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Title: Asia Axis XXX Live San Francisco MMXXII
Release Date: 2015
Genre: Rock, Progressive Rock, Acoustic
Director: Devin Dehaven
Artist: John Wetton – Bass, Vocals; Steve Howe – Guitar; Geoff Downes – Keyboards, Vocals; Carl Palmer – Drums.
Production/Label: Frontiers Records
Duration: 1:55:43
Quality: Blu-ray
Container: BDMV
Video codec: AVC
Audio codec: AC-3
Video: MPEG-4 AVC 25000 kbps / 1920*1080p / 29,970 fps / 16:9 / High Profile 4.1
Audio: English Dolby Digital 2.0 / 48 kHz /192 Kbps / 16-bit
Recorded on November 7th 2012 at the Regency Ballroom in San Francisco, this new ASIA live CD / DVD and Blu Ray captures once again the band, in the original line-up, in front of an ecstatic audience during one of the shows that ASIA performed in support of the “XXX” album and which was broadcasted by AXS TV in the USA. With HD recording this new live album is truly a rewarding experience for all ASIA fans. After the recent DVD releases, this is Asia performing one of the very last shows featuring the original line up with: Geoff Downes, Steve Howe, Carl Palmer and John Wetton live on the road, in-your face and for your viewing pleasure. The set list features songs from their first two albums and selected cuts from the reunion albums, including the single from “XXX” “Face on the Bridge”. This is a historical document of where the band was at the time and a snapshot of their musicianship, camaraderie and passion. This live CD / DVD is an irreplaceable companion to the “XXX” studio album. Formed at the dawn of the MTV era, Asia’s first release was the best selling album in the world in 1982 and sat at the number 1 spot in the USA for 9 weeks, powered by the classic rock anthem, “Heat Of The Moment,” and four other radio hits. Asia’s 1983 sophomore album, Alpha, also went multi-platinum and enjoyed several hit singles, including the #1 smash, “Don’t Cry”. During the recording of its third disc, the band splintered, and by the 1990s, only Geoff Downes remained from the original line-up. The reunion came to celebrate the 25th anniversary of the band, but morphed itself into an ongoing endeavour. (more…)
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Billie Holiday – All Or Nothing At All (1959/2012)
DSF 2.0 Mono DSD64/2.82MHz | Time – 00:51:12 minutes | 2,02 GB | Genre: Jazz
Source: ISO SACD | © Verve Records
Recorded: Radio Recorders and Capitol Studios, Hollywood, California on August 14 & 18, 1956 and from January 3-9, 1957
Recorded in 1956 and 1957, All Or Nothing At All was one of Billie Holiday’s last releases before her death in 1959. A collection of jazz and pop standards by the Gershwins, Irving Berlin and Duke Ellington, among others, the album was produced by legendary producer Norman Granz. Holiday runs the emotional gamut from summery optimism (Love Is Here To Stay) to pathos-rich musings (Ill Wind) backed by a strong studio lineup of veterans including Red Mitchell on bass and Ben Webster on tenor saxophone.
“These seven West Coast recording sessions – two dates in August 1956 and a marathon five in one week following January with Sweets Edison, Ben Webster, and Jimmy Rowles – together make the most satisfying set in the singer’s Fifties discography. In fact, this is the one program to put up against her Thirties recordings.”- Verve Music Group
“These are all truly classic Verve titles that you simply don’t want to miss…most importantly, the sound of these reissues is nothing short of astounding. Particularly the early Billie and Ella mono records are incredible treasures of sonic beauty!” – Danny Kaey, Positive Feedback Online, November/December 2011
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Byther Smith – Addressing The Nation With The Blues (1989) [Reissue 2004]
PS3 Rip | SACD ISO | DST64 2.0 & 5.1 > 1-bit/2.8224 MHz | 61:20 minutes | Scans included | 4,26 GB
or FLAC(converted with foobar2000 to tracks) 24bit/88,2 kHz | Full Scans included | 1,3 GB
Genre: Blues
Strictly judging from the lyrical sentiment of his recordings, it might be wise not to make Chicago guitarist Byther Smith angry. Smitty’s uncompromising songs are filled with threats of violence and ominous menace (the way blues used to be before the age of political correctness), sometimes to the point where his words don’t even rhyme. They don’t have to, either — you’re transfixed by the sheer intensity of his music.
