Matthew Halls – J.S. Bach: Goldberg Variations (2010) [Official Digital Download 24bit/44,1kHz]

Matthew Halls - J.S. Bach: Goldberg Variations (2010) [Official Digital Download 24bit/44,1kHz] Download

Matthew Halls – J.S. Bach: Goldberg Variations (2010)
FLAC (tracks) 24 bit/44,1 kHz | Time – 02:10:25 minutes | 1,74 GB | Genre: Classical
Studio Masters, Official Digital Download | Digital Booklet, Front Cover | © Linn Records

Matthew Halls is one of the brightest sparks of the UK early music scene, who, as director of Retrospect Ensemble, has rapidly established himself as one of Britain’s most exciting young conductors as well as a leading harpsichordist. J.S. Bach: Goldberg Variations’, features Bach’s popular masterpiece for keyboard, plus Sarabanda con Partite and Aria Variata.
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Anton Steck, L’arpa festante, Matthew Halls – Beethoven, Pössinger: Violin Concertos (2016) [Official Digital Download 24bit/96kHz]

Anton Steck, L'arpa festante, Matthew Halls - Beethoven, Pössinger: Violin Concertos (2016) [Official Digital Download 24bit/96kHz] Download

Anton Steck, L’arpa festante, Matthew Halls – Beethoven, Pössinger: Violin Concertos (2016)
FLAC (tracks) 24 bit/96 kHz | Time – 01:02:01 minutes | 1,02 GB | Genre: Classical
Studio Masters, Official Digital Download | Digital Booklet, Front Cover | © Accent

Award-winning German violinist Anton Steck joins Matthew Halls and the Baroque chamber orchestra L’arpa festante on violin concertos by Viennese composer Franz Alexander Pssinger and his friend Beethoven. Steck presents the world premiere of Pssinger’s concerto, written in 1805, just one year before Beethoven’s popular concerto. It took Beethoven’s work more than three decades to conquer the concert hall, ultimately gaining its popularity through two printed revisions published in Vienna and in London, which both reveal substantial changes in the solo parts. The quest for Beethoven’s “original version” proves to be extremely complicated, as Beethoven himself offered up to four alternatives to the soloists in some spots of the manuscript. A study of the different inks and quills used in that autograph allowed Steck to propose the unusual version recorded here, a tangible and transparent rendering of a famous piece thanks to the use of historical instruments.
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