Month: May 2019

Blue Man Group – The Complex (2004) [DVD-AUDIO ISO]

DVD-A By admin · May 1, 2019 · Comments off

After devoting more than 15 years to building their unique fusion of edgy performance and advanced yet home-brewed technologies, the Blue Man Group moves aggressively toward the mainstream with The Complex. “Mainstream” is, of course, a flexible notion, so what passes as commercial for these guys is a lot more adventurous than most of the era’s ear candy. These tracks adhere to clear song structures, with guest vocalists singing actual lyrics on original as well as cover material; a zombie-like cameo by Dave Matthews on “Sing Along” offers the wryest surprises. But an unmistakable imprint endures in the eclectic sonic references and, above all, thundering stage-oriented rhythms. The core members of the group play traditional instruments — in this case, ranging from standard-issue electric guitar to Hungarian cimbalom, heard most clearly in the opening seconds of “Above” — as well as their invented gear whose contributions to the din are, frankly, neither critical nor easy to discern. On their version of the disco classic “I Feel Love,” for instance, the 16th-note pulse created via sequencer for the Donna Summer original is mimicked by the device they call the Tube, giving rise to the question of whether using something new to do what someone else did with old stuff 20-plus years earlier is worth the effort. But this is, of course, beside the point: Although its inspirations, musical and conceptual, trace as far back as Kraftwerk, The Complex serves as a reminder that modern devices and glistening production values can be applied to the most primal creative instincts, if utilized by the right — blue — hands. (more…)

Blackfield – Blackfield IV (2013) [DVD-Audio ISO]

DVD-A By admin · May 1, 2019 · Comments off

Blackfield IV is the fourth studio album by Blackfield, the musical collaboration by Aviv Geffen and Steven Wilson. Similar to their third album, Welcome to My DNA, Geffen has taken over more active duties on the album while Wilson focuses on his solo career. The album was released on 26 August 2013. (more…)

Bjork – Medulla (2005) [DVD-Audio ISO]

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Medúlla is the fifth studio album by Icelandic recording artist Björk. It was released on 30 August 2004 in the United Kingdom by One Little Indian Records and in the United States by Elektra Records. After her electronic–influenced previous album Vespertine (2001), Björk intended to make an album almost entirely a cappella constructed with human vocals. For the project, she collaborated with vocal artists such as Mike Patton of rock band Faith No More, beatboxers Rahzel and Dokaka, as well as Inuit throat singer Tanya Gillis. The album’s title derives from the Latin word for “marrow”. (more…)

Bjork – Debut (2006) [Audio-DVD]

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Freed from the Sugarcubes’ confines, Björk takes her voice and creativity to new heights on Debut, her first work after the group’s breakup. With producer Nellee Hooper’s help, she moves in an elegantly playful, dance-inspired direction, crafting highly individual, emotional electronic pop songs like the shivery, idealistic “One Day” and the bittersweet “Violently Happy.” Despite the album’s swift stylistic shifts, each of Debut’s tracks are distinctively Björk. “Human Behaviour”‘s dramatic percussion provides a perfect showcase for her wide-ranging voice; “Aeroplane” casts her as a yearning lover against a lush, exotica-inspired backdrop; and the spare, poignant “Anchor Song” uses just her voice and a brass section to capture the loneliness of the sea. Though Debut is just as arty as anything she recorded with the Sugarcubes, the album’s club-oriented tracks provide an exciting contrast to the rest of the album’s delicate atmosphere. Björk’s playful energy ignites the dance-pop-like “Big Time Sensuality” and turns the genre on its head with “There’s More to Life Than This.” Recorded live at the Milk Bar Toilets, it captures the dancefloor’s sweaty, claustrophobic groove, but her impish voice gives it an almost alien feel. But the album’s romantic moments may be its most striking; “Venus as a Boy” fairly swoons with twinkly vibes and lush strings, and Björk’s vocals and lyrics — “His wicked sense of humor/Suggests exciting sex” — are sweet and just the slightest bit naughty. With harpist Corky Hale, she completely reinvents “Like Someone in Love,” making it one of her own ballads. Possibly her prettiest work, Björk’s horizons expanded on her other releases, but the album still sounds fresh, which is even more impressive considering electronic music’s whiplash-speed innovations. Debut not only announced Björk’s remarkable talent; it suggested she had even more to offer. (more…)

Bill Wyman’s Rhythm Kings – Struttin’ Our Stuff (2004) [DVD-Audio ISO]

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Struttin’ Our Stuff, Bill Wyman’s first album in nearly 15 years, is a surprisingly successful collection of blues and rock & roll. These performances are surprisingly energetic, even if they’re a little too polished to accurately capture the gritty, roadside vibe they’re trying to achieve. Nevertheless, there are a number of fine moments here, from covers of “Green River,” “Tobacco Road” and “Mystery Train” to guest appearences from Eric Clapton, Albert Lee, Peter Frampton and Georgie Fame. (more…)

Big Phat Band – XXL (2003) [DVD-AUDIO ISO]

