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Gringolts Quartet & Meta4 – Mendelssohn & Enescu: Octets (2020)
FLAC (tracks) 24 bit/96 kHz | Time – 01:09:43 minutes | 1,24 GB | Genre: Classical
Studio Masters, Official Digital Download | Front Cover | © BIS
Before Felix Mendelssohn produced his Octet for strings in 1825, only Louis Spohr had composed for a similar combination of instruments. Rather than an octet, however, Spohrs work was a double quartet written for two equal but independent string quartets. Mendelssohn, on the other hand, treated the eight instruments as a single unit, collaborating in symphonic orchestral style, as he himself put it. He was only sixteen when he composed the Octet, full of a youthful ardour that has made it one of his most popular works. It is a farewell to the Mozartian style that had characterized Mendelssohns early production and at the same time a first step on the way to Romanticism. The second octet on this disc is also a youthful work written at a time of transition, now from Romanticism to Modernism: George Enescu was 19 years old when he completed his Octet in C major in December 1900. The work is concentrated, complex and highly contrapuntal, a sounding illustration of what Enescu elsewhere described in words: I am by nature a polyphonist, not at all an advocate of sequences of pretty chords. I have a horror of anything that stagnates. For me, music is not a state but rather an action Among the small number of works for this instrumental combination, these belong to the very finest, and are here performed by two of todays leading quartets: the Gringolts Quartet and Meta4 have both made numerous acclaimed recordings in the most diverse repertoire.
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Gringolts Quartet – Schoenberg: String Quartets Nos. 1 & 3, Opp. 7 & 30 (2022)
FLAC (tracks) 24 bit/96 kHz | Time – 01:19:16 minutes | 1,42 GB | Genre: Classical
Studio Masters, Official Digital Download | Digital Booklet, Front Cover | © BIS
After covering Schoenberg’s Second and Fourth String Quartets on a previous album, the Gringolts Quartet return to tackle his First and Third quartets. Schoenberg, who is mostly associated with the decline of tonality, is not a composer who is for everyone, however if one were to dip their toes into the pool of atonality, serialism and twelve-tone, then the String Quartet No. 1 in D minor is a great place to start. Considered his first ‘assured masterpiece’ (which even Brahm’s allegedly approved of!) Schoenberg sticks largely to the key of D minor, the word ‘largely’ is used here as he does make fantastic work of extended tonality and tight motivic structure to create interesting musical development.
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