Edward Elgar – Elgar The Dream of Gerontius (2024) [24Bit-96kHz] FLAC [PMEDIA] ⭐️

Edward Elgar - Elgar The Dream of Gerontius (2024) [24Bit-96kHz] FLAC [PMEDIA] ⭐️ Download

Edward Elgar – Elgar The Dream of Gerontius (2024) [24Bit-96kHz] FLAC [PMEDIA] ⭐️
FLAC (tracks) 24 bit/96 kHz | Time – 01:35:09 minutes | 1,49 GB | Genre: Classique
Studio Masters, Official Digital Download | Front Cover

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Paul McCreesh, Gabrieli Consort – A Rose Magnificat (2018) [Official Digital Download 24bit/192kHz]

Paul McCreesh, Gabrieli Consort - A Rose Magnificat (2018) [Official Digital Download 24bit/192kHz] Download

Paul McCreesh, Gabrieli Consort – A Rose Magnificat (2018)
FLAC (tracks) 24 bit/192 kHz | Time – 01:17:50 minutes | 1,70 GB | Genre: Classical
Studio Masters, Official Digital Download | Digital Booklet, Front Cover | © Signum Records

Paul McCreesh leads the Gabrieli Consort in a collection of works that explores the diverse and extensive body of works dedicated to the Blessed Virgin Mary over the centuries. Music by Tallis, MacMillan, Howells and Leighton frames the world premiere of a new work by the young British composer, Matthew Martin: a setting of the Magnificat, interpolated with verses from the atmospheric medieval poem ‘There is no rose’.

The Gabrieli Consort are world-renowned interpreters of great vocal and instrumental repertoire from the Renaissance to the present day. Formed as an early music ensemble by Paul McCreesh in 1982, Gabrieli has both outgrown and remained true to its original identity through its live performances and award-winning recordings.
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Gabrieli Consort & Paul McCreesh – Purcell: The Fairy Queen, 1692 (2020) [Official Digital Download 24bit/192kHz]

Gabrieli Consort & Paul McCreesh – Purcell: The Fairy Queen, 1692 (2020)
FLAC (tracks) 24 bit/192 kHz | Time – 02:19:04 minutes | 4,20 GB | Genre: Classical
Studio Masters, Official Digital Download | Front Cover | © Signum Records

Purcell’s The Fairy Queen is based on Shakespeare’s A Midsummer Night’s Dream, a play not frequently performed in the late 17th century, nor very well regarded (“the most insipid ridiculous play that ever I saw in my life” – Samuel Pepys’ diary, 1662). Despite this, the play would go on to work well within an opera, as the characters of Pyramus and Thisbe could conjure up singing and dancing accomplices. Purcell’s masterful composition, Gabrieli’s first-class performance, and McCreesh’s superb interpretation demonstrate why their recordings are seen as some of the best in classical music today.

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