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Gordon Goodwin’s Big Phat Band is a modern big band which successfully blends elements of jazz and rock. Goodwin, who serves as keyboardist, composer, arranger and conductor, has created music that proves to be consistently catchy to the listener and challenging to his musicians. The leader obviously loves a good laugh. The playful staccato brass and reeds are the centerpiece of “Hunting Wabbits” before it transforms into a brisk bluesy vehicle. “Horn of Plenty,” his tribute to the late Latin jazz great Tito Puente, features trumpeter Wayne Bergeron, and “The Jazz Police” is a rockish but amusing slap at closed-minded critics and radio hosts. He also makes good use of special guests. The vocal group Take 6 is featured on swinging charts of the standards “Comes Love” and “It’s All Right With Me.” Clarinetist Eddie Daniels is showcased in the snappy “Thad Said No” and a delicious rearrangement of the well-known theme from Mozart’s 40th Symphony. Singer Johnny Mathis, hardly a jazz singer, nonetheless has fun with R&B oldie “Let the Good Times Roll.” Rarely are big bands like Gordon Goodwin’s Big Phat Band so able to combine such a diversity of influences into such a tantalizing mix. (more…)

Beck – Sea Change (2003) [DVD-AUDIO ISO]

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Beck has always been known for his ever-changing moods — particularly since they often arrived one after another on one album, sometimes within one song — yet the shift between the neon glitz of Midnite Vultures and the lush, somber Sea Change is startling, and not just because it finds him in full-on singer/songwriter mode, abandoning all of the postmodern pranksterism of its predecessor. What’s startling about Sea Change is how it brings everything that’s run beneath the surface of Beck’s music to the forefront, as if he’s unafraid to not just reveal emotions, but to elliptically examine them in this wonderfully melancholy song cycle. If, on most albums prior to this, Beck’s music was a sonic kaleidoscope — each song shifting familiar and forgotten sounds into colorful, unpredictable combinations — this discards genre-hopping in favor of focus, and the concentration pays off gloriously, resulting in not just his best album, but one of the greatest late-night, brokenhearted albums in pop. This, as many reviews and promotional interviews have noted, is indeed a breakup album, but it’s not a bitter listen; it has a wearily beautiful sound, a comforting, consoling sadness. His words are often evocative, but not nearly as evocative as the music itself, which is rooted equally in country-rock (not alt-country), early-’70s singer/songwriterism, and baroque British psychedelia. With producer Nigel Godrich, Beck has created a warm, enveloping sound, with his acoustic guitar supported by grand string arrangements straight out of Paul Buckmaster, eerie harmonies, and gentle keyboards among other subtler touches that give this record a richness that unveils more with each listen. Surely, some may bemoan the absence of the careening, free-form experimentalism of Odelay, but Beck’s gifts as a songwriter, singer, and musician have never been as brilliant as they are here. As Sea Change is playing, it feels as if Beck singing to you alone, revealing painful, intimate secrets that mirror your own. It’s a genuine masterpiece in an era with too damn few of them. (more…)

Bass Communion – Loss (2006) [DVD-AUDIO ISO]

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Loss in the name of the sixth studio album released by British musician, songwriter and producer Steven Wilson under the pseudonym Bass Communion, and was limited to only 450 copies on vinyl. The original pressing featured a scented inner sleeve.[1]

The album consists of a title track split in two parts. It was re-issued shortly after, in a CD+DVD-A edition containing both Stereo and 5.1 Surround mixes. In February 2009, it was also re-issued as a limited edition 12″ picture disc vinyl version of 500 copies.

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Ton Koopman / J.S.Bach – Organ Spectacular (2001) [DVD-Audio ISO]

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Bon Jovi – Have A Nice Day (2005) [DVD-AUDIO ISO]

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Have a Nice Day, Bon Jovi’s ninth studio album of original material, picks up where 2002’s Bounce left off, showcasing a harder, heavier band than either 2000’s Crush or Jon Bon Jovi’s 1997 solo effort, Destination Anywhere. Not only that, but this 2005 album finds Jon Bon Jovi picking up on the serious undercurrent of Bounce, writing a series of angry, somber neo-protest songs that form the heart of this record. While he’s not exactly explicitly political here, there’s little question that he’s dissatisfied with the world today, whether it’s about life in small town America or the sorry state of pop music; he even goes so far to write a variation on Bob Dylan’s classic “Chimes of Freedom” with “Bells of Freedom.” Since he’s stretching out lyrically, the band finds a comfort zone in sticking in the tried-and-true arena rock that’s been their signature sound for 20 years now. While they sound appropriately grand and powerful — this is one of the few groups that sounds right at home in large venues — at times they pump up their choruses a little bit too much, so they sound strident, not anthemic. That heavy-handedness, coupled with a loud but colorless production from Bon Jovi, guitarist Richie Sambora, and John Shanks, with Desmond Child acting as executive producer for the whole thing, gives Have a Nice Day a sound that’s a bit too monochromatic for the band’s ambitions, or for its own good: at times, getting through the record can be a little bit of a chore, since there’s not much fun to be had here. Nevertheless, it’s hard not to admire Jon Bon Jovi’s attempt to stretch himself, particularly when he balances his earnestness with tunes as gentle as “Wildflower.” (more…)