Philippe Bianconi – Ravel: L’Œuvre pour piano (2023)
FLAC (tracks) 24 bit/96 kHz | Time – 02:23:00 minutes | 1,65 GB | Genre: Classical
Studio Masters, Official Digital Download | Front Cover | © La Dolce Volta
While Romanticism still lingered here and there at the dawn of the twentieth century, Ravel turned his back on it: French and modern, his music does not go in for effusiveness. So was Ravel reserved? Was he impassive? Do his piano works, as stylishly turned out as the man himself, reveal nothing of his inner secrets?
Behind the sheer magic of the sound, of its seductive, dazzling surface, Philippe Bianconi detects passion, sensuality, profundity, oscillating between light and shadow, lively, embodied, witty and poetic.
This is distinguished Ravel playing, flavourful, passionate, sensuous, as elegant as it is colourful. From Jeux d’eau to Le Jardin féérique, an enchantment!
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Philippe Bianconi – Debussy: Préludes, Livres I & II (2012)
FLAC (tracks) 24 bit/96 kHz | Time – 01:17:22 minutes | 1,06 GB | Genre: Classical
Studio Masters, Official Digital Download | Front Cover | © La Dolce Volta
Philippe Bianconi has achieved recognition as one of France’s most accomplished instrumentalists despite his reluctance to embrace the capital. The interpretion of French music has always been of great importance in his repertoire.
“Debussy has always been part of my life” says the pianist about the composer so close to his heart.
Discophiles have been impatiently awaiting his recording of the towering Préludes, but Philippe Bianconi has taken his time before entering the studio to capture what he calls “the quintessence of Debussy’s art”. Beneath his fingertips, which conjugate a profound attention to detail with an irresistible poetic imagination, the art of Claude de France reveals all its riches and its startling modernity.
The enchanting sonorities and the density of Philippe Bianconi’s interpretation make his new CD a major addition to the list of great versions of the Préludes, enhanced by the exceptional sound quality of the recording itself, to which the pianist has devoted particular attention.
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