![King Crimson - Larks’ Tongues in Aspic (40th Anniversary Edition) (1973/2023) [High Fidelity Pure Audio Blu-Ray Disc]](https://imghd.xyz/images/2024/05/12/138741_front.md.jpg)
Francesco Bearzatti, Danilo Gallo, Stefano Tamborrino – Post Atomic Zep (2023)
FLAC (tracks) 24 bit/96 kHz | Time – 47:40 minutes | 805 MB | Genre: Contemporary Jazz, Jazz
Studio Masters, Official Digital Download | Front Cover | © doKumenta Music
Francesco Bearzatti, an acclaimed Italian saxophonist known for his boundary-pushing approach to jazz, is back with a brand new album that pays homage to the iconic rock band Led Zeppelin. Joined by a talented trio of musicians on bass, drums, and live electronics guitar effects, Bearzatti delivers a fresh and electrifying take on some of Led Zeppelin’s greatest hits. With influences ranging from free jazz to rock, the album promises to be a must-listen for fans of adventurous music and artists like John Zorn and The Bad Plus.
Read more
Francesco Bearzatti and Tinissima 4et – Zorro (2020)
FLAC (tracks) 24 bit/96 kHz | Time – 37:33 minutes | 812 MB | Genre: Jazz
Studio Masters, Official Digital Download | Front Cover | © Cam Jazz
Jazz is the music of liberation, of resistance to injustice, of romance and adventure, and sometimes of conflict. Its true identity has always been double rather than singular. At around the same time early jazz was thrilling audiences, readers were gasping at the adventures of a masked man called Zorro who had been called up out of the darkness of oppression to set things right [leaving his mark on the wall each time]. On the centenary of Zorro’s creation, saxophonist Francesco Bearzatti and his Tinissima 4et present CAM JAZZ’s latest contribution to widescreen jazz drama. Zorro is a wild suite of big cinematic themes, romantic interludes, sweeping landscapes and breathtaking chases. If the cliché about jazz as a cinematic experience ever meant anything it is this. With trumpeter Giovanni Falzone, bassist Danilo Gallo and drummer Zeno De Rossi, the saxophonist who once declared, with Woody Guthrie, that “this machine kills fascists” restores jazz’s association with the redress of injustice. Zorro isn’t a political lecture, though; it’s an entertaining and deeply moving journey across a dreamed landscape that we all secretly share. And remember that “jazz” ends with not one swept “z” but two…
Read more