Quatuor Girard, Guillaume Bellom – Saint-Saëns: Quatuor à cordes No. 1 – Quintette avec piano (2019) [Official Digital Download 24bit/96kHz]

Quatuor Girard, Guillaume Bellom - Saint-Saëns: Quatuor à cordes No. 1 - Quintette avec piano (2019) [Official Digital Download 24bit/96kHz] Download

Quatuor Girard, Guillaume Bellom – Saint-Saëns: Quatuor à cordes No. 1 – Quintette avec piano (2019)
FLAC (tracks) 24 bit/96 kHz | Time – 59:36 minutes | 1,14 GB | Genre: Classical
Studio Masters, Official Digital Download | Digital Booklet, Front Cover | © B Records

There is an entire life of composition between Saint-Saëns’s Quintet and Quartet — there are joys, sorrows, ideas and motifs, as well as the building of a life and an aesthetic. The Girard Quartet (Quatuor Girard) — currently one of the most promising French ensembles accompanied by young pianist Guillaume Bellom — wanted to capture this outstandingly delicate material on this new recording released by B Records. It was recorded in the calm and relaxed atmosphere of the Singer-Polignac Foundation.
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Quatuor Girard – Beethoven: Quatuor No. 2, Op. 59 – Hersant: Quatuor No. 4 ” The Starry Sky” (2018) [Official Digital Download 24bit/96kHz]

Quatuor Girard - Beethoven: Quatuor No. 2, Op. 59 - Hersant: Quatuor No. 4

Quatuor Girard – Beethoven: Quatuor No. 2, Op. 59 – Hersant: Quatuor No. 4 ” The Starry Sky” (2018)
FLAC (tracks) 24 bit/96 kHz | Time – 57:59 minutes | 1,10 GB | Genre: Classical
Studio Masters, Official Digital Download | Digital Booklet, Front Cover | © Paraty

Word Premier Recording – Fourth Quartet “The Starry Sky”The title of Philippe Hersant’s 4th Quartet, The Starry Sky immediately informs the listener that this piece alludes to Beethoven, since the starry sky is an emblematic Beethovenian topos. It appears in the following quote by Kant “the moral law within us and the starry sky above our heads” which Beethoven wrote in his personal journal in 1820 (aphorism No. 146). It is explicitly or implicitly present in many of his pieces, such as the song Abendlied Unterm gestirnten Himmel (Evening Song under the Starry Sky) and in the slow movement of his Eighth Quartet, Opus 59 No. 2 which, according to one of Beethoven’s confessions to Schindler, would be a “meditation under the starry sky”. Perhaps it is not a coincidence that these two pages are written in the key of E major, which Beethoven seemed to consider a mystical key.
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