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Tony Levin, David Torn, Alan White – Levin Torn White (2011/2014)
PS3 Rip | SACD ISO | DST64 5.1 > 1-bit/2.8224 MHz | Run Time: 55:15 | 2,37 GB
Progressive Rock, Fusion | Lazy Bones Recordings
Instrumental progressive rock album “Levin Torn White” is the kind of complex, intelligent, and experimental album that makes journeys into the genre rewarding and surprising. “Levin Torn White” is composed of Tony Levin on bass guitar and chapman stick, David Torn on guitar, and Alan White playing drums. On opening track “No Warning Lights”, the calm, unfamiliar background noise gives way to a frantic drum and bass assault that sounds like the Space Mountain ride hurtling to hell. Tracks such as “Ultra Mullett” have an electronic, futuristic pulse that recalls the type of aggressive ambient work Brian Eno created on albums including “Spinner” with Jah Wobble and last year’s “Small Craft on a Milk Sea” with Jon Hopkins. “Convergence” and other tracks have a more meditative and moody atmosphere. Most of the 14 songs on “Levin Torn White” have sudden shifts in tempo and rhythm. Songs like “Prom Night of the Centipede” hurl forward only to abruptly slow down and speed up again. The sudden changes in speed and how carefully they are handled are a testament to the dexterity and skill of these three expert musicians. “Levin Torn White” is a rich, textured instrumental album, and a fine addition to any prog rock fan’s music collection.
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Xavi Reija feat. Tony Levin, Markus Reuter, Dusan Jevtovic – The Sound Of The Earth (2018)
FLAC (tracks) 24 bit/44,1 kHz | Time – 01:17:00 minutes | 835 MB | Genre: Jazz Fusion, Jazz Rock
Studio Masters, Official Digital Download | Front Cover | © Moonjune Records
First heard on Xavi and Dusan’s inspired 2014 album, “Random Abstract” by XaDu, “Deep Ocean” starts things off with a fanfare of muscular guitar and cymbals crashing like waves on the rocky coast, carving out the beach and unearthing a primal groove with growling bass and jittering spectral figures. “The Sound of the Earth I” brings to mind David Sylvian’s post-Japan near ambient instrumental excursions where space and pause became as integral to the “composition as place” as his trusty Prophet 5. Once this world is created, and with a decidedly Beckian vibe (Jeff, that is), Dusan wrings from the neck of his guitar, some of the most emotive broken phrases and edited soulful voicings.
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