Smith was so far outside the domestic blues loop that this Chicago-cut set only found release on a British logo, JSP. It was our loss — Smith is typically brusque and ominous, threatening to “Play the Blues on the Moon” and “Addressing the Nation with the Blues” as only he can. Nothing derivative about his lyrical muse — he’s intense to the point of allowing his words not to rhyme to make his points, while his lead guitar work is inevitably to the point. (more…)
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The Bruce Katz Band – Three Feet Off The Ground (2000)
PS3 Rip | SACD ISO | DSD64 2.0 > 1-bit/2.8224 MHz | 57:08 minutes | Scans included | 2,43 GB
or FLAC(converted with foobar2000 to tracks) 24bit/88,2 kHz | Full Scans included | 1,17 GB
Genre: Jazz, Blues
It has been said that instrumentalist Bruce Katz has one foot in jazz and the other foot in the blues, but those aren’t the only styles that interest the organist/pianist; rock, soul, and gospel are also part of what he does. All of those influences assert themselves on Three Feet Off the Ground, which tends to be more aggressive and rockin’ than the album that preceded it, 1997’s Mississippi Moan. “Wrecking Ball” and “Beef Jerky” (which brings to mind Lee Morgan’s “The Sidewinder”) are definitely among the more forceful things Katz has recorded, and his guitarist Julien Kasper sounds equally uninhibited. Although Katz is a talented acoustic pianist with a healthy appreciation of Albert Ammons, his piano playing takes a back seat to the organ this time. Katz’s Hammond B-3 dominates the album, and one is reminded how appealing he is on the instrument. As an organist, Katz has a gritty, earthy sound that is somewhere between Jimmy Smith and Stax hero Booker T. Jones (of Booker T. & the MG’s fame). Three Feet Off the Ground is a release that blues, jazz, and rock fans alike will want to hear. (more…)
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The Band – MFSL SACD Collection (6x SACD, 1968-1975)
PS3 Rip | SACD ISO | DSD64 2.0 Stereo > 1-bit/2.8224 MHz | Scans included | 11,5 GB
FLAC (tracks) 24 bit/88,2 kHz | 2.0 Stereo | 284:44 minutes | Scans included | 5,33 GB
The Band was a Canadian-American roots rock group that originally consisted of Rick Danko (bass guitar, double bass, fiddle, trombone, vocals), Levon Helm (drums, mandolin, guitar, vocals), Garth Hudson (keyboard instruments, saxophones, trumpet), Richard Manuel (piano, drums, baritone saxophone, vocals) and Robbie Robertson (guitar, vocals). The members of the Band first came together as they joined rockabilly singer Ronnie Hawkins’ backing group The Hawks one by one between 1958 and 1963.
In 1964, they separated from Hawkins, after which they toured and released a few singles as Levon and the Hawks and the Canadian Squires. The next year, Bob Dylan hired them for his U.S. tour in 1965 and world tour in 1966.Following the 1966 tour, the group moved with Dylan to Saugerties, New York, where they made the informal 1967 recordings that became The Basement Tapes, which forged the basis for their 1968 debut album Music from Big Pink. Because they were always “the band” to various frontmen, Helm said the name “the Band” worked well when the group came into its own.The group began performing officially as the Band in 1968, and went on to release ten studio albums. Dylan continued to collaborate with the Band over the course of their career, including a joint 1974 tour.
The original configuration of the Band ended its touring career in 1976 with an elaborate live ballroom performance featuring numerous musical celebrities. This performance was immortalized in Martin Scorsese’s 1978 documentary The Last Waltz. The Band recommenced touring in 1983 without guitarist Robbie Robertson, who had found success with a solo career and as a Hollywood music producer. Following a 1986 show, Richard Manuel was found dead of suicide, but the remaining three members continued to tour and record albums with a revolving door of musicians filling Manuel’s and Robertson’s respective roles, before finally settling on Richard Bell, Randy Ciarlante, and Jim Weider. Danko died of heart failure in 1999, after which the group broke up for good. Levon Helm was diagnosed with throat cancer in 1998, and after a series of treatments was able to regain use of his voice. He continued to perform and released several successful albums until he succumbed to the disease in 2012.
