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IDLES – TANGK (2024)
FLAC (tracks) 24 bit/48 kHz | Time – 40:11 minutes | 480 MB | Genre: Alternative Rock
Studio Masters, Official Digital Download | Front Cover | © Partisan Records
TANGK is the righteous and vibrant fifth album from madcap truth-seekers, IDLES. Pronounced “tank” with a whiff of the “g” – an onomatopoeic reference to the lashing way the band imagined their guitars sounding that has since grown into a sigil for living in love – the record is the band’s most ambitious and striking work yet. Where IDLES were once set on taking the world’s piss, squaring off with strong jaws against the perennially entitled, and exercising personal trauma in real time, they have arrived in this new act to offer the fruits of such perseverance: love, joy, and indeed gratitude for the mere opportunity of existence. A radical sense of defiant empowerment radiates from TANGK, co-produced by Nigel Godrich, Kenny Beats, and IDLES guitarist Mark Bowen. Despite his reputation as an incendiary post-punk sparkplug, frontman Joe Talbot sings almost all the feelings inside these 10 songs with hard-earned soul, offering each lusty vow or solidarity plea as a bona fide pop song—that is, a thing for everyone to pass around and share, communal anthems intended for overcoming our grievance. TANGK is a love album—open to anyone who requires something to shout out loud in order to fend off any encroaching sense of the void, now or forever.
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Idles – Ultra Mono (2020)
FLAC (tracks) 24 bit/48 kHz | Time – 42:52 minutes | 555 MB | Genre: Alternative, Indie
Studio Masters, Official Digital Download | Front Cover | © Partisan Records
Following Brutalism (2017) and Joy as an Act of Resistance (2018), two releases that garnered global critical acclaim, IDLES return with their highly anticipated third album – Ultra Mono. Sonically constructed to capture the feeling of a hip-hop record (including production contribution from Kenny Beats), the album doubles down on the vitriolic sneer and blunt social commentary of their past work. Not far beneath the surface of their self-admitted sloganeering lies a deeply complex and brutally relevant album that chews up clichés and spits them out as high art for the masses. This is momentary acceptance of the self. This is Ultra Mono.
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IDLES – CRAWLER (2021)
FLAC (tracks) 24 bit/96 kHz | Time – 46:35 minutes | 992 MB | Genre: Post-Punk, Art Punk, Noise Rock
Studio Masters, Official Digital Download | Front Cover | © Partisan Records
Idles have announced their next studio album. It’s called Crawler and it arrives November 12 via Partisan. The 14-track follow-up to last year’s Ultra Mono was recorded at Real World Studios in Bath during the pandemic. It was co-produced by Kenny Beats and Idles guitarist Mark Bowen. Today, the band has shared lead single “The Beachland Ballroom,” named after the Ohio venue.
Of the new song, lead vocalist Joe Talbot said in press materials:
It’s the most important song on the album, really. There’s so many bands that go through the small rooms and dream of making it into the big rooms. Being able to write a soul tune like this made me go, fuck—we’re at a place where we’re actually allowed to go to these big rooms and be creative and not just go through the motions and really appreciate what we’ve got. The song is sort of an allegory of feeling lost and getting through it. It’s one that I really love singing.
Mark Bowen added: “I didn’t know Joe could sing like that. He’s been trying to write ‘Be My Baby’ since the very beginning, but he didn’t want to be the punk guy wearing the Motown clothes. He wanted it to feel natural, and this song is.”
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IDLES – Five Years of Brutalism (2017)
FLAC (tracks) 24 bit/96 kHz | Time – 01:30:18 minutes | 1,45 GB | Genre: Alternative, Indie
Studio Masters, Official Digital Download | Front Cover | © Partisan Records
Brutalism was originally self-released in March 2017, surpassing expectations to become one of the decade’s most important debut albums. Beneath the surface of its aggressive, foreboding music and lyrics lies a level of confessional vulnerability and honesty that comfortably cemented it as an instant classic.
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