets, with one disc containing a CD of the album, the other a DVD with a 5.1 mix and extra video material (in the U.K., the first disc contains hybrid SACDs of the albums, raising this question why they aren’t in this format in the U.S., especially since the bonus disc in this box is a hybrid SACD in all territories). These are the key art rock albums from the Phil Collins-fronted lineup of Genesis, the ones that the fans value, certainly more so than the pop-oriented Genesis and Invisible Touch. Collins, Tony Banks, and Mike Rutherford reunited in 2007 for a tour, so it made sense to box up their key texts as a deluxe reissue, because this is indeed the music that the fans will want to hear on the tour. If the remastered sound wasn’t enough of an incentive for hardcore fans (although it often is), the set also includes plenty of supplemental material, highlighted by a bonus disc containing 13 rarities and B-sides, including the single “Paperlate.” That’s not the end of the bonus material, though: there’s also a 48-page book, and each DVD is packed with extra material, including promotional videos, TV appearances, replications of tour programs, and new interviews with the band about the making of the albums. The only drawback to the set is that it’s not available as hybrid SACDs in all territories, but really, that’s a minor complaint because this set is executed with love and care, living up to the high expectations of Genesis’ dedicated fans.

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Genesis – Extras Tracks 1970-1975 (2007) MCH SACD ISO + Hi-Res FLAC

Genesis – Extras Tracks 1970-1975 (2007)
PS3 Rip | ISO | SACD DST64 2.0 & 5.1 > 1-bit/2.8224 MHz | 46:42 minutes | Scans included | 2,86 GB
or FLAC 2.0 Stereo (converted with foobar2000 to tracks) 24bit/88,2 kHz | Scans included | 997 MB
Features 2.0 Stereo and 5.1 multichannel surround sound

This supplemental disc has the exceptional B-side “Twilight Alehouse,” the single-only “Happy the Man,” the demo of the terrific “Going Out to Get You,” and the BBC session that produced “Shepherd,” “Pacidy,” and “Let Us Now Make Love” — all tracks that showed up on the 1998 box set Genesis Archives, Vol. 1: 1967-1975, but the real treat is the first official release of the four songs that comprise Genesis Plays Jackson, the band’s soundtrack to a show by artist Michael Jackson. Add to this the video material — limited to interviews on Trespass and Nursery Cryme, but containing full performances on Foxtrot and Selling England, plus the original slide shows used for the stage show of Lamb — and this box turns into something extraordinary: a nearly complete portrait of a restlessly creative band at their peak, whose output only sounds more distinctive with each passing year.

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Genesis – Wind & Wuthering (1976) [Remastered Reissue 2007] MCH SACD ISO + Hi-Res FLAC

Genesis – Wind & Wuthering (1976) [Remastered Reissue 2007]
PS3 Rip | ISO | SACD DST64 2.0 & 5.1 > 1-bit/2.8224 MHz | 50:57 minutes | Scans included | 3,19 GB
or FLAC 2.0 Stereo (converted with foobar2000 to tracks) 24bit/88,2 kHz | Scans included | 1,03 GB
Features 2.0 Stereo and 5.1 multichannel surround sound

Wind & Wuthering followed quickly on the heels of A Trick of the Tail and they’re very much cut from the same cloth, working the same English eccentric ground that was the group’s stock in trade since Trespass. But if A Trick of the Tail played like Genesis’ attempt at crafting a great Genesis record without Peter Gabriel, as a way of finding their footing as a quartet, Wind & Wuthering finds Genesis tentatively figuring out what their identity will be in this new phase of their career. The most obvious indication of this is Mike Rutherford’s “Your Own Special Way,” which is both the poppiest tune the group had cut and also the first that could qualify as a love song. It stands out on a record that is, apart from that, a standard Genesis record, but quite a good one in that regard.

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