Academy of St. Martin in the Fields & Sir Neville Marriner – Handel: Oboe Concertos Nos. 1–3; Recorder Concertos (1965/2024) [Official Digital Download 24bit/48kHz]

Academy of St. Martin in the Fields & Sir Neville Marriner – Handel: Oboe Concertos Nos. 1–3; Recorder Concertos (1965/2024)
FLAC (tracks) 24 bit/48 kHz | Time – 58:07 minutes | 641 MB | Genre: Classical
Studio Masters, Official Digital Download | Front Cover | © Decca Records

The Oboe Concerto No. 1 in B flat major (HWV 301) was composed by George Frideric Handel for oboe, orchestra and basso continuo. It was first published in the fourth volume of Select Harmony by Walsh in 1740. Other catalogues of Handel’s music have referred to the work as HG xxi, 85; and HHA iv/12,17. The Oboe Concerto No. 2 in B flat major (HWV 302a) was composed by George Frideric Handel for oboe, orchestra and basso continuo. It was first published in the fourth volume of Select Harmony by Walsh in 1740. Other catalogues of Handel’s music have referred to the work as HG xxi, 91; and HHA iv/12,47.

The Oboe Concerto No. 3 in G minor (HWV 287) was composed by George Frideric Handel for oboe, orchestra and basso continuo, possibly in 1704-1705, when he was still in Hamburg. It was first published in Leipzig in 1863 (from unknown sources) in which it was described as a work from 1703. No other source for the work is known. Other catalogues of Handel’s music have referred to the work as HG xxi, 100; and HHA iv/12,3.

The Sonata in F major (HWV 369) was composed (before 1712) by George Frideric Handel for recorder and basso continuo (the autograph manuscript, a fair copy made most likely in 1712, gives this instrumentation in Italian: “flauto e cembalo”). The work is also referred to as Opus 1 No. 11, and was first published in 1732 by Walsh. Other catalogues of Handel’s music have referred to the work as HG xxvii, 40; and HHA iv/3,52.

Handel used an arrangement of the sonata in his Organ Concerto in F major (HWV 293).

Tracklist:
1-1. Roger Lord – I. Adagio (02:16)
1-2. Roger Lord – II. Allegro (01:44)
1-3. Roger Lord – III. Largo (02:31)
1-4. Roger Lord – IV. Vivace (01:49)
1-5. Roger Lord – I. Vivace (02:22)
1-6. Roger Lord – II. Fuga. Allegro (01:54)
1-7. Roger Lord – III. Andante (02:38)
1-8. Roger Lord – IV. Allegro (01:47)
1-9. Roger Lord – I. Grave (03:12)
1-10. Roger Lord – II. Allegro (01:51)
1-11. Roger Lord – III. Sarabande. Largo (03:05)
1-12. Roger Lord – IV. Allegro (02:07)
1-13. Academy of St. Martin in the Fields – Variant in F Major (After Op. 3/2) (02:31)
1-14. Academy of St. Martin in the Fields – Overture, Minuet & Gigue (09:39)
1-15. Academy of St. Martin in the Fields – The Arrival of the Queen of Sheba (03:14)
1-16. Bernard Krainis – I. Larghetto (02:13)
1-17. Bernard Krainis – II. Allegro (02:31)
1-18. Bernard Krainis – III. Alla Siciliana (01:40)
1-19. Bernard Krainis – IV. Presto (02:24)
1-20. Bernard Krainis – I. Largo (00:26)
1-21. Bernard Krainis – II. Allegro (02:52)
1-22. Bernard Krainis – III. Adagio (01:03)
1-23. Bernard Krainis – IV. Andante (02:09)

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