Rembrandt Frerichs, Alma Quartet, Dominic Seldis, Vinsent Planjer – Frerichs: Piano Concertos Nos. 1 & 2 (2022) [Official Digital Download 24bit/96kHz]

Rembrandt Frerichs, Alma Quartet, Dominic Seldis, Vinsent Planjer - Frerichs: Piano Concertos Nos. 1 & 2 (2022) [Official Digital Download 24bit/96kHz] Download

Rembrandt Frerichs, Alma Quartet, Dominic Seldis, Vinsent Planjer – Frerichs: Piano Concertos Nos. 1 & 2 (2022)
FLAC (tracks) 24 bit/96 kHz | Time – 01:00:00 minutes | 999 MB | Genre: Classical
Studio Masters, Official Digital Download | Digital Booklet, Front Cover | © TRPTK

Together with the Alma Quartet (all strings of the Royal Concertgebouw Orchestra), double bassist Dominic Seldis and his regular percussionist Vinsent Planjer, Frerichs took an entirely new and unexpected path. He brought the improvisational element back into classical music: a practice that was common in the time of Mozart and Beethoven. Composers then wrote out their orchestral parts and came up with their solo parts during the performance. Frerichs follows this pattern in his first two piano concertos. He uses a ‘black page’ with prescribed notes for the strings and allows himself to be inspired by the moment from a ‘white page’ together with percussionist Planjer. The musical imagination is given free rein and because of this unusual starting point, each performance will be different.
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Rembrandt Frerichs, Alma Quartet, Dominic Seldis, Vinsent Planjer – Frerichs: Piano Concertos Nos. 1 & 2 (2022) [Official Digital Download 24bit/96kHz]

Rembrandt Frerichs, Alma Quartet, Dominic Seldis, Vinsent Planjer - Frerichs: Piano Concertos Nos. 1 & 2 (2022) [Official Digital Download 24bit/96kHz] Download

Rembrandt Frerichs, Alma Quartet, Dominic Seldis, Vinsent Planjer – Frerichs: Piano Concertos Nos. 1 & 2 (2022)
FLAC (tracks) 24 bit/96 kHz | Time – 01:00:00 minutes | 999 MBGenre: Classical
Studio Masters, Official Digital Download | Digital Booklet, Front Cover | © TRPTK

Together with the Alma Quartet (all strings of the Royal Concertgebouw Orchestra), double bassist Dominic Seldis and his regular percussionist Vinsent Planjer, Frerichs took an entirely new and unexpected path. He brought the improvisational element back into classical music: a practice that was common in the time of Mozart and Beethoven. Composers then wrote out their orchestral parts and came up with their solo parts during the performance. Frerichs follows this pattern in his first two piano concertos. He uses a ‘black page’ with prescribed notes for the strings and allows himself to be inspired by the moment from a ‘white page’ together with percussionist Planjer. The musical imagination is given free rein and because of this unusual starting point, each performance will be different.
(more…)

Read more
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