The group was inducted into the Canadian Music Hall of Fame in 1989 and the Rock and Roll Hall of Fame in 1994.In 2004, Rolling Stone ranked them No. 50 on their list of the 100 Greatest Artists of All Time,and in 2008, they received the Grammy’s Lifetime Achievement Award.In 2004, “The Weight” was ranked the 41st best song of all time in Rolling Stone’s 500 Greatest Songs of All Time list.
In 2014, The Band was inducted into Canada’s Walk of Fame.
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Title: The Sound of Jazz
Release Date: 2015
Genre: Jazz, Bop, Hard Bop, Avant-Garde Jazz, Cool, Dixieland, Folk Jazz, Mainstream Jazz, Post-Bop, Vocal Jazz, West Coast Jazz
Director: Jack Smight
Artist: [1-10] The Sound Of Jazz (1957): Henry “Red” Allen, Count Basie, Roy Eldridge, Jimmy Giuffre; Coleman Hawkins, Billie Holiday, Thelonious Monk, Gerry Mulligan, Ben Webster, Lester Young; [11-14] Jazz From Studio 61 (1959): Ahmad Jamal Trio, Ben Webster-Buck Clayton Quintet; [15-17] Jamin’ The Blues (1944): Lester Young, Harry Sweet Edison, Illinois Jacquet, Among Others; [18] Stage Entrance Tv Show (1952): Charlie Parket, Dizzy Gillespie; [19-22] The Sound Of Miles Davis (1959): Miles Davis, John Coltrane, Wynton Kelly, Paul Chambers, Jimmy Cobb, The Gil Evans Orchestra
Production/Label: Think Visual
Duration: 02:44:11
Quality: Blu-ray
Container: BDMV
Video codec: MPEG-2
Audio codec: AC-3
Video: MPEG-2 21999 kbps / 1920*1080i / 25 fps / 16:9
Audio: English Dolby Digital 2.0 / 48 kHz / 192 kbps
This Blu-ray disc compiles some of the finest classic jazz performances ever filmed. The Sound of Jazz was a 1957 CBS TV show which reunited some of the genre’s greatest stars for a one-hour performance that was presented as performed, with no editing. It was a true live-TV experience which produced some of the most moving jazz scenes ever filmed, among them the final meeting of Billie Holiday and Lester Young. The show also produced a studio album by the same title, which is added in its entirety as a bonus on this package. CBS would repeat its success in 1959 with yet another show, this time featuring Miles Davis, Ahmad Jamal and Ben Webster on different sets. Davis is heard both in a quintet format (with John Coltrane on tenor sax) and with the Gil Evans orchestra. Also included here are Gjon Mili’s classic 1944 short film Jammin’ The Blues, one of the very rare movies showcasing Lester Young, and the only existing footage of Charlie Parker on live TV.
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Country music’s biggest superstars hit the stage for iHeartRadio’s second annual Country Festival. The two-hour special hosted by Jennifer Nettles and Darius Rucker features an incredible lineup of country’s favorite stars as well as an all-access pass backstage. Tim McGraw, Brad Paisley, Rascal Flatts, Darius Rucker, Little Big Town, Dierks Bentley, Brantley Gilbert, Justin Moore, The Band Perry, iHeartRadio’s On The Verge artist Sam Hunt and Tyler Farr as well as special guest appearances by Bobby Bones, Big & Rich, Cody Alan, Brooklyn Decker, Craig Robinson, Eric Decker and Jessie James Decker.
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Title: Salzburg Festival Opening Concert 2009
Release Date: 2015
Genre: Classical
Director: Michael Beyer
Conductor: Nikolaus Harnoncourt
Artist: Wiener Philharmoniker
Production/Label: C Major Entertainment
Duration: 01:35:29
Quality: Blu-ray
Container: BDMV
Video codec: AVC
Audio codec: DTS, PCM
Video: MPEG-4 AVC Video / 20465 kbps / 1080i / 29,970 fps / 16:9 / High Profile 4.1
Audio#1: DTS-HD MA 5.0 / 48 kHz / 3941 kbps / 24-bit (DTS Core: 5.0 / 48 kHz / 1509 kbps / 24-bit)
Audio#2: LPCM 2.0 / 48 kHz / 2304 kbps / 24-bit
Size: 19.94 GB
In one of the most unusual opening concerts of recent decades, Nikolaus Harnoncourt launched the 2009 Salzburg Festival with an exploration of the dance element in Austrian music. Dances by Schubert and Josef Strauss provided an introduction to the magnificent “Dance of Death” that emerged from the octogenarian maestro´s hands in Schubert´s C major Symphony (“Great”). The perfect orchestra for these authentically Viennese and yet universally valid works was, of course, the Vienna Philharmonic. “An interpretation of incomparable richness” (Münchner Merkusr). (more…)
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Title: Salzburg Festival Opening Concert 2008
Release Date: 2015
Genre: Classical
Director: Michael Beyer
Conductor: Pierre Boulez
Artist: Daniel Barenboim, piano: Wiener Philharmoniker
Production/Label: C Major Entertainment
Duration: 01:38:19
Quality: Blu-ray
Container: BDMV
Video codec: AVC
Audio codec: DTS, PCM
Video: MPEG-4 AVC Video / 19443 kbps / 1080i / 29,970 fps / 16:9 / High Profile 4.1
Audio#1: DTS-HD MA 5.0 / 48 kHz / 3939 kbps / 24-bit (DTS Core: 5.0 / 48 kHz / 1509 kbps / 24-bit)
Audio#2: LPCM 2.0 / 48 kHz / 2304 kbps / 24-bit
Size: 20.10 GB
A dream of a line-up: Daniel Barenboim, Pierre Boulez and the Vienna Philharmonic! Put one of the world´s greatest orchestras in the hand of one of the foremost specialists of 20th-century music, add a soloist who is one of today´s leading pianists and conductors, and you are assured of a concert of superlatives that pays glowing tribute to three major works of the past century.
“The mutual affection felt by conductor and orchestra once again made for captivating results. Even without dancers, the music danced.” Frankfurter Allgemeine Zeitung
Recorded live at the Grosses Festspielhaus, Salzburg Festival, July 2008.
Oscar Peterson Trio – West Side Story (1962/2014)
DSF Stereo DSD64/2.82MHz | Time – 35:24 minutes | 1.4 GB | Genre: Jazz
Source: ISO SACD| © Verve Records
Recorded: New York City, Jan. 24 & 25, 1962
Mastered by George Marino at Sterling Sound from the original master tapes to vinyl and PCM. The DSD was sourced from the PCM. George listened to all of the different A/D converters he had before he chose which to use, and he felt the George Massenburg GML 20 bit A/D produced the best and most synergistic sound for the project.
One of the first Broadway musical scores to be overtly jazz-influenced was Leonard Bernstein’s West Side Story, a tale of rival street gangs in the inner city. In 1962, pianist Oscar Peterson put his light-swing signature on the already popular score, making it, in the words of one critic, “a delight to hear again” and earning him a Grammy nomination.
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Claudio Monteverdi – Vespers of 1610 – The Sixteen, Harry Christophers (2014)
FLAC (tracks) 24 bit/96 kHz | Time – 01:46:02 minutes | 1,76 GB | Genre: Classical, Baroque, Choral
Official Digital Download – Source: HDTracks | © Coro/The Sixteen Productions Ltd.
Recorded: St Augustine’s Church, Kilburn, London, 31 March – 3 April 2014
Following the success of their Monteverdi Selva morale e spirituale recordings, The Sixteen and Harry Christophers release a work often classed as one of the most significant collections of sacred music ever written: Monteverdi’s Vespers of 1610. It is a work grand in conception and structure; revolutionary techniques established in his secular music, such as recitar cantando – speak through singing – are brought to the church platform with stunning effect.
Harry writes: ‘Its variety alone makes it unique – thrilling psalm settings with virtuosic writing for both multi-part choir and instrumentalists to exotic and sensual settings of texts from the Song of Songs for solo voices. Every movement is full of luscious harmonies, drama and an evocative musical language which is so beautifully constructed for all concerned.’
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Title: Our Vinyl Weighs a Ton: This Is Stones Throw Records
Released: 2013
Genre: Documentary, Biography, Music
Director: Jeff Broadway
Cast: Common, Mike Diamond, Daniel Dumile, Flying Lotus, Mayer Hawthorne, Thebe Kgositsile, Talib Kweli, Madlib, Oh No, Amir Ghalib Thompson
Issued: United States, United Kingdom
Duration: 1:32:53
Size: 22.44 GB
OUR VINYL WEIGHS A TON: THIS IS STONES THROW RECORDS is a feature-length documentary about avant-garde Los Angeles-based record label Stones Throw Records. The film weaves together rare concert footage, never-before-seen archival material, inner-circle home video and photographs and in-depth interviews with the artists who put Stones Throw Records on the map. OUR VINYL WEIGHS A TON: THIS IS STONES THROW RECORDS gives an exclusive look into the label’s left-of-center artists, history, culture, and global following. The film features exclusive interviews with Kanye West, Snoop Dogg, Common, Talib Kweli, Mike D, Tyler, The Creator, and many more.
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Lutoslawski, Bartok – Musique funebre – Stuttgarter Kammerorchester, Dennis Russell Davies (2012)
FLAC (tracks) 24 bit/44.1 kHz | Time – 01:00:45 minutes | 566 MB | Genre: Classical
Official Digital Download – Source: highresaudio.com | © ECM Records GmbH
Recorded: May 2004 and February 2010, Liederhalle, Stuttgart
Conductor Dennis Russell Davies leads the Stuttgart Chamber Orchestra in a program of music by, and dedicated to, Béla Bartók. The disc opens in the latter vein with Witold Lutosławski’s Musique funèbre, composed between 1954 and 1958 for the 10th anniversary of Bartók’s death. The title, often erroneously translated as “Funeral music,” is better rendered as “Music of mourning,” and connotes homage to one of Lutosławski’s greatest inspirations, if not the greatest, for he never dedicated a work to another composer. Although the piece’s overarching development resembles Bartók’s Music for Strings, Percussion and Celesta, the opening cellos closely prefigure the robust, overlapping memorial of Henryk Górecki’s Symphony No. 3, even if they do chart a vastly different geography, from collective to individual landing. That initial feeling of density and weight gives way to a dark airiness. Motives bend and sway—at moments pliant, at others sharply angled. Darting violins bring us closer to a sense of inner turmoil and bold reckoning. The Bartókian flavor is clear yet faged, and falls back where it began: in the solemn cellos. Ashes to ashes.
As Wolfgang Sandner observes in this album’s liner notes, for Bartók the music of Hungary’s peasants “was the source of a radical new musical system, not material for reverting to a nostalgic transfiguration of the original sounds.” In light of this, we might reckon his Romanian Folk Dances of 1917 not as an archival storehouse but, more like Estonian composer Veljo Tormis’s choral arrangements, as an experiment made fresh by extant impulses. While for me the reference recording by Midori and Robert McDonald (1992, Sony Classical) gets to the core of the music in ways I’ve not since heard, the Stuttgarters’ soaring performance of this 1937 arrangement for string orchestra by Arthur Willner articulates the orbits of its moons with surprising precision. A delicate piece of nevertheless sweeping proportions, it moves by a hand unseen. The solo violin stands out like a red rose among a field of black, its changes organic, even a touch mournful, in the present setting. As the mosaic evolves, it gives light to the translucent cells of its becoming. The flute-like strings in the enlivening finale give us reason to rejoice in the shadows.
So, too, does the Divertimento. Composed 1939 in dedication to Paul Sacher (who commissioned the work) and the Basler Kammerorchester, it achieves novel balance of spiritedness and restraint under Davies’s direction. Its unmistakable beginning lures with its insistent rhythm but would just as soon fragment into multiple galaxies of melodic thought. There is a smoothness of execution in the tutti passages and a paper-thin delicacy to the solo strings. While one might expect that energy to be sustained, it waxes and wanes in a most natural, thought-out-loud sort of way that lends especial insight into Bartók’s compositional process. The second movement proceeds slowly at first, but then, with the coming of dawn, stretches its gravity. The lower and higher strings forge an implicit harmony, an acknowledgment of the invisible forces connecting them both. The contrast between double basses and violins is one not of tone but of purpose: the lowers an unstable fundament, the uppers a firmament in turmoil. This chaos they share as if it were blood. The final movement returns the promise of that dance with wit. There are, of course, intensely lyrical and slow-moving parts, with the violin carving surface relief, but always returning with that whirlwind of fire.
In the wake of this dynamism, selections from Bartók’s 27 Two- and Three-Part Choruses (1935-41) come as something of a breather. They are not adaptations of folksongs, but were composed in such a style at the behest of Zoltán Kodály. With evocative titles like “Wandering,” “Bread-baking,” and “Jeering,” each is a vignette of imagined life. A snare drum pops its way through the choral textures, by turns martial and lyrical, adding colors of interest throughout. And while these pieces hardly hold a candle to his a capella choruses (the orchestral writing feels at points superfluous), they provide welcome contrast to the veils that precede it with gift of vision. –ecmreviews.com
First time on a Blu-Ray format. This classic jazz film was a 1957 CBS TV show which reunited some of the genre s greatest stars for a one-hour performance that was presented with no editing. Includes a final meeting of Billie Holiday and Lester Young. Also included are follow-up shows featuring Miles Davis, Ahmad Jamal and Ben Webster on different sets. An extra bonus is the 1944 short, Jammin the Blues showcasing Lester Young plus the only TV clip of Charlie Parker known to exist.
Blu-Ray DVD plus CD of The Sound of Jazz album
01. Open All Night / Blues
02. The Count Blues
03. Wild Man Blues
04. Rosetta
05. Dickie s Dream
06. Blue Monk
07. I Left My Baby
08. Fine And Mellow
09. The Train And The River
10. Blues My Naughty Sweetie Gives To Me
11. Darn That Dream
12. Ahmad s Blues
13. Chelsea Bridge
14. Duke s Place
15. The Midnight Symphony
16. On The Sunny Side Of The Street
17. Jammin The Blues
18. Hot House
19. So What
20. The Duke
21. Blues For Pablo
22. New Rhumba
Imagine an enchanted audience in front of an enormous stage in Buenos Aires, Argentina. Thousands of fans screaming just for her: the one and only Tarja. Having their cameras and cell phones ready to film what will become one hell of a performance, Tarja finally appears, dressed fully in black and with the most beautiful smile on her face; she is in full bloom. Let the show begin. Filmed at Stadium Luna Park in Buenos Aires, Argentina on March 27th, 2011 during Tarja’s “What Lies Beneath World Tour 2011”, “Luna Park Ride” was previously only included in a very limited edition of her Top 5 live production “Act I”. For the first time available on stand-alone audio and video, the fan filmed material is topped with 14 (!) bonus live performances and offers the full package including previously unseen photos. Ranging from Tarja classics like “I Walk Alone” to “Until My Last Breath”, the high quality audio mixed by Tim Palmer (U2, Pearl Jam, Robert Plant) and fan video recordings also feature Nightwish rarities such as “Stargazers” or the electrifying medley of “Where Were You Last Night”, Belinda Carlisle’s “Heaven Is A Place On Earth” and Bon Jovi’s classic “Livin’ On A Prayer”.
Tracklist
Dark Star
My Little Phoenix
The Crying Moon
I Walk Alone
Falling Awake
Signos (Soda Stereo cover)
Little Lies
Underneath
Stargazers
Ciaran’s Well
In For A Kill
Where Were You Last Night – Heaven Is A Place On Earth – Livin’ On A Prayer
Die Alive
Until My Last Breath
Wishmaster
Bonus Material CD, DVD, Digital and Blu-ray only
In For a Kill – Masters of Rock / Czech Republic 2010. Featuring Philarmonic Bohuslava Martinû Zlin and choir
I Walk Alone – Masters of Rock / Czech Republic 2010. Featuring Philarmonic Bohuslava Martinû Zlin and choir
The Archive of Lost Dreams / Czech Republic 2010. Featuring Philarmonic Bohuslava Martinû Zlin and choir
Crimson Deep – Masters of Rock / Czech Republic 2010. Featuring Philarmonic Bohuslava Martinû Zlin and choir
I Feel Immortal – Summerbreeze / Germany 2011
The Siren – Summerbreeze / Germany 2011
Until my Last Breath – Summerbreeze / Germany 2011
500 Letters – Yekaterinburg / Russia 2014
Damned & Divine – Yekaterinburg / Russia 2014
Neverlight – Yekaterinburg / Russia 2014
Anteroom of Death – Wacken / Germany 2014 featuring Van Canto
Never Enough – Summerbreeze / Germany 2014
Die Alive – Summerbreeze / Germany 2014
Victim of Ritual – Summerbreeze / Germany 2014