Philzuid – Louise Farrenc Symphony No. 3 – Robert Schumann Symphony No. 3 (2024) [24Bit-96kHz] FLAC [PMEDIA] ⭐️

Philzuid - Louise Farrenc Symphony No. 3 - Robert Schumann Symphony No. 3 (2024) [24Bit-96kHz] FLAC [PMEDIA] ⭐️ Download

Philzuid – Louise Farrenc Symphony No. 3 – Robert Schumann Symphony No. 3 (2024) [24Bit-96kHz] FLAC [PMEDIA] ⭐️
FLAC (tracks) 24 bit/96 kHz | Time – 01:03:02 minutes | 1,10 GB | Genre: Classique
Studio Masters, Official Digital Download | Front Cover

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Philzuid & Duncan Ward – Louise Farrenc: Symphony No. 3 – Robert Schumann: Symphony No. 3 (2024) [Official Digital Download 24bit/96kHz]

Philzuid & Duncan Ward – Louise Farrenc: Symphony No. 3 – Robert Schumann: Symphony No. 3 (2024)
FLAC (tracks) 24 bit/96 kHz | Time – 01:03:02 minutes | 1,11 GB | Genre: Classical
Studio Masters, Official Digital Download | Front Cover | © Fuga Libera

Philzuid’s sixth album includes works by Louise Farrenc and Robert Schumann. This brave and welcome attempt to rewrite or at least re-evaluate music history features live recordings of Louise Farrenc’s Third Symphony and Robert Schumann’s Third (Rhenish) Symphony under chief conductor Duncan Ward. Female composers in the 19th century were not expected to pursue a career, let alone compete with the great symphonists of the period; Schumann, however, had all eyes and ears on him whenever he premiered a new work or took up a new position.

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Philzuid, Duncan Ward, Valentine Michaud – Béla Bartók: Dance Suite – Anders Hillborg: Peacock Tales – Claude Debussy: La mer (2023) [Official Digital Download 24bit/96kHz]

Philzuid, Duncan Ward, Valentine Michaud – Béla Bartók: Dance Suite – Anders Hillborg: Peacock Tales – Claude Debussy: La mer (2023)
FLAC (tracks) 24 bit/96 kHz | Time – 55:28 minutes | 977 MB | Genre: Classical
Studio Masters, Official Digital Download | Front Cover | © Fuga Libera

The fifth album of Philzuid features works by Béla Bartók, Anders Hillborg and Claude Debussy. Chief conductor Duncan Ward takes you on a journey filled with innovative sounds and with folk music. Bartók developed his own tonal language through elements taken from folk music whilst Anders Hillborg’s surprising tonal language shows the influence of Scandinavian folk music and of Klezmer. Claude Debussy, however, turned Romantic tonality on its head with harmonies and melodies that owed part of their development to Javanese gamelan music.

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