Trapeze – Lost Tapes, Vol. 1 (2023)
FLAC (tracks) 24 bit/48 kHz | Time – 57:26 minutes | 702 MB | Genre: Rock, Hard Rock
Studio Masters, Official Digital Download | Front Cover | © Metalville Records
The Lost Tapes Vol. 1 (CD Digipak) is a captivating album by the renowned rock band Trapeze. Released by Metalville, this album is a treasure trove of previously unreleased tracks that will delight fans and captivate new listeners alike.
Featuring a total of 14 tracks, this album showcases Trapeze’s unique blend of rock, blues, and soul. Each song is a testament to the band’s exceptional musicianship and their ability to create music that is both powerful and emotionally charged.
From the moment you press play, you will be transported back in time to an era when rock music was at its peak. The raw energy and infectious melodies will have you tapping your feet and singing along in no time.
The Lost Tapes Vol. 1 offers a glimpse into Trapeze’s creative process, with demos, alternate versions, and live recordings that have never been heard before. This rare collection provides a fascinating insight into the evolution of the band’s sound and their musical journey.
Whether you are a die-hard fan or new to Trapeze’s music, this album is a must-have addition to your collection. It serves as a testament to the band’s enduring legacy and their contribution to the rock genre.
Read moreTalea Ensemble – Julius Eastman: Femenine (2023)
FLAC (tracks) 24 bit/96 kHz | Time – 01:11:59 minutes | 1,60 GB | Genre: Classical
Studio Masters, Official Digital Download | Front Cover | © Kairos
Femenine stages Eastman’s shaping and building of the black queer masculine form – caught not necessarily between two poles of gender, but with his work constantly driving his own self-making. He was an inventor and sculptor, reminiscent of Jean Tinguely and Harry Bertoia. Clanging, noisy, joyful, and playful in turn, the sound sculpture emerges from these primary elements, moulding and pressing, jiggering and jolleying, through a linear flow of sound and insistent chordal punctuations. The continuous hum of the prime motive as a bed of sound against the softness of the texture and the fierceness of the accented major triads takes flight into a dreamscape, making possible new ways of listening, knowing, and being.” (Ellie M. Hisama & Isaac Jean-François
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