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Katia Labèque, Marielle Labèque – Glass: Cocteau Trilogy (2024)
FLAC (tracks) 24 bit/48 kHz | Time – 01:38:37 minutes | 863 MB | Genre: Classical
Studio Masters, Official Digital Download | Front Cover | © Universal Music Division Decca Records France
Katia and Marielle Labèque dedicate their new album to the music of Philip Glass and complete his opera triptych composed between 1993 and 1996, based on the films of Jean Cocteau. The pianist sister duo, whose career spans more than fifty years, is now completing the Cocteau trilogy with Orphée and La Belle et la Bête, following his successful recording of Les Enfants Terribles from 2020. The works were specially arranged for them by Glass’ music director Michael Riesmann.
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Katia Labèque – Dream House Quartet (EP) (2023)
FLAC (tracks) 24 bit/48 kHz | Time – 27:57 minutes | 279 MB | Genre: Classical
Studio Masters, Official Digital Download | Front Cover | © Deutsche Grammophon (DG)
Formed in 2018, Dream House Quartet fuses decades of musical mastery of classical and contemporary forms. Its members – world-renowned pianists Katia and Marielle Labèque; Grammy-winning guitarist, composer and founding member of The National Bryce Dessner; and composer, musician and producer David Chalmin – perform radical new commissions from visionary composers and key contemporary works of the last 50 years. Their first EP for DG features music by Chalmin, Dessner and Meredith Monk.
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Katia Labèque & Triple Sun – Moondog (2018)
FLAC (tracks) 24 bit/88,2 kHz | Time – 40:57 minutes | 703 MB | Genre: Electronic
Studio Masters, Official Digital Download | Front Cover | © Deutsche Grammophon (DG)
Manhattan in the Sixties. Every day, at the corner of 54th and Sixth, stood an imposing blind man with a druidic beard, dressed and helmeted like a Viking. Every day, he played music with home-made percussion instruments and declaimed poems. A simple eccentric or picturesque figure? No. Louis Thomas Hardin, called ‘Moondog’, was one of the true geniuses of his time. And even one of the geniuses of all time, prolific and visionary, capable of linking Bach, jazz and Amerindian rhythms, writing mini-symphonies, madrigals, piano pieces, highbrow makeshifts… His art? A rare treasure accessible to all, as unique as it is universal. His life? A solitary odyssey strewn with encounters – from Philip Glass to Charlie Parker (to whom he dedicated Bird’s Lament, his best-known song), and from Leonard Bernstein to Stephan Eicher. This extraordinary career ended in Germany, at the heart of this Europe where he always felt like a child in exile. As time went on, Moondog’s admirers would include Igor Stravinsky, Arturo Toscanini, Paul Simon, Frank Zappa, Janis Joplin, John Zorn, Sophie Calle, Damon Albarn, Jarvis Cocker, Philippe Starck, Antony Hegarty, Riad Sattouf et al